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9Nov

Introduction to Thai Amulets

Categories: Ancient Amulet Charms and Talismans Coin Amulet Metal Amulet Powder Amulet Pra Pidta Pra-Kru Takrut
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Thai Buddhist Amulets of High esteem

Thai amulets, known as “Phra Khruang” or “Krueang Rang,” are deeply embedded in the cultural and spiritual fabric of Thailand. These sacred objects are revered not only for their spiritual significance but also for their historical and cultural value. The tradition of wearing amulets in Thailand is a practice that dates back centuries, intertwining with the country’s religious beliefs, history, and social customs.

The creation of Thai amulets is a diligent and complex ritual process, that involves a blend of spiritual rituals, sacred materials, and artistic craftsmanship. These amulets are often made by revered Buddhist monks, Ruesi hermits, or lay sorcerers who are skilled in mystical arts. The process begins with the selection of sacred materials, which may include powdered herbs, sacred earths, metals, and other substances believed to possess inherent protective qualities. These materials are then mixed with holy water and sacred oils, and often inscribed with ancient scripts or symbols known as “Yant.”

The empowerment of amulets is a crucial aspect, involving the chanting of sacred mantras or “Kata” and the invocation of spiritual entities. This ritual is believed to imbue the amulet with “Itti-rit” or psychic powers, granting it the ability to protect the wearer, bring good luck, or enhance personal attributes such as charm and popularity. This form of magic is known as “Metta Maha Niyom,” which focuses on increasing the wearer’s attractiveness and social influence.

Lanna Master Kroo Ba Nikorn Blessing Nam Tao Gourd Amulets

Kroo Ba Nikorn Blessing Nam Tao Gourd Amulets

Thai amulets can be categorized based on their origin, form, or purpose. Naturally occurring objects such as certain types of iron, boar tusks, and tiger fangs are believed to have intrinsic protective qualities and are often guarded by spirits. Man-made amulets, on the other hand, are crafted using sacred clay admixtures or metallurgical processes, often involving ancient alchemical practices.

forging metallic alchemical amulets

The imagery on Thai amulets varies widely, encompassing depictions of the Buddha, noble monks, Bodhisattvas, Devas, and even gods and demi-gods. Some amulets also feature elements of the dark arts, invoking the spirits of ghosts or otherworldly entities. Despite the diversity in their forms and purposes, all Thai amulets share a common goal: to bring Buddhist virtues and protection to those who wear them.

The historical significance of Thai amulets is profound. They are not only religious artifacts but also cultural symbols that reflect the beliefs and values of Thai society. The practice of wearing amulets is documented as far back as the Rattanakosin period during the reign of King Rama IV, although it likely predates this era, especially considering it is recorded that King Naresuan maharaj wore a Takrut across his chest on a cord, which shows that the practice dates back many centuries more, as well as the Kru Hiding place burial finds which reveal amulets having been made 700-1000 years agot already in Siam. Throughout history, amulets have been used as protective talismans in battles, as symbols of faith, and as objects of personal devotion.

Pra Khun Phaen Ban Krang Ancient Clay Hiding-Place Amulet

One of the most revered figures in the history of Thai amulets is Somdej Toh, a legendary monk known for his profound spiritual wisdom and the creation of the famous Pra Somdej amulets. These amulets are highly valued for their spiritual efficacy and exquisite artistry, making them sought-after items among collectors and devotees alike. The authenticity and age of these amulets are of paramount importance, requiring a keen understanding of the materials and techniques used in their creation.

Macro Close Up of the Pra Somdej Wat Gaes Chaiyo with Somdej Dto

In modern times, the popularity of Thai amulets has only grown, with many people around the world collecting and wearing them for various reasons. Whether for spiritual protection, good fortune, or as a connection to Thai culture, these amulets continue to hold a special place in the hearts of many. The enduring appeal of Thai amulets lies in their ability to bridge the spiritual and the material worlds, offering a tangible connection to the divine and a source of comfort and inspiration in everyday life.

For those interested in exploring the world of Thai amulets, there are numerous resources available. Websites such as ancientamulet.com and thailandamulet.net, authored by Ajarn Spencer Littlewood, provide extensive information on the history, types, and significance of these sacred objects. These platforms offer insights into the art of evaluating and authenticating antique Thai Buddhist amulets, helping collectors and enthusiasts navigate this fascinating realm with confidence and understanding.

Thai amulets are more than just religious artifacts; they are an integral parts the rich cultural heritage and spiritual beliefs of Thailand. Whether crafted from sacred materials or naturally occurring objects, these amulets serve as powerful conduits of protection, embodying the timeless wisdom of the Buddha and the enduring faith of the Thai people.

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1Jun

Khun Phaen Pong Prai Kumarn 2515 LP Tim Blue with Takrut Maha Bpraab 1st Prize Trophy Winner

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1st Prize Certificate of Authenticity Khun Phaen Pong Prai Kumarn 2515 LP Tim Blue

The Pra Khun Phaen Pong Prai Kumarn 2515 BE Pim Yai Nuea Khaw Sukh Pasom Pong Prai Kumarn Ta Ya Wan See Fa, is a unique and highly sought-after amulet. This particular piece is from Block Tong Hlueang (Block 2), and it boasts a rare color, adding to its rarity and value. The amulet features a striking Wan Thao Hlong Blue Herbal Tint, which gives it a distinctive and alluring appearance.

Pra Khun Phaen Pong Prai Kumarn Blue 2515 LP Tim

One of the standout features of this amulet is the Takrut Maha Bpraab, a sacred metallic scroll spell, inserted into the rear face. This ancient Thai practice of inserting metallic scrolls into amulets is believed to imbue them with powerful protective properties. This exhibit is in excellent condition.The details and features of the amulet are highly refined, adding to its aesthetic and spiritual value.

Pra Khun Phaen Pong Prai Kumarn Blue 2515 LP Tim
The amulet is Blue in color, but was made from in white Prai Kumarn and Puttakun powders, a characteristic that enhances its visual appeal. It has been treated with a blue herbal tincture, which not only gives it a unique hue but also adds to its spiritual significance. The ‘Sai Rae Tong Kam’ gold flakes applied during the pressing process further enhance its beauty and value. These gold flakes were applied by adding Nam Man Prajao Thaksin oil into the block press with gold flakes before pressing the Sacred Clay into the molds. This process resulted in the amulets absorbing the oil and the gold flakes covering and affixing themselves to the surface of the amulets, creating a stunning visual effect.

This amulet is a meticulously preserved specimen of a premier-grade, award-winning Pra Niyom Master Class Amulet, the Pra Khun Phaen Pong Prai Kumarn Pim Yai, a creation of the esteemed Luang Phu Tim of Wat Laharn Rai. This amulet was a first-place winner in the Glum Anuraks Ban Kaay amulet society competition in March 2561 BE, earning it not only a first prize trophy but also the distinction of being the Supreme Champion Class Amulet, an honor signified by its display on stage alongside the accompanying certificate.

Trophy Khun Phaen Pong Prai Kumarn 2515 LP Tim Blue VersionCertificate Khun Phaen Pong Prai Kumarn 2515

This amulet is renowned for its alleged capacity to draw prosperity and success in one’s career, making it a highly desirable item for individuals aiming to boost their financial luck. The attractive power attributed to this talisman is believed to go beyond material gains, fostering increased goodwill and kindness from others towards the wearer. The compassionate influence it is believed to radiate is said to create a harmonious and peaceful environment in the wearer’s life.


This amulet comes with free express shipping worldwide, making it easily accessible to collectors and enthusiasts around the globe. Additionally, a solid silver waterproof casing is included upon request, providing an extra layer of protection and preservation for this exquisite piece.

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7Feb

Look Om Tao LP Sanguan 2500 BE Wat Phai Pan Mer

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Lp Sanguan

A rare and famous classic Thai Buddhist amulet from yester-year; of the ‘Krueang Rang’ talismanic variety The Look Om Maha Sanaeh in Nuea Tao Pong Yuk Wat Mai Phai (sacred powders from the Wat Mai Phai early era), with Pong Ittijae powders, from Supannburi Master Luang Por Sanguan, of Wat Phai Pan Mer, released in 2500 BE, the anniversary of 2500 Years of Buddhism.

Look Om Nuea Tao 2500 BE Thai Amulet LP Sanguan

Luang Por Sanguan, was a very famous master of his time by hearsay, for his reputation preceded him, by devotees telling their stories of his powerful amulets, and the successes they had with them, and from his great merits as a monk. He was famous for Metta Maha Niyom Magic above all, and is known to have made a large variety of different types of amulets, for, as was often the case with 19th and 20th Century Master Monks, he was an Adept in many Magical Wicha. But perhaps the most famous of his Wicha was the Look Om Tao, for its immense power to charm and enchant.

LP Sanguan of Wat Phai Pan Mer in Supannburi

His many sacred powder amulets were considered extremely powerful, through Luang Por’s use of Sacred Pong Ittijae Muan Sarn Powders which were made by Luang Por Sanguan himself, over his whole lifetime trajectory, constantly rewriting the Sacred Pong Lob Yantra and repeating the empowerment on the powders. This repeated empowerment of the Ittijae powders over many years of his practice.

Luang Por Sanguan is known to have mastered all of the methods for all five of the ‘Pong Wised’ Sacred Muan Sarn Powders; Pong Bpathamang, Puttakun, Trinisinghae, Ittijae, and Maharach. He was especially known for his ability to mix these powders with sacred herbs and other ingredients. He would empower with Metta Maha Niyom and Maha Sanaeh Magical Power of Attraction.

Look Om Nuea Tao LP Sanguan

 

His Look Om became legendary for its Maha Sanaeh power so much, that it gained the nickname of ‘Look Plaek Mae’, which means ‘Makes Son and Mother do not recognizer each other’. This of course is a folk nickname, and is slighly rude, but insinuates that the power of the Look Om Tao, was able to improve even the most unlikely of chances, of charming a person who would otherwise not be interested in you.

It is known that Luang Por would always rely on his Pong Ittijae powders created over a lifetime of practice, to ensure the power within his amulets. This was because he had developed a special affinity with the empowerment of Pong Ittijae. Every time he would release amulets, he would make Look Om sacred powder balls from the Pong Ittijae surplus. Apart from Pong Ittijae, he is also known to have included Rae Saket Daw (meteorite flakes), sacred earths from Wat Ban Krang, and sacred relic minerals found at the temple of Wat Phai Pan Mer.

Close up of Muan Sarn Powders of Look Om Nuea Tao amulet

If we look at the Look Om of Luang Por Sanguan, over his life trajectory, we can see that his early era Look Om were mixed with other ngredients, such as sacred earths, herbs, betal-areca nut paste, channaroeng stingless bees nest paste, and powdered flakes of meteorite.

However, if we look at the Look Om which were made at Wat Phai Pan Mer after his years of Tudong preceding, we can see the sacred clay to be much more uniform like the clay used for his Pra Somdej, resulting in a hard smooth surface that is easy to recognize, even for beginners in the art of studying amulets. Their appearance is very uniform with equally high distribution of Pong Ittijae in each amulet.

This is because towards the latter part of his life, he did not go out on Tudong to the forests anymore to collect other herbs and ingredients, and would use his own Pong Ittijae. It is said that there is a Takrut Maja Sanaeh hidden within the Look Om, intended to increase power of attraction, and good business sales and customer count. Luang Por Sanguan would always oversee the mixing of Muan Sarn to make the sacred clay, and instruct his apprentice monks at the temple in assisting to press the many amulets which were released in each edition.

Close up of Muan Sarn Powders of Look Om Nuea Tao

It is officially accounted from many devotees who visited the temple, that they always witnessed Luang Por Sanguan inscribing Yantra every evening, using a Ruesi Chalk stick made from Yantra powders, to inscribe the hundreds of Sacred Yant used to make POng Lob powders, and keep reusing the chalk residues to make new Ruesi chalk stiicks and repeat the process, for years on end. He would constantly empower the powders he made with incantations, and prayers, taking them into the shrineroom for morning and evening prayers to receive the vibrations of the monks chanting. He would make Look Om himself by mixing the powders with prayer water and other mediums and roll them in his hand, and blow his spells into them, during his nightly withdrawal from the world.

Look Om Nuea Tao 2500 BE - Luang Por Sanguan Wat Phai Pan Mer

The Great Luang Por Pae, of Wat Pikul Tong in Singhburi is known to have often lauded Luang Por Sanguan, saying ‘Ajarn Sanguan makes very powerful Ittijae powders’. Whenever Luang Por Pae would have a Putta Pisek (Buddha Abhiseka) blessing ceremony, he would always invite Luang Por Sanguan to attend, and send people to go and pick him up and bring him to the temple. In return, it is said that Luang Por Sanguan would always tell his students that Luang Por Pae was a Great and Meritorious monk, and that if they found themselves in Singhburi Province, they should go visit him and pay respects.

Look Om Nuea Tao LP Sanguan Wat Phai Pan Mer

Kata for Luang Por Sanguan & His Amulets

Kata (Incantation/Prayer) for amulets of Luang Por Sanguan;

Idti Bpi So Pa Ka Waa Sam Maa Sam Put To Na Mo Put Taa Ya Idti Bpaara Mi Dtaa Dting Saa Idti Sap Pan Ya Maaka Dtaa Idti Po Ti Ma Nu Bpa Dto Idti Bpi So Ja Dtae Na Mo

Kon Tang Hlaay Rak Sa Maa Ka Dtaa So Taa Ya Om Sri Sri Sawad Jaroen – Hnaa Guu Ngaam Hmuean Pra Jantr Muea Wan Pen Bukkon Hen Rak Kon Hen Kon Tak Guu Kun Keuy Dueay Decha Pra Putta Jao Dtrat Waa

Aewam Mae Sudtang Aegang Sa Ma Yang Pa Ka Waa Pitsawaat Hlong Hlai Pitsamay Naeb Nuea Jai Jidtr Kid Teung Klao Kleung Winyaa Wichaa Ja Ra Na Sam Bpan No Ya Taa So Sap Pae Cha Naa Pa Huu Cha Naa

Bpi Maedtaa Bpi Garunaa – Na Maedtaa Mo Garunaa Put Bpen Ti Rak Taa Hai Hen Prajaks Ya Hai Yin Dee Ya Han Dta Waa Taa Mao Mua Put Paa Dtua Ao Ma Haa Guu Mo Som Suu Na Yoo Duay Jon Dtua Dtaay

Idt Thii Hi Bpuu Chi Dtang Sap Pa Sukh Khang Ja Ma Haa Laa Pang Sap Pa Gro Tang Wi Naas San Dti Saa Ra Pad Sa Dtruu Wi Naas San Dti

Om La Luay Ma Haa La Luay Krai Hen Hnaa Guu Gor Ngong Nguay Jong Jai Rak Tak Praa Say On La Mai Ma Haa Guu A Sang Wi Su Lo Bu Sa Pu Pa Na Ma Pa Ta Iswaa Su Ma A U Jidt Dtang Waa Maa Ni Maa

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3Feb

Dao Nai Pan Nai Pon LP Pina Wat Sanomlao

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The Most Sacred and Potent Dao Nai Pan Nai Pon Lucky Star Amulet, crafted by the revered Luang Por Pina – a Sacred Charm of Karma Improvement, and a Fortunate Star of Protection, Wealth, Elevated Status, Advancement, and Propitious Destiny. This specimen is of medium size, referred to as Pim Klang, measuring 3.2 x 2 cm. The face of the five-pointed star is painted a radiant red, while the back of the eight-pointed star gleams in silver, a common trait of this particular model. This is the two-faced amulet featuring both a five and eight-pointed pentacle, coated with lustrous silver-orange hued Muan Sarn Sacred Powders. This particular piece is imbued with extra potency, as it contains Mai Gon Fa Pha – the essence of lightning-struck treewood – within its base.

The Dao Nai Pan is a unique amulet, featuring two distinct stars, each with its own significance. On one side lies a five-pointed star, reminiscent of the Military Star, while the other boasts an eight-pointed pentacle, reminiscent of the Police Force emblem. Though these symbols hold great meaning within the context of the military and police force, the true spiritual significance imbued within each star design runs much deeper.

This amulet is often revered for its abilities to enhance wealth through its potent Maha Lap Magick. Yet, it contains within its confines a vast collection of hallowed Buddhist blessings, exerting powerful and propitious effects on the forces of karma. It is tradition to wear the amulet with the pendant ring inclined, as prescribed by the original edition of the Mae Nuea Horm Lucky Star (which was larger in size and featured a crescent moon below the star).

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16Oct

Pong Solos Maha Prohm Sacred Muan Sarn Powders of LP Tim

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Pra Pong Solos Maha Prohm

A Documentation of the Dtamra, behind the The Miraculous Pong Solos Maha Prohm Sacred Muan Sarn Powders of LP Tim Issarigo, of Wat Laharn Rai

Luang Phu Tim Amulets Nuea Pra Nu4ea Pong Solos Maha Prohm
Amulets made from the legendary Nuea Pong Solos Maha Prohm Sacred Powders of Luang Phu Tim Issarigo, are renowned for their sacredness, with all models being extremely rare, and highly favored by high-end collectors of sacred amulets. The Muan Sarn Sacred Ingredients used for these immensely rare amulets, was gathered and donated to Luang Phu Tim, by Ajarn Pathom Aaj Sakorn, of the Baan Kaay Co-Operative. The powders were empowered by Luang Phu Tim, using the Wicha Solos Maha Prohm, which is an extremely complex and difficult Magical Wicha to accomplish and Master, resulting in only a few Masters over the ages having managed to successfully manifest this kind of Magical Empowerment.

Luang Phu Tim Thai Amulets Nuea Pra Nu4ea Pong Solos Maha Prohm

The Wicha Solos Maha Prohm is composed in part by the inscription of spells using Agkgara Tamma Khom-Lao (Khmer-Lao Magical Sanskrit), within a Sacred Geometrical Design, using the powders as ‘Pong Lob’, to inscribe hundreds of spells within the pile of powder, laid on a blackboard (written by erasure). The Wicha Maha Solos Maha Prohm, invokes the 16 Angelic Beings of the Heavenly Realms, the 15 Kinds of Earthbound Sacred Spirits, the 14 Deities of the Bodhala Underworlds, and the Deities of 21 Brahma Dimensions, where the Bhagava and Sudhavasa Brahmas dwell, to endow the amulets with Blessings.

Luang Por Tim

The Muan Sarn ingredients used for Pong Maha Solos Maha Prohm include;


Pong Solos Maha Prohm of Luang Phu Sri Tat of Wat Dork Gaew in Nakorn Phanom, Solos Maha Prohm Powders from Yogi Hareb (Ajarn Cheun Jantra Paetch), from India, the Legendary Pong Nava Lokuttara (9 Unworldly Powder) of the Great Luang Phu Sonti of Wat Ta Dork Gaew in Nakorn Phanom, Pong Solos Mongkol Pitsadarn of Luang Phu Hiang of Wat Aranyikawas in Chonburi, Pong Na Bad Talord Dtai Gradan of Luang Phu Bun Mee, of Wat Po Sampant (Famous for its Classic Edition blessed by LP Tim and LP To (Wat Pradoo Chimplee), Pong Radtana Mala from Ruesi Sandtajidt (‘Tan Chao Prakhun Pra Ariya Kunasarn’ otherwise knwn as Luang Por Seng Bpusso), of Wat Khaio Suan Kwang, in Khon Khaen.

Pra Sivali Nuea Maha Solos Mongkol Pasom Pong Prai Kumarn 2nd Prizewinner Authenticity Certificate Luang Phu Tim

Pong Jet Jantr Paen, and Pong Prohma Lok (Brahma World Powders) of Pra Ajarn Wang Thidtasaro, of Phu Langka, Pong Samputta Hongsa of Pra Ajarn Fan Ajaro (Sakon Nakorn), Pong Sandta Nakae (7 Naga King Head Powders), which is a powerfully prepared Yantra Powders using Numerology and Gematria found within the Kampir Wicha Trinisinghae, using Pong Lob Yantra Powder Inverted Inscriptions according to the formula of Jet Koon Jet Harn (Multiply 7 Times and dissolve 7 Times = 7 by 7 repetitions, and divisions/encryptions of the Magic Spell). This spell seals the Magic of the Ongkanakae 7 Naga Kings’ powers within the Muan Sarn, through invocation of the Kata Chant ‘Bot Puchong Boripadtra’.

Luang Phu Tim Thai Amulets Nuea Pra Nu4ea Pong Solos Maha Prohm

Additional ingredients included; Pong Bailan Sacred Grimoire Parchment Soot, from 108 Ancient Sorcery and Buddha-Magic Tomes in various Magical scripts such as Agkhara Khom, Mong, Pali, Sanskrit (Devanagari), and in Aksorn Tam Isan. The powders were made by burning the Grimoires in a fire, and performing recitations of the Dhamma in Buddhist Chanting. The soot is then collected and used as a sacred Powder.

  • Din Khuy Pu 108 Ruu Pu (sacredly empowered sand from the holes of 108 beach crabs, considered a powerful type of substance).

  • Earths from the tops of mountains where no foot has ever been set before, collected by Monks and Ruesi on Tudong Wilderness Wandering Practice.

  • Funereal and Cemetery Earths from 4 Spirit Dwelling Monastery Graveyards.

  • Sacred Black Rice from Ancient Kru Hiding Chambers, discovered in Buddhist Relic Stupas.

  • Rang Hmaa Raa Bpid Bpid Pragan (Magical Mimic Hoverfly/Ceriana wasp Earthen Nest Powders)

Rang Mala ceriana wasp nest

  • Klai Sema Paed Tidt Temple Boundary Wall Residue from 8 directional points around the temple.

  • Gabin Wan Bod La-Iad (108 finely ground Herbal Substances).

  • Pong Bpathamang, Puttakun, Ittijae, Dtrinisinghae 5 Sacred Yantra Powders, mixed with Pong Tat Tang See 4 Elements Powders, using Herbal Lacquers.

Luang Phu Tim Thai Amulets Pra Nakprok Sadta Nakae Nuea Pong Solos Maha Prohm

Luang Phu Tim Issarigo, of Wat Laharn Rai, was one of the Top Masters of the Twentieth Century, world famed for his powerful Sacred Powders, especially the Pra Khun Phaen Pong Prai Kumarn, Look Om Prai Kumarn, and other Pong Prai Kumarn Amulets, Takrut, Carved Images & Talismanic Charms. Recent times have seen the uncovering of more documentation about the grand pantheon of his amulets, till yet unheard of except by the older locals of Ban Kaay, and devotees of Luang Phu Tim. This has caused a grand resurgence of interest with devotees, curators, and high end Thai amulet collectors. Luang Phu Tim’s amulets are extremely favord and sought after for their Metta Maha Niyom, Maha Sanaeh, and Maha Lap Maha Pokasap Magical properties.

LP Tim Issarigo

Pra Kroo Pawanapirat, or, commonly known as Luang Phor Tim Issarigo, was born on the 16th May in the year 2422 Buddhist Era, This was during the time of His Majesty King Rama 5. Luang Phor Tim was born in Ban Hua Tung Ta Budtr in Tambon Lahan, in Ban Kaay Municipality of the Province of Rayong.  LP Tim lived to the age of 96 years old, when he passed away on the 16th October in the year 2518 BE, with 69 years of ordained life behind him.

Ancient Classic Amulets of Luang Phu Tim (Part One)

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20Aug

Nang Kwak Amulet Luang Por Jong Wat Na Tang Nok

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Presenting an extremely well preserved, finely detailed, and immensely Rare amulet of the Great Luang Por Jong of Wat Na Tang Nok; Pra Nang Kwak Loi Ongk statuette, for powerful ‘Kaa Khaay’ Business Success, ‘Maha Sanaeh’ magic to Attract Customers, ‘Maha Lap’ Lucky Fortunes, and ‘Metta Mahaniyom’ Mercy Charm. The amulet is cast from Sacred Bronze (Samrit), and is styled in ancient fashion, forged using ancient alchemy.

The Nang Kwak amulet of Luang Por Jong, is an immensely rare acquisition for the true Devotee of Luang Por Jong, and an irresistible exhibit for any truly avid collector of this Master, and for those who seek the perfect amulet to increase their business earnings and customers, and improve their charm, business and social skills.

Nang Kwak Nuea Samrit 2490 BE Luang Por Jong Front Viiew

Luang Por Jong made amulets between the years 2483, to 2507 BE, after which Luang Por passed away in the year 2508 BE. Luang Por Jong, was one of the previous generation of attained Masters, of National and International Fame. The Mae Nang Kwak amulets of lp Jong are considered amongst the top 5 Mae nang kwak amulets of all Masters, along with Luang Phu Bun (Wat Klang Bang Gaew), Kroo ba Chum (Wat Wang Mui), Luang Por Te (Wat Sam Ngam), and Luang Por Im (Wat Hua Khao)

Known for his Kong Grapan Chadtri Klaew Klaad protective amulets handed out to soldiers during the Indochina Wars. His Pla Tapian Maha Lap Kaa Khaay amulets are also renowned for their ability to instigate good commerce and prolific sales quotas with sales persons.

Luang Por Jong Wat Na Tang Nok

Luang Por Jong was one of the Great Guru Masters of the Ayuttaya Province, whose powers of Kong Grapan Chadtri, Klaew Klaad, and Maha Amnaj Serm Yos Magic was highly favored with high ranking officers and successful leaders of Adminstrative Professions. He was famous for many different amulets, and released many, including the Takrut Hnaa Phaag Suea (Tiger Forehead Skin Yantra Scroll), the Pla Tapian Koo, and his Many Sacred Powder Amulets, such as this Pra Somdej Bailan from the Indo-China War Era.

Nang Kwak Nuea Samrit 2490 BE Luang Por Jong right side View

His Guru Monk Coin amulets are highly sought after and revered, and have a well documented ‘Dtamra’ (Catalogue of the Pantheon), allowing for collectors to easily authenticate and research the origins of these amulets. His Magic Ring Amulets, Pra Somdej and other Sacred Powder Votive Tablets, and Powerful Takrut are famous as they are rare to find. Luang Por Jong’s Pla Tapian Maha Pokasap Lap Kaa Khaay Gold-Silver Fish amulets, are also renowned worldwide, for their ability to instigate good commerce and prolific sales quotas with sales persons.

Nang Kwak Goddess of Luck Luang Por Jong 2490

The Legend of the Ghost Soldiers

Thailand sent nearly 40,000 volunteer soldiers to South Vietnam to serve alongside the Free World Forces in the conflict, but unlike the other foreign participants, the Thais came armed with historical and cultural knowledge of the region. Blending the methodologies of cultural and military history, as well as their mysterious Buddha-Magic, as was seen by the foreign soldiers who saw the Thai Military wearing amulets, who were shot down, and who stood up again unscratched, and continued fighting as if they were bulletproof. This caused the alliedf forces to give the Thai Soldiers the name ‘Taharn Phii’ meaning ‘Ghost Soldiers’. This legend became well known and talked about with the western allies, amny of whome beseeched their Thai allies to bring them to a master monk for protective amulets for themselves.

Luang Por Jong is counted along with the other Great Masters Luang Por Jong (Wat Bang Grabao), Luang Por Chaeng (Wat Bang Pang), Luang Por Opasi (Asrom Bang Mot), Luang Por Kong and Ajarn Chum Chai Kiree, as well as the temple of Wat Sutat, to have provided the most powerful miraculous amulets to the Thai Military to protect them from danger and death during battle. The Thai volunteers in their wartime encounters with American allies, were often seen to be hit by bullets, and stand up again unhurt, which caused the Thai soldiers to earn the nickname ‘Taharn Phii’, meaning ‘Ghost Soldiers’.

Luang Por Jong of Wat Na Tang Nok was one of the great Guru Masters of the Ayuttaya Province, in line with the Great Luang Por Parn of Wat Bang Nom Kho, and is one of the Great Masters who assisted the Thai Military with powerful Kong Grapan Chadtri and Klaew Klaad amulets during the Indochina Wars. Luang Por Jong was a Highly Attained Master in both Worldly Deeds of Goodness and Self Renunciation, as well as in the Dhamma Path. His Great Fame and Honorable Status has survived more than half a century, and who is remembered as one of the Greatest Masters of His Time, and as one of the Greatest Masters of the Ayuttaya Lineage.

Nang Kwak Nuea Samrit 2490 BE Luang Por Jong left side View

Luang Por Jong was born with the name ‘Jong’ into a farmer family in the village of Na Mai, in Bang Sai Municipality, of the Province of Ayuttaya. HIs Father was called my Yord, and his Mother was called Mrs. Khlip. Luang Por Jong had two younger siblings (one brother and one sister). His younger brother was called Nil, and his little sister was called Bplik, who was the youngest of the three. It is not known exactly which date Luang Por Jong was born, for there is no official documentation of his birth. But it is stated in his family lineage, that he was born during the time that King Rama 5 was ruling Siam, on a Thursday of the year of the monkey on the 8th Lunar Phase. This, when calculated from knowing the Year of Monkey during the Reign of King Rama 5, within Luang Por Jongs childhood, would mean he would have been born on the 6th of March 2415 BE. During his childhood he displayed strong leanings to remain in solitary, and even when his parents would take him to the local Lige theatre shows, he would distance himself from the crowd of spectators and watch from a distance. He was never one to socialise or look for attention. Luang Por Jong was ordained in 2435 BE at Wat Na Tang Nork temple in Ayuttaya, and was given the ordained name of Jong Puttassaro with the Abbot of Wat Na Tang Nork as his Pra Anusawanajarn (Luang Por Po). Luang Por Po noticed that Luang Por Jong, despite being weak of body and prone to illness, was excellent in his mental capacity and learned the Khom Agkhara Sanskrit perfectly in a very short time. It became noticed by the local devotess and by Ajarn Po himself that Luang Por Jong was showing wisdom and ability in Wicha Akom Sorcery that was far beyond his age.

Luang Por Jong, Ancient Master Monk of Wat Na Tang Nok

In no time at all, Luang Por Jong was given every single facet of the Wicha from his Kroo Ba Ajarn Luang Por Po, and became a Master Sorceror in his own right, and a great Dhamma Practitioner and Teacher to the local Folk. His trajectory followed on from that, and he never stopped advancing, becoming one of the Greatest Sorceror Monks of his Era, until his passing in the year 2508 BE. Luang Por Jong remains one of the most famous Masters of Indochina Wartime Era for his Powerful Kong Grapan Chadtri, Klaew Klaad, Maha Lap, Kaa Khaay and Metta Maha Niyom Magic.

Thai Version of Nang Kwak

There is also the Thai Occult Legend of Nang Kwak, which gives a different account of the origins of Lady Nang Kwak, which goes like this;

Nang Kwak is the daughter of ‘Phu Jao Khao Khiaw’ (meaning ‘Grandfather Lord of the Green Mountain – Khao Khiaw could also mean ‘Green Horns’). Phu Jao Khao Khiaw was a Lord of the Jadtu Mahaa Raachiga realm (one of the lower levels of Heaven – an Asura realm of giants and monster beings). His other name is ‘Pra Panasabodee’, and he is the Lord of the forest and places where wild plants grow. In that time, there was an Asura demon called Taw Gog Khanag (otherwise known as ‘Taw Anurach’). Taw Gog Khanag was a good friend of Phu Jao Khao Khiaw, who had been attacked by ‘Pra Ram’ (the name of Rama in the Thai Ramakian – adapted from the Indian Ramayana Epic), who had thrown a Gog tree at him which pierced his chest and carried him through space to be pinned to the side of ‘Pra Sumen’ (Mount Meru). In addition, Pra Ram cursed him with the following magic spell; ‘Until your descendants weave a Civara monks robe from lotus petals, and offer it to Pra Sri Ariya Maedtrai (Maitreya – the future Buddha), your curse will not be lifted’.

Nang Kwak Luang Por Jong Overhead View

After this, Nang Prajant, the daughter of Lord Gog Khanag (Taw Anurach) had to serve her father, spending the days and nights trying to weave a Civara robe from lotus petals, in order to have it ready for offering to Pra Sri Ariya Maedtrai, who will descend to become enlightened in a future age from now.

Because Lord Gog Khanag had to remain cursed and pinned to Pra Sumen, his daughter was in a pretty dire state without her father to help run things.
Because she had to spend all her time weaving the Civara, she had no time to go sell things or make money, nor time to run a shop. When Jao Khao Khiaw heard the news of this, he felt compassion, and sent his daughter Nang Kwak to go stay with her as a companion. Because of the ‘Bunyarit’ (power of her great merit), Nang Kwak caused merchants and rich nobles from around the area to flock to Nang Prajants home and bestow gifts of gold, silver and money on them. Nang Prajant became wealthy and led a comfortable life.

Nang Kwak Luang Por Jong front View

Nang Kwak statues are a very sacred and ancient tradition of Deva worship which Thai Buddhists adopted from Brahmins as they immigrated and came to stay in Siam, long before Buddhism had got a foothold. Due to this, Ajarns of Ancient Times created ‘Kreuang Rang’ (magical effigies) in the likeness of a lady with a shoulder mantle, sitting and beckoning with her waving right hand, inviting you to come and buy her wares. The statues were dressed in the traditional costume, and the Masters would make offerings and chant in meditation, until the statues hand began to wave back and forth, which was the signal that the ritual was successful and complete. Nang Kwak is seen to be prayed to (Bucha), as an altar statue, and also as an amulet, and Pha Yant (Yantra Cloth), and sometimes as powder amulets, and lockets.

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15Jun

Palad Khik Luang Por Ee Wat Sattahip

Categories: Ancient Amulet Charms and Talismans
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The Commonly called “Palad Khik carved wooden phallic amulet in Nuea Mai Paya Ngiw Dam, is extremely aged, from the mid-late era of the great Luang Por Ee, of Wat Sattahip, is one of the rarest and most highly valued Palad Khik Worldwide, and a Top Preferred Masterclass Talismanic amulet (Circa 2480). Luang Por Ee amulets are now nearly impossible to come by. He is well-known for his Monk Coins (posthumous editions) 2473, 2485 (still alive), and 2504, 2511, and 2515, but also his Palad Khik amulets, Hmak Tui, Takrut, and Pid Tawarn amulets. His Palad Khik and Pidta, as well as his Magical Wicha, are used to create carved wooden, natural substance-based, and Alchemical metal amulets.

Palad Khik LP Ee

Many people believe his amulets are among the most powerful of all Palad Khik. This Palad Khik is a perfectly preserved exhibit from LP Ee’s mid-late era, powerfully blessed amulet in sacred black Ngiw tree-wood, from one of the Greatest Masters in Thai Amulet History, that can only be described as an Ultra-Powerful, and highly desirable ancient amulet of LP Ee.
Luang Por Ee was a Chonburi Region Gaeji Ajarn Guru Monk and one of the Great Olden Days Masters of Thai Buddhist History. His amulets are both rare and popular among Thai Buddhists, particularly in Central Thailand.

Wat Sattahip is the temple that Luang Por Ee built with his own hands in the year 2442 BE, which is now well over a Century ago, and Luang Por Ee was the temple’s first Abbot when it was built. Luang Por Ee was well-known for his abilities in Samatha meditation and Vipassana mindfulness practices. He could enter, continue to remain in, and leave the Kasina and Jhanic mind states at will, as well as change his inner state of consciousness, to dwell in whichever state was appropriate for the practice.

Palad Khik LP Ee Wat Sattahip

Palad Khik LP Ee Wat Sattahip


He stood out for his skill, which was noticeably superior to that of his Sangha peers, and for his impeccable behavior. This was due to his ability to elevate his mind above the vedhana (emotions) and not allow them to flood his mind with anger, sadness, stress, suspicions, and all the other manifestations of emotional and mental impediments and hindrances that arise within the psyche of an ordinary unpracticed human being. He was able to extinguish negative emotions or afflictive emotions due to cold, heat, hunger, thirst, aches and pains, and self-created mental worries. Luang Por Ee is known to have never complained about anything or expressed dissatisfaction with anything. Even while he was sick, he never complained, moaned, or groaned, or even told anybody. He would always remain in the same peaceful, state of balance. Luang Por Ee acknowledged the value of a good education and built the Rong Rian Ban Na Sattaheeb public school for the citizens of Sattaheeb.

Throughout his vocation, Luang Por Ee produced numerous amulets and occult talismanic charms, including his legendary Palad Khik, which is considered co-leader of the status of top Palad Khik of all time, along with the Palad Khik of Luang Por Hluea. His Takrut, along with his Suea Yant (Yantra Shirts), Rian Kanajarn Monk Coins, Pra Pid Ta, ‘Pra Sam’ (Pra Tri Gaay), and ‘Pra Prohm See Hnaa’, are among the rarest and most pursued talismans (4 Buddhas in one votive tablet).

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