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9Nov

Introduction to Thai Amulets

Categories: Ancient Amulet Charms and Talismans Coin Amulet Metal Amulet Powder Amulet Pra Pidta Pra-Kru Takrut
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Thai Buddhist Amulets of High esteem

Thai amulets, known as “Phra Khruang” or “Krueang Rang,” are deeply embedded in the cultural and spiritual fabric of Thailand. These sacred objects are revered not only for their spiritual significance but also for their historical and cultural value. The tradition of wearing amulets in Thailand is a practice that dates back centuries, intertwining with the country’s religious beliefs, history, and social customs.

The creation of Thai amulets is a diligent and complex ritual process, that involves a blend of spiritual rituals, sacred materials, and artistic craftsmanship. These amulets are often made by revered Buddhist monks, Ruesi hermits, or lay sorcerers who are skilled in mystical arts. The process begins with the selection of sacred materials, which may include powdered herbs, sacred earths, metals, and other substances believed to possess inherent protective qualities. These materials are then mixed with holy water and sacred oils, and often inscribed with ancient scripts or symbols known as “Yant.”

The empowerment of amulets is a crucial aspect, involving the chanting of sacred mantras or “Kata” and the invocation of spiritual entities. This ritual is believed to imbue the amulet with “Itti-rit” or psychic powers, granting it the ability to protect the wearer, bring good luck, or enhance personal attributes such as charm and popularity. This form of magic is known as “Metta Maha Niyom,” which focuses on increasing the wearer’s attractiveness and social influence.

Lanna Master Kroo Ba Nikorn Blessing Nam Tao Gourd Amulets

Kroo Ba Nikorn Blessing Nam Tao Gourd Amulets

Thai amulets can be categorized based on their origin, form, or purpose. Naturally occurring objects such as certain types of iron, boar tusks, and tiger fangs are believed to have intrinsic protective qualities and are often guarded by spirits. Man-made amulets, on the other hand, are crafted using sacred clay admixtures or metallurgical processes, often involving ancient alchemical practices.

forging metallic alchemical amulets

The imagery on Thai amulets varies widely, encompassing depictions of the Buddha, noble monks, Bodhisattvas, Devas, and even gods and demi-gods. Some amulets also feature elements of the dark arts, invoking the spirits of ghosts or otherworldly entities. Despite the diversity in their forms and purposes, all Thai amulets share a common goal: to bring Buddhist virtues and protection to those who wear them.

The historical significance of Thai amulets is profound. They are not only religious artifacts but also cultural symbols that reflect the beliefs and values of Thai society. The practice of wearing amulets is documented as far back as the Rattanakosin period during the reign of King Rama IV, although it likely predates this era, especially considering it is recorded that King Naresuan maharaj wore a Takrut across his chest on a cord, which shows that the practice dates back many centuries more, as well as the Kru Hiding place burial finds which reveal amulets having been made 700-1000 years agot already in Siam. Throughout history, amulets have been used as protective talismans in battles, as symbols of faith, and as objects of personal devotion.

Pra Khun Phaen Ban Krang Ancient Clay Hiding-Place Amulet

One of the most revered figures in the history of Thai amulets is Somdej Toh, a legendary monk known for his profound spiritual wisdom and the creation of the famous Pra Somdej amulets. These amulets are highly valued for their spiritual efficacy and exquisite artistry, making them sought-after items among collectors and devotees alike. The authenticity and age of these amulets are of paramount importance, requiring a keen understanding of the materials and techniques used in their creation.

Macro Close Up of the Pra Somdej Wat Gaes Chaiyo with Somdej Dto

In modern times, the popularity of Thai amulets has only grown, with many people around the world collecting and wearing them for various reasons. Whether for spiritual protection, good fortune, or as a connection to Thai culture, these amulets continue to hold a special place in the hearts of many. The enduring appeal of Thai amulets lies in their ability to bridge the spiritual and the material worlds, offering a tangible connection to the divine and a source of comfort and inspiration in everyday life.

For those interested in exploring the world of Thai amulets, there are numerous resources available. Websites such as ancientamulet.com and thailandamulet.net, authored by Ajarn Spencer Littlewood, provide extensive information on the history, types, and significance of these sacred objects. These platforms offer insights into the art of evaluating and authenticating antique Thai Buddhist amulets, helping collectors and enthusiasts navigate this fascinating realm with confidence and understanding.

Thai amulets are more than just religious artifacts; they are an integral parts the rich cultural heritage and spiritual beliefs of Thailand. Whether crafted from sacred materials or naturally occurring objects, these amulets serve as powerful conduits of protection, embodying the timeless wisdom of the Buddha and the enduring faith of the Thai people.

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27Apr

Luang Por Ngern Amulet Fa Kamron Edition Wat Bang Klan

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Luang Por Ngern Run Fa Kamron

Roop Lor Luang Phor Ngern Fa Kamron Edition Amulet – Wat Bang Klan

Luang Phor Ngern Wat Ban Klan, Pim Fa Kamron, sacred metal Guru Monk amulet cast with chanuan sacred metal alloy made from old temple bell brass, and previous editions of ancient amulets, of various periods unearthed under the base of the principal Buddha image. in the old church Luang Phor Ngern era which remains from pouring the cast of the broken gun model in 1985, pouring gold before the Buddhist Lent day at the Sema Wat temple boundary. The amulets were principally consecrated individually by Luang Phor Chua, a famous monk of the times, throughout the rainy season (quarter 3 months), after which it was brought into the Maha Phuttha Phisek ceremony on November 17, 1991, which had monks The following Kroo Ba Ajarn Mentors present : Luang Por Chuea, Bang Khlan Dtai Temple, Luang Phor Prueang Wat Bang Khlan Nuea (the creator of Luang Phor Ngern 2515 BE amulet), Luang Por Juan of Nong Sum Temple, Luang Por Phon of Dakkan Temple, Luang Phor Nhon of Wat Phutthabat Khao Ruak, etc.

Roop Lor Luang Por Ngern Fa Kamron

The Power of the Roop Lor Fa Kamron Edition Amulet

The Roop Lor Fa Kamron edition amulet is highly sought after for its reputed magical power. It is believed to provide protection against harm and danger, as well as to bring good luck and prosperity. The amulet is often worn by those who seek spiritual guidance and protection, as well as by those who believe in the miraculous power of Luang Por Ngern.

Both large and small prints on the front Sangkati cloth are inscribed with “U” as a symbol. But some of them are not stuck. Because of the ancient method Underneath the base of the Buddha image, is the word ‘Ngern’ on the base. The surface effect of the chanuan muan sarn is evidently cast using precious editions of Luang Por Ngern amulets, including of course the Pern Dtaek broken gun edition. There is a stain of the socket that sticks so tightly that it turns black. The texture is the same as the broken gun model. famous throughout the amulet world Because it’s the same formula. The Buddha’s outstanding virtue It has been famous for a long time.

Rear fface Luang Por Ngern Fa Kamron amulet

Pra Luang Por Ngern Broken Gun Edition 2528 BE Wat Bang Klan

A Miracle event

While Wat Bang Klan Tai performed the ceremony of pouring gold to Phra Luang Por Ngern There was a loud noise. Clear sky without rain clouds It was terrifyingly dark and gloomy, and then the lightning struck the middle of the ceremony canopy. Thunder roared throughout the area. like the soul of Luang Por Ngern in the heavens and as though he had attended the consecration ceremony that event tens of thousands of people They criticized each other in various ways at the thunder and the sky in the midst of the ceremonial canopy. even though there is not even a slight rain cloud The people of Bang Khlan therefore dubbed the sacred object In this ceremony, Dua said that the Fa Kamron generation

Luang Por Ngern Run Fa Kamron base of amulet

But there are villagers who call this Luang Por Ngern Fa Kamron model, another name is ‘Fan Pla’ fish tooth model because there are villagers who took the Fa Kamron amulet, and inserted into the mouth of the fish, then used a knife to stab it. The first time didn’t go in. The second time, increasing the strength again, it didn’t go in. The third time, he increased his strength and did not enter again. until the Roop Lor Luang Por Ngern monk amulet was thrown out of the mouth of the fish So the villagers call this version of the amulet, ‘Pim Fan Pla’, meaning; ‘the fish tooth version’.

Kata Ārātanā Luang Por Ngern Wat Bang Klan

Pra Luang Por Ngern Fa Kamron Edition Amulet

The Pra Luang Por Ngern Fa Kamron edition amulet is a rare and highly revered amulet from the legendary Thai Buddhist master-monk, Luang Por Ngern of Wat Bang Klan. This edition of amulet is particularly special because it was created using the sacred metal admixture of Pern Dtaek broken gun edition amulet.

Luang Por Ngern Run Fa Kamron Thai Amulet

The Sacred Metal Admixture

Pern Dtaek broken gun is a sacred metal admixture that is created by melting down old and broken guns that have been used in battles. The metal from these guns is said to have powerful protective properties that can shield the wearer from harm and danger. Luang Por Ngern was a master of creating amulets using this sacred metal admixture, and the Pra Luang Por Ngern Fa Kamron edition is one of the most famous.

The Roop Lor Fa Kamron Edition Amulet

The Pra Luang Por Ngern Fa Kamron edition amulet is a Roop Lor amulet, which means it is a small image or statue of Luang Por Ngern that is meant to be worn as a protective talisman. The amulet features the image of Luang Por Ngern seated on a lotus throne, with one hand raised in a blessing gesture and the other hand holding a magical sword. The amulet is cast from the sacred metal admixture of Pern Dtaek broken gun, and is said to have powerful protective properties.

Rear Face Luang Por Ngern Run Fa Kamron Thai Amulet

The Roop Lor Fa Kamron edition amulet is highly sought after by collectors and devotees alike. It is considered one of the most powerful amulets created by Luang Por Ngern, and is said to have the ability to protect the wearer from harm, ward off evil spirits, and bring good luck and fortune.

Luang Por Ngern and Wat Bang Klan

Luang Por Ngern was a highly respected and revered Thai Buddhist monk who lived from 2431 BE to 2462 BE. He is known for his exceptional magical abilities and psychic mind powers, which have earned him a worldwide following of devoted followers to this day. One of his most famous creations is the Roop Lor Fa Kamron edition amulet, which is highly sought after by collectors and enthusiasts.

Pra Kru Luang Por Ngern Wat Khao Pra Dtai Luang Por Ngern Wat Bang Klan

The Magical Wicha of Luang Por Ngern

Luang Por Ngern was famous for his magical Wicha, which included the creation of powerful amulets and talismans. His amulets are known for their ability to provide protection, bring good luck and fortune, and ward off evil spirits. Luang Por Ngern’s Wicha was so powerful that he was known to have psychic mind powers, including the ability to read people’s thoughts and predict the future.

Kata Bucha Incantations for Luang Por Ngern

Devotees of Luang Por Ngern often recite Kata Bucha incantations to pay homage and seek blessings from the master-monk.

Kata Ārātanā Luang Por Ngern Wat Bang Klan

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16Feb

Pra Pid Ta Hlang Yant Tu Sa Ma Ni Luang Pu Bun

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Phra Pidta Luang Pu Bun

Pra Pid Ta Maekasit Hlang Hua Jai Pra Bpathamang – Luang Phu Bun Wat Klang Bang Gaew

An extremely rare Pra Pid Ta amulet of Luang Phu Bun, the Pra Pid Ta Hlang Tant Tu Sa Ma Ni, of Luang Phu Bun, of Wat Klang Bang Gaew. The Yant on rear face can be seen in the famous Pra Gleep Bua amulets of LP Bun, which were discovered some decades ago and found to be documented by the temple.

Below Exhibit – Pra Pid Ta Hlang Yant Tu Sa Ma Ni Nuea Maekasit See Tong Pla Hlai

Pra Pid Ta Luang Phu Bun Wat Klang Bang Gaew in Gold Casing


Not all models of metallurgical amulets are fully documented, but from what information is accumulated to date, it is known that Luang Phu Bun made Pra Pid Ta, and Pra Pim Samadhi Gleep Bua meditating Buddha amulets in Maekasit metals, and in more rare and fewer numbers, also in other metallurgical alchemical alloys. The Pra Pid Ta is rarer than the Pra Pim Gleep Bua, which were primarily all made from Maekasit, whereas the Pid Ta is also found in Lor Boran forged alchemical bronze alloy.

Rear Face Pra Pid Ta Hlang Tu Sa Ma Ni Luang Phu Bun Wat Klang Bang Gaew

The rear faces of these amulets are found to have a number of different designs on the rear face, and in the case of the Pim Gleep Bua lotus-petal shaped Maekasit versions, 7 different models are documented (which does not mean that there are no other models made, rather, that documentation is a continuous voyage of discovery, but by no means the be-and-end-all of a pantheon of amulets.

Pra Pid Ta LP Bun Pantheon Book
The Pid Ta Lor Boran and Gleep Bua Maekasit amulets were never released in any official edition, rather mostly handed out by Luang Phu Bun to his devotees himself, when they would come to pay respects and make merits. The documentation to date is constructed mostly from devotees who received amulets in their hand from LP Bun himself, and showed their amulets, but it coud be, that there are much more than the officially discovered, known and documented 7 Pim.

Below;  A decades old publication showing various Pra Pid Ta of Luang Phu Bun

Pra Pid Ta amulets of Luang Phu Bun Wat Klang Bang Gaew

 

In fact, with olden days masters, one can almost always assume, that not all of their amulets were documented, as in ancient times, there was much less attention to documenting the amulets of every monk in every year of their lives. This is also why those authors who study and uncover new information, and publish that which is known are important contributors to the preservation of knowledge about Thai Buddhist Amulets and their Makers.

Pra Pid Ta Maekasit LP Bun - examples of the various types found within the 7 major Pim

The Pra Pid Ta Khao Buang has many different appearances due to the olden days fcasting methods, and is still not fully documented as a pantheon. Not all models have yet been identified. However, for now, we can name and define at least seven models of Pim Pid Ta and Pra Gleep Bua.

Pra Pid Ta Luang Phu Bun in Thai amulet publication

Luang Phu Bun is said to have been a close accomplice, and often mutually visited with the Great Luang Phu Nak of Wat Huay Jorakhae, in Nakorn Pathom. LP Bun received the methodology and mastery of the Wicha Maekasit from LP Nak, which is the ancient science of Alchemical Metallurgy from the Dtamra Saiyawaet, used for casting powerful metallic magical amulets. For this reason, the majority of Luang Phu Bun’s Maekasit amulets have a dark black sheen to them, similar to Luang Phu Nak’s Maekasit. But in some very few exhibits one can see the see tong pla hlai greenish-golden sheen which is often also seen in the amulets of Luang Por Tap, of Wat Anongkaram in Nontaburi.

Luang Phu Bun of Wat Klang Bang Gaew

The seven major documented Pim are as follows; 1. Pra Pid Ta Maha Ud Hlang Agkhara Tu Sa Ma Ni (Hua Jai Pra Bpathamang***), 2. Pra Pid Ta Maha Ud Hlang Yant Dto, 3. Pra Pim Samadhi Gleep Bua Hlang Ppra Pid Ta, 4. Pra Pim Samadhi Gleep Bua Hlang Agkhara 4 Dtua (4 Khom Agkhara Syllables on rear face, seen to vary), 5. Pra Pim Samadhi Gleep Bua Sum Hlang Pra Pid Ta (Elongated pointed arch model), 6. Pra Pim Luang Por Dto Hlang Pra Pid Ta, and 7. Pra Pim Bua Met Hlang Yant Na Ma Pa Ta (with 4 Khom Pali Syllables on rear face NA MA PA TA representing the 4 Elements).

Pra Pid Ta Maekasit LP Bun 7 Pim

***Please note; The term ‘Hua Jai Pra Bpathamang, comes from the Dtamra Saiyawaet Magical Grimoires, but in Dhamma Sastra (Buddha Science), it has been falsely named by the amulet world as ‘Hua Jai Pra Bpathamang’ and lists the four syllables as ‘TU SA MA NI’ whereas if we list, the 4 Noble Truths in their proper order, and notice that ‘TU SA MA NI’, are the first syllables of each Pali Sanskrit word of the 4 Noble Truths (Hua Jai Pra Ariyasaj 4), then we can see that it should be ‘TU’ for ‘Tugkh; (Dhukkha – Suffering/Dissatisfactoriness), ‘SA’ for ‘Samutayaa’ (A Cause of Suffering/Dissatisfaction), then ‘NI’ for ‘Nirote’ (Nirodha – extinguishing of all external perceptions, and of Dhukkha/Dissatisfactoriness), and finally ‘MA” for ‘Maggha (The 8 Fold Path to the Cessation of all Suffering).

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25Jan

Phra Pidta LP Nak Wat Huay Jorake

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Phra Pidta Mekasit LP Nak

The Phra Pidta of LP Nak is a highly revered amulet created by the late great Thai monk Luang Phor Nak of Wat Huay Jorake temple in Nakhon Pathom, Thailand. The Phra Pidta, also known as “the closed-eye Buddha,” is a representation of the Lord Buddha in deep meditation, entering the state of Nirodha, and is believed to bring blessings of protection, good luck, and wealth to the wearer.

Pra Pid Ta Luang Pu Nak Wat Huay Jorake

The Phra Pidta amulet created by LP Nak was made usually in Nuea Mekasit alcemical metal, but also in sacred loha chanuan bronze and other brazen metal mixtures (less often seen). I is said that LP Nak himself was an adept master of alchemical metallurgy, and the Wicha Pra Pidta. It found in medium and small sizes (Pim Lek & Pim Yai) and has various models sch as the Pra Pid Ta Hoo Gradtay ‘Rabbit Ears’ model. It is believed that the Phra Pidta amulet of LP Nak has the power to protect its wearer from harm, bring good luck, and attract wealth and prosperity. Some of the Pra Pid Ta of Luang Pu Nak possess hand inscriptions scratched onto the surface of the metal, with Khom Agkhara and Sacred Yant.

Phra Pidta amulet represents a meditating Buddha entering into the state of Nirodha. Nirodha is the third of the Buddha’s Four Noble Truths and refers to the attainment of the cessation of suffering. The image of a meditating Buddha is representative of the amulet’s ability to bring peace and block out all forms of inauspicious events and bad luck, protect against all dangers and black magic. The amulet is believed to have the power to block out negative energy and to protect the wearer from harm due to the reputation of the creator and his spiritual energy.

Luang Pu Nak was a well-known Thai Buddhist monk and the abbot of Wat Huay Jorake temple in Nakhon Pathom, Thailand. He was well-known for his spiritual teachings and wisdom, as well as his ability to craft powerful amulets. His reputation as a powerful spiritual leader, combined with his ability to craft powerful amulets, ensures that his legacy lives on, and his amulets are highly sought after. He died in 1959, but his teachings and amulets are still revered and respected by many Thais and people all over the world.

Luang Pu Nak, of Wat Huay Jorake in Nakhon Pathom

Many people in Thailand and around the world believe that the Phra Pidta amulet of LP Nak is particularly powerful for Kong Grapan/Klaew Klaad Protection Magic, due to the reputation his Pidta developed over the years as many stories of lifesaving miracles were recounted by devotees who wore the Pidta of LP Nak. LP Nak was known for his deeply spiritual teachings, and his ability to create very powerful amulets, and many people believe that his amulets possess his spiritual mind energy even after his passing. The Phra Pidta amulet of LP Nak is also highly sought after by collectors and those interested in Thai Buddhism and culture. Many people consider it a valuable possession and it is often passed down from generation to generation as a family heirloom amulet.

The Phra Pidta amulet of LP Nak is a highly revered and powerful amulet created by the late Thai monk Luang Phor Nak of Wat Huay Jorake temple in Nakhon Pathom, Thailand. It is believed to bring blessings of protection, good luck, and wealth to the wearer, and is highly sought after by collectors and those interested in Thai Buddhism and culture. The reputation of LP Nak as a powerful spiritual leader, and his ability to create powerful amulets, makes this amulet particularly valuable and powerful.

Luang Pu Nak, was a Thai Buddhist monk who lived in the 19th- 20th century. He was the abbot of Wat Huay Jorake temple in Nakhon Pathom, Thailand. He was born in 2358 BE (1884) and passed away in 2452 BE (1972). Luang Pu Nak was known for his great compassion and spiritual wisdom, and was a great giver of spiritual teachings, as well as his skill in creating powerful amulets. He was highly respected by the local community and by other monks in Thailand. He was also known for his generosity and mercy, and his dedication to helping others.

During his tenure as abbot, he worked to strengthen the spiritual community at Wat Huay Jorake and to provide guidance and support to the local population. In addition to his work as an abbot, Luang Pu Nak was known for his skill in creating powerful amulets. He was able to create amulets using various materials, including clay, metal, and even human bone. His amulets were believed to possess spiritual power and provide protection to the wearer. They were often inscribed with sacred texts or mantras, and were highly sought after by the local population and by collectors. Luang Pu Nak’s amulets are very highly valued in the present day, and many people in Thailand and around the world believe that they possess spiritual power. His amulets are often passed down from generation to generation as a family heirloom, and are considered a valuable possession.

Luang Pu Nak may have passed away long ago, but his legacy continues to be felt in Thailand and around the world. He is remembered as a wise and compassionate spiritual leader, and his amulets are still highly sought after by aficionados, faithful devotees, collectors, and those interested in Thai Buddhism and Thai culture. To this very day, the lineage of abbots of Wat Huay Jorake still make and release Phra Pidta amulets of the Wicha passed down to them through a constant succession in the magical lineage of Luang Pu Nak. The Phra Pidta amulet of LP Nak, is believed to be particularly powerful because it is believed to possess the magical energy of the monk who created it. As Luang Pu Nak is considered a highly respected and powerful spiritual leader, it is believed that his Pidta amulets will always possess his spiritual energy even after his passing, without ever fading. Thew Pidta Mekasit amulet, is considered the most famous and powerful amulet created by Luang Pu Nak.

Old Photo of Luang Pu Nak Wat Huay Jorake

 

Background Info on Phra Pidta

Since very early times in Thailand, Pra Pid Ta amulets, as well as Pra Pid Ta in the shape of Pha Yant and Bucha sculptures, have been made as objects of adoration and protection. Using the Buddhist sculpture and art that was accessible at the time, the artisans of that era developed a variety of styles and interpretations. Various Buddhas, Bodhisattvas, or Deities are fashioned into the posture of Pra Pid ta, or Pid Tawarn (meaning “closing the orifices”), to create the Pid ta posture (‘Pid Ta’ means “covering the eyes”). Pid Tawarn can seal 7, or 9 orifices (the number 7 is referred to as Pra Pid Sadtatawarn, while the number 9 is known as Pra Pid Navatawarn). The Phra Pidta amulet, also known as “the closed-eye Buddha,” is believed to bring blessings of protection, good luck, and wealth to the wearer.

Pra Pid Ta Maekasit Pim Hoo Gradtay Luang Phu Nak Wat Huay Jorakahae
The Phra Pidta amulet, represents a meditating monk entering into the state of Nirodha. Nirodha is the third of the Buddha’s Four Noble Truths and it refers to the attainment of the cessation of suffering. In Buddhist teachings, Nirodha is understood as the state of being where all mental defilements, such as ignorance, greed, and hatred, have been completely eliminated. This state is reached through the practice of meditation and the cultivation of wisdom, and it is considered the ultimate goal of Buddhism.

Base of Pra Pid Ta Maekasit Pim Hoo Gradtay Luang Phu Nak

The third of the four noble truths according to Buddhist tradition is defined as Nirodha Sacca (also spelt Nirodha Sacca in Pali; Nirodha Satya in Sanskrit). Sacca denotes “truth” or “reality,” whereas Nirodha means cessation or extinction. Therefore, the translation of nirodha sacca is generally “truth of cessation” or “truth of the cessation of suffering.” It explicitly refers to the cessation of Dukkha (suffering) and its causes; the resultant experience is defined as nirvana. Nirodha can indicate a variety of things, such as release, cessation, extinction, the end of dukkha, and “control or restraint.” The cessation of all unsatisfactory experiences and their causes in a way that prevents them from occurring again is what Nirodha Sacca means. It is their elimination, complete absence, cessation, and ceasing from existing.

Rear Face Pra Pid Ta Maekasit Pim Hoo Gradtay Luang Phu Nak Wat Huay Jorakahae

The image of a meditating Buddha entering Nirodha, is representative of the amulet’s ability to bring peace and block out all forms of inauspicious events and bad luck. It is believed that by wearing the Phra Pidta amulet, the wearer will be protected against all dangers and black magic. The amulet is believed to have the power to block out negative energy and to protect the wearer from harm. Famouls for their Kong Grapan, Metta, Klaew Klaad, and Maha Lap Magic.

Kata Pra Pid Ta

Namo Puttassa Kawambadtissa Namo Tammassa Kawambadtissa Namo Sangkassa Kawambadtissa Sukha Sukha Warang Na Mo Puttaaya Ma A U Tugkhang Anijjang Anatta Jewa

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20Aug

Nang Kwak Amulet Luang Por Jong Wat Na Tang Nok

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Presenting an extremely well preserved, finely detailed, and immensely Rare amulet of the Great Luang Por Jong of Wat Na Tang Nok; Pra Nang Kwak Loi Ongk statuette, for powerful ‘Kaa Khaay’ Business Success, ‘Maha Sanaeh’ magic to Attract Customers, ‘Maha Lap’ Lucky Fortunes, and ‘Metta Mahaniyom’ Mercy Charm. The amulet is cast from Sacred Bronze (Samrit), and is styled in ancient fashion, forged using ancient alchemy.

The Nang Kwak amulet of Luang Por Jong, is an immensely rare acquisition for the true Devotee of Luang Por Jong, and an irresistible exhibit for any truly avid collector of this Master, and for those who seek the perfect amulet to increase their business earnings and customers, and improve their charm, business and social skills.

Nang Kwak Nuea Samrit 2490 BE Luang Por Jong Front Viiew

Luang Por Jong made amulets between the years 2483, to 2507 BE, after which Luang Por passed away in the year 2508 BE. Luang Por Jong, was one of the previous generation of attained Masters, of National and International Fame. The Mae Nang Kwak amulets of lp Jong are considered amongst the top 5 Mae nang kwak amulets of all Masters, along with Luang Phu Bun (Wat Klang Bang Gaew), Kroo ba Chum (Wat Wang Mui), Luang Por Te (Wat Sam Ngam), and Luang Por Im (Wat Hua Khao)

Known for his Kong Grapan Chadtri Klaew Klaad protective amulets handed out to soldiers during the Indochina Wars. His Pla Tapian Maha Lap Kaa Khaay amulets are also renowned for their ability to instigate good commerce and prolific sales quotas with sales persons.

Luang Por Jong Wat Na Tang Nok

Luang Por Jong was one of the Great Guru Masters of the Ayuttaya Province, whose powers of Kong Grapan Chadtri, Klaew Klaad, and Maha Amnaj Serm Yos Magic was highly favored with high ranking officers and successful leaders of Adminstrative Professions. He was famous for many different amulets, and released many, including the Takrut Hnaa Phaag Suea (Tiger Forehead Skin Yantra Scroll), the Pla Tapian Koo, and his Many Sacred Powder Amulets, such as this Pra Somdej Bailan from the Indo-China War Era.

Nang Kwak Nuea Samrit 2490 BE Luang Por Jong right side View

His Guru Monk Coin amulets are highly sought after and revered, and have a well documented ‘Dtamra’ (Catalogue of the Pantheon), allowing for collectors to easily authenticate and research the origins of these amulets. His Magic Ring Amulets, Pra Somdej and other Sacred Powder Votive Tablets, and Powerful Takrut are famous as they are rare to find. Luang Por Jong’s Pla Tapian Maha Pokasap Lap Kaa Khaay Gold-Silver Fish amulets, are also renowned worldwide, for their ability to instigate good commerce and prolific sales quotas with sales persons.

Nang Kwak Goddess of Luck Luang Por Jong 2490

The Legend of the Ghost Soldiers

Thailand sent nearly 40,000 volunteer soldiers to South Vietnam to serve alongside the Free World Forces in the conflict, but unlike the other foreign participants, the Thais came armed with historical and cultural knowledge of the region. Blending the methodologies of cultural and military history, as well as their mysterious Buddha-Magic, as was seen by the foreign soldiers who saw the Thai Military wearing amulets, who were shot down, and who stood up again unscratched, and continued fighting as if they were bulletproof. This caused the alliedf forces to give the Thai Soldiers the name ‘Taharn Phii’ meaning ‘Ghost Soldiers’. This legend became well known and talked about with the western allies, amny of whome beseeched their Thai allies to bring them to a master monk for protective amulets for themselves.

Luang Por Jong is counted along with the other Great Masters Luang Por Jong (Wat Bang Grabao), Luang Por Chaeng (Wat Bang Pang), Luang Por Opasi (Asrom Bang Mot), Luang Por Kong and Ajarn Chum Chai Kiree, as well as the temple of Wat Sutat, to have provided the most powerful miraculous amulets to the Thai Military to protect them from danger and death during battle. The Thai volunteers in their wartime encounters with American allies, were often seen to be hit by bullets, and stand up again unhurt, which caused the Thai soldiers to earn the nickname ‘Taharn Phii’, meaning ‘Ghost Soldiers’.

Luang Por Jong of Wat Na Tang Nok was one of the great Guru Masters of the Ayuttaya Province, in line with the Great Luang Por Parn of Wat Bang Nom Kho, and is one of the Great Masters who assisted the Thai Military with powerful Kong Grapan Chadtri and Klaew Klaad amulets during the Indochina Wars. Luang Por Jong was a Highly Attained Master in both Worldly Deeds of Goodness and Self Renunciation, as well as in the Dhamma Path. His Great Fame and Honorable Status has survived more than half a century, and who is remembered as one of the Greatest Masters of His Time, and as one of the Greatest Masters of the Ayuttaya Lineage.

Nang Kwak Nuea Samrit 2490 BE Luang Por Jong left side View

Luang Por Jong was born with the name ‘Jong’ into a farmer family in the village of Na Mai, in Bang Sai Municipality, of the Province of Ayuttaya. HIs Father was called my Yord, and his Mother was called Mrs. Khlip. Luang Por Jong had two younger siblings (one brother and one sister). His younger brother was called Nil, and his little sister was called Bplik, who was the youngest of the three. It is not known exactly which date Luang Por Jong was born, for there is no official documentation of his birth. But it is stated in his family lineage, that he was born during the time that King Rama 5 was ruling Siam, on a Thursday of the year of the monkey on the 8th Lunar Phase. This, when calculated from knowing the Year of Monkey during the Reign of King Rama 5, within Luang Por Jongs childhood, would mean he would have been born on the 6th of March 2415 BE. During his childhood he displayed strong leanings to remain in solitary, and even when his parents would take him to the local Lige theatre shows, he would distance himself from the crowd of spectators and watch from a distance. He was never one to socialise or look for attention. Luang Por Jong was ordained in 2435 BE at Wat Na Tang Nork temple in Ayuttaya, and was given the ordained name of Jong Puttassaro with the Abbot of Wat Na Tang Nork as his Pra Anusawanajarn (Luang Por Po). Luang Por Po noticed that Luang Por Jong, despite being weak of body and prone to illness, was excellent in his mental capacity and learned the Khom Agkhara Sanskrit perfectly in a very short time. It became noticed by the local devotess and by Ajarn Po himself that Luang Por Jong was showing wisdom and ability in Wicha Akom Sorcery that was far beyond his age.

Luang Por Jong, Ancient Master Monk of Wat Na Tang Nok

In no time at all, Luang Por Jong was given every single facet of the Wicha from his Kroo Ba Ajarn Luang Por Po, and became a Master Sorceror in his own right, and a great Dhamma Practitioner and Teacher to the local Folk. His trajectory followed on from that, and he never stopped advancing, becoming one of the Greatest Sorceror Monks of his Era, until his passing in the year 2508 BE. Luang Por Jong remains one of the most famous Masters of Indochina Wartime Era for his Powerful Kong Grapan Chadtri, Klaew Klaad, Maha Lap, Kaa Khaay and Metta Maha Niyom Magic.

Thai Version of Nang Kwak

There is also the Thai Occult Legend of Nang Kwak, which gives a different account of the origins of Lady Nang Kwak, which goes like this;

Nang Kwak is the daughter of ‘Phu Jao Khao Khiaw’ (meaning ‘Grandfather Lord of the Green Mountain – Khao Khiaw could also mean ‘Green Horns’). Phu Jao Khao Khiaw was a Lord of the Jadtu Mahaa Raachiga realm (one of the lower levels of Heaven – an Asura realm of giants and monster beings). His other name is ‘Pra Panasabodee’, and he is the Lord of the forest and places where wild plants grow. In that time, there was an Asura demon called Taw Gog Khanag (otherwise known as ‘Taw Anurach’). Taw Gog Khanag was a good friend of Phu Jao Khao Khiaw, who had been attacked by ‘Pra Ram’ (the name of Rama in the Thai Ramakian – adapted from the Indian Ramayana Epic), who had thrown a Gog tree at him which pierced his chest and carried him through space to be pinned to the side of ‘Pra Sumen’ (Mount Meru). In addition, Pra Ram cursed him with the following magic spell; ‘Until your descendants weave a Civara monks robe from lotus petals, and offer it to Pra Sri Ariya Maedtrai (Maitreya – the future Buddha), your curse will not be lifted’.

Nang Kwak Luang Por Jong Overhead View

After this, Nang Prajant, the daughter of Lord Gog Khanag (Taw Anurach) had to serve her father, spending the days and nights trying to weave a Civara robe from lotus petals, in order to have it ready for offering to Pra Sri Ariya Maedtrai, who will descend to become enlightened in a future age from now.

Because Lord Gog Khanag had to remain cursed and pinned to Pra Sumen, his daughter was in a pretty dire state without her father to help run things.
Because she had to spend all her time weaving the Civara, she had no time to go sell things or make money, nor time to run a shop. When Jao Khao Khiaw heard the news of this, he felt compassion, and sent his daughter Nang Kwak to go stay with her as a companion. Because of the ‘Bunyarit’ (power of her great merit), Nang Kwak caused merchants and rich nobles from around the area to flock to Nang Prajants home and bestow gifts of gold, silver and money on them. Nang Prajant became wealthy and led a comfortable life.

Nang Kwak Luang Por Jong front View

Nang Kwak statues are a very sacred and ancient tradition of Deva worship which Thai Buddhists adopted from Brahmins as they immigrated and came to stay in Siam, long before Buddhism had got a foothold. Due to this, Ajarns of Ancient Times created ‘Kreuang Rang’ (magical effigies) in the likeness of a lady with a shoulder mantle, sitting and beckoning with her waving right hand, inviting you to come and buy her wares. The statues were dressed in the traditional costume, and the Masters would make offerings and chant in meditation, until the statues hand began to wave back and forth, which was the signal that the ritual was successful and complete. Nang Kwak is seen to be prayed to (Bucha), as an altar statue, and also as an amulet, and Pha Yant (Yantra Cloth), and sometimes as powder amulets, and lockets.

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24Jun

Phra Pidta LP Dam Wat Mai Nopparam

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Luang Por Dam

A Rare Loi Ongk Pra Pid Ta Thaan Sung (high Dais) Buddha Image Statuette amulet, in Nuea Pong Kluk Rak, with hand inscribed Yant Putto, and Khom Inscriptions, from the Great Luang Por Dam, of Wat Mai Nopparam, in Naratiwat Province, in the deep South of Thailand on the Malay border. Luang Por Dam was the first apprentice in the Wicha of Pra Pid Ta Magic, to the Great Luang Por Kron, of Wat Bang Sae. This exhibit differs from many, in the fact that it has had red Rak Chart Jeen Boran coated on the base.

Phra Pidta Luang Por Dam Wat Mai Nopparam15

The Pid Ta is made using the very same Muan Sarn Sacred Powders admixture, empowerment, and inscriptions, as those of the Great Luang Por Kron, and the Pra Pid Ta of Luang Por Dam himself, have now become legendary in their own right, and stand alone on their own merits as Pra Niyom master Class Category amulets.

 

LP Dam Wat Mai Nopparam

Highly revered and collected by Looksit (Devotees) of his Mentor Luang Por Kron, a Buddhist Master Monk from Malaysia. Luang Por Kron was Abbot of Wat Bang Sae in the province of Kalantan.

He made many Pid Ta amulets which were so very preferred (‘Niyom’). It is said in Thai Amulet circles that, in the same way that we prefer the Pra Somdej Wat Rakang as a Niyom amulet, so, in Malaysia and even Singapore, the Pra Pid Ta of Luang Por Dam, and his Mentor Luang Por Kron, became just as sought after and beloved. Malaysians know Luang Por Dam very well, for his temple is very close to the Malaysian border in Naratiwat, which is one of the reasons LP Dam was able to be a close accomplice of LP Kron, and receive and continue his Wicha.

Rear Face Pra Pid Ta Luang Por Dam

The Pra Pid Ta amulets of Luang Por Dam of Wat Mai Nopparam, have become ever more comparable and popular to those of his Mentor and Wicha Inheritance Kroo Ba Ajarn Luang Por Kron, for the fact that Luang Por Kron’s amulets are almost impossible to find anymore these days, and the Pra Pid Ta of Luang Por Dam have hence become the favored alternative, for they are considered to possess the magic of both Masters.

Below; Luang Por Kron – Wat Uttamaram (Kalimantan Malaysia)

Luang Por Kron of Wat Uttamaram Malaysia
As to Luang Por Dam’s Mentor, LP Kron, Malaysian Buddhists do not often call him Luang Por Kron as Thai people do, rather ‘Tok Racha‘, which means something similar to Thailand’s top Royal Monk always being called ‘Pra Sangkaracha’.

It is said that despite the fact that most of the surrounding households in the vicinity of Luang Por Krons temple were Muslim, that he earned their respect, and was an honored person. He was not called Luang Por Kron by Malays, as we call him in Thailand, rather, was named ‘Tok Raja’, which means ‘ as equal to the Sangha Raja’ .

The reason for this comes from a legend that the daughter of a powerful Sultan of Kalantan was cursed with a black magic spell, which caused his mind to become strangely affected, and even doctors and psychologists could not help to cure him, and even the Muslim witch doctors could not break the spell with their magic.

But Luang Por Kron was able to heal her, and return her to sanity. This caused LP Kron to recieve great respect from the Sultan who then gave him the honorary name of Tok Raja. His most preferred amulets are the Pra Pid Ta, which were mostly hand made molds, in Muan Sarn Sacred Powders with Lacquer (Nuea Pong Kluk Rak), some very few in carved wood, and a very few are sometimes seen in carved ivory.

Pra Pidta Luang Por Dam Nuea Pong Jarn Yant Putto


Luang Por Kron began making Pra Pid Ta amulets sometime around the year 2480 BE onwards, mostly making hand molded clay models, resulting in each one having a very original appearance, some with very wide legs, others less so. Most were made in Nuea Pong Kluk Rak herbal powders with lacquer mixed into the clay, and hand molded, to form an inimitable effect that has made his Pra Pid Ta amulets so original in design.

Many of his hand molded Pid Ta do not have a dais and have very wide legs, whereas others have a more standard form with inscription, and less wide legs, and usually with inscriptions of Unalome and Yant on the surface of the image. His other highly preferred amulets among devotees, are the Rian Roop Dork Jik 1st edition coin of 2500 BE, and the second edition coin, the Rian Roop Khai of 2505 BE.

A Top Master-Class amulet, from LP Dam, first apprentice of Malaysia’s Greatest Master of the Wicha Pra Pid Ta

The Pid Ta can be used as a Loi Ongk Statuette on the altar for Bucha, or be worn as an amulet encased. This exhibit is highly recommended to use for altar worship, as it has a wide sturdy base, and is fitting for placement on flat surfaces.

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23Nov

Pra Upakut Buddha Statuette Wat Pra Singh 2512 Blessed by 40 Great Monks

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Pra Upakut BE Wat Pra Singh

The Pra Kring Upakut Muang Ngay Loi Ongk Statuette Buddha was released in the year 2512 BE, at Wat Pra Singh, in Chiang Mai, North Thailand. The Pra Kring Upakut was cast and forged in Sacred Chanuan Alloy, along with the equally famed and sought-after Pra Ruang Rang Pern, Rian Somdej Pra Naresuan Maharaj Royal King Coin, and Pra Chayawat Naresuan amulets. At that time, the blessing ceremony for these amulets became the largest mass blessing ceremony of Northern Thai Lanna Amulet History, funded and organised by Commanding Police officer, and Mayor of Chiang Mai Province, Pan Tamruaj Aek Nirand Chaynam. In addition, His Majest King Bhumipol Adulyadej Rama 9 attended the ceremony to perform the ‘Te Tong’ gold pouring ceremony part of the forging ritual of the amulets.

Pra Upaku (Pra Bua Khem) 2512 BE Wat Pra Singh

Many Great Master Monks from around Thailand were invited to come and assist in the empowerment and blessing of the amulets, which were made in order to raise funds to build the Pra Naresuan Stupa Chedi Reliquary as a Memorial Monument to the first King of Thailand, who united the Kingdoms of the various city states to defeat the Burmese, and unite the nation. Once the funds were raised after release of the amulets, a Chedi Stup was built dedicated to King Naresuan Maharaj, at Mueang Ngay In Chiang Daw, as a monument of the city. The statuettes were made from Nava Loha (9 Sacred Metals), in numbers of 2512 amulets only, making these amulets extremely rare to find in the present day. The Grand Putta Pisek (Buddha Abhiseka), was performed on the 15th January 2512 BE at the Worawiharn Pra Singh Wora Maha Wiharn shrine-room in Chiang Mai.

Rear Face Pra Upakut Wat Pra Singh 2512 BE Ble4ssed by 40 Great Master Monks

Among the great number of 40 Powerful Master-Monks present to empower the amulets in the Putta Pisek ceremony, were; Oor Tan Klai of Wat Suan Khan, Luang Por Nam of Wat Don Sala, Luang Phu To of Wat Pradoo Chimplee, Luang Por Nor, of Wat Ta Ruea, Luang Por Tiam, of Wat Gasatrirat, Luang Por Tong Yoo, of Wat Mai Nong Pra Ongk, Luang Por Tiang, of Wat Khao Roop Chang, Luang Por Pring, of Wat Bote Goeng Tanu, Kroo Ba Wang, of Wat Ban Den, Luang Por Chaem, of Wat Wang Daeng Nuea, Luang Por Chern, of Wat Dtamnak Nuea, Luang Por Mueang of Wat Ta Haen, and the great Luang Por Tim, of Wat Chang Hai.

Kata Bucha Pra Upakut - Pra Bua Khem Buddhist Chanting Tutorial

For this reason, this edition of mulets is seen as highly sacred and powerful, for the blessings of these Great Masters and many others, with a powerful and Grand Ritual Ceremony. The Pra Kring Naresuan, Upakut, are seen as the number one Pra Kring amulets of the Lanna Region of this Era. The Pra Kring Naresuan is known around the Nation for its power and sacred blessings, and rarity, and is revered, and soigh-after by many Thai Buddhist People. Although for most, this is a mere hope and dream, for the chances of encountering one, are far and few between, due to the small numbers made of each amulet.
Base of Pra Upakut Amulet Wat Pra Singh

Pra Ajarn Sawai (Abbot of Wat Racha Nadda in Bangkok), was the Monk presiding over the Putta Pisk Ceremony. Before the Forging of the Sacred Chanuan Metallic Alloys, and Casting of the amulets, a host of Gold, Silver and Bronze Yantra Foils were inscribed with Magical Spells in both KHom and Agkhara Lanna script, within ancient Sacred Geometry designs, which were distributed to the most powerful monks around the Nation, and blessed during a whole year, before returning them to Wat Pra Singh, for the forging ceremony, to empower the Sacred Chanuan Metals. T.ese Yantra Foild were smelted together with many other kinds of Sacred Metallic Artifacts,

Amulet Pantheon released in this edition;

  • 1. Pra Kring Naresuan Mueang Ngay Nuea Nava Loha (2512 Made). 2 different models were made, the Pim Dto, and the Pim Yom
  • 2. Pra Kring Naresuan Mueang Ngay Pim Pised special model (9 made)
  • 3. Pra Chayawat Naresuan Mueang Ngay Nuea Nava Loha (2512 made)
  • 4. Pra Ruang Rang Pern Nuea Tong Daeng Rom Dam (95,000 made)
  • 5. Pra Ruang Rang Rang Pern Pimp Hlang Baeb (2 sided version), which were made in numbers of only 2000 amulets.

Rian Somdej Naresuan Maharat Nuea Tong Daeng Rom Dam, and Nuea Tong Daeng Phiw Fai (100,000 made, with much less being made in Nuea Tong Daeng Rom Dam, making these versions rarer).

Pra Upaku (Pra Kring Opakut 2512 BE Wat Pra Singh Chiang Mai

There were also the following models released for donation to the 33rd Regimental Army Legion;

  • 1. Pra Putta Sihingk 5, 7, 9, and 12 inch wide lap Bucha Statues. These Bucha statues were made in 2 different Sacred Chanuan substances 1. Nuea Sam Gasat (Gold, Silver and Bronze), and in Nuea Samrit (Bronze Alchemical Alloy)(, which were only made in limited numbers, according to how many pre orders were made.
  • 2. Pra Put Chiang Saen Singh Bucha Statue 5 inches wide lap in Nuea Sam Kasat.
  • 3. Badtr Nam Pra Putta Mont in Nuea Tong Daem Rom Dam Blackened Copper Alloy, composed of a Holy Water Bowl, Embellished Lid, with a Pra Kring Upakut Buddha amulet embeded within the Holy Water Bowl. There were two different kinds of lids made for the Badtr Nam Mont; 1. With Pra Kring inserted 2. With Lotus Flower Embossed. Only 100 of these Sacred Holy Water-Making bowls were made in total.
  • 4. Pra Kring Upakut, in Nuea Tong Lueang Rom Dam Sacred Brass Alchemicl Blackened Alloy.
  • 5. Pra Sivali 2 Inch High Statuettes, in Nuea Tong Lueang Sacred Brass.
  • 6. Rian Pra Jao Kawila in Nuea Tong Daeng Rom Dam.

This model is one of the rarer models to find, as they belonged to the special set set apart for donation to Thai Official Officers of the Regimental Army, and so very few ever fell out of the possession of the people who received one from the temple, allowing serious devotees and collectors to be able to obtain one.

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2Apr

Carved Walrus Bone Tiger Amulet Luang Por Tim Wat Laharn Rai

Categories: Ancient Amulet Charms and Talismans
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Pure Animist Kong Grapan Chadtri Maha Amnaj Magic inimitably carved into the shape of a tiger  and empowered with the Wicha Suea Maha Amnaj – Carved from powerful Graam Chang Nam Walrus Bone. An extremely rare and powerful Maha Amnaj Kong Grapan Chadtri Maha Pokasap ‘Krueang Rang’ Talismanic Animist Charm Amulet from the great Luang Phu Tim of Wat Laharn Rai in Rayong. The Suea Gae is hand carved from the jawbone of a ‘Chang Name’ (Water Elephant) Walrus. The amulet is intended for Kong Grapan Chadtri Invincibility, Metta Maha Niyom Mercy Charm, Klaew Klaad Evasion of Enemies, Maha Amnaj Commanding Power, and Serm Yos Status Increase.

Graam Chang (elephant jawbones) and Graam Chang Nam (walrus jawbones) are seen to be powerful magic according to the ancient Dtamra Saiyawaet of Animist Sorcery, and the Grimoires of Formulas of Powerful Magical Ingredients. The Graam Chang Nam Walrus Jawbone is carved into the shape of a tiger seated in regal poise looking out over his Kingdom, and keeping watch. The Graam Chang Nam can be seen to be ancient and have the typical porosity to its substance as is expected in authentic carvings of Graam Chang Nam amulets.

Graam Chang Nam is mnuch rarer to encounter than Graam Chang elephant jawbone, and it is said that Luang Phu Tim received the piece of Graam Chang in only small quantity, so not many of these amulets were carved in total. Luang Phu Tim was and remains one of the Greatest and most highly famed Guru Masters, right up to the present day, many decades after his passing. His amuletd are eminent members of the top master-class category amulet pantheons of all history, including his famous Rian Guru Monk Coins in many editions, and of course his Pra Khun Phaen and Look Om and other Pra Pong Prai Kumarn amulets, which are the stuff of legend.

Luang Phu Tim Issarigo, is of course not only one of the most highly acclaimed and sought after Guru Monks for his amulets, he is the holder of the highest esteem in Thai Buddhist amulet history for Pong Prai Kumarn powders. Luang Phu Tim, is Internationally Acclaimed, for his famous Pra Kring Chinabanchorn, his Pra Khun Phaen Pong Prai Kumarn, and Look Om powder balls.

Encyclopaedic work of the amulets of the Great Luang Phu Tim Issarigo of Wat Laharn Rai

As to the classic ‘Rian’ Monk coin Image amulets which have become all time favourites, and eternally, world famous classic amulets of the high end variety.As to the classic ‘Rian’ type coin image amulets which have become all time favourites, and eternally, world famous classic amulets of the high end variety. His Rian Jaroen Porn, and Rian Nakprok Paed Rorp, Rian Huang Chueam, Rian Mae Nam Koo, and Rian Sema are amongst the most highly sought after coin amulets of all. The Pra Kring Chinabanchorn amulet of Luang Phu Tim is one of his most expensive of all amulets, and extremely rare to find.

He has various direct lineage apprentices, Who are continuing to progress and spread his most powerful and world-famous Wicha. Of all of these masters, perhaps the most famous, preferred, is Luang Por Sakorn, of Wat Nong Grub (also now deceased). In second place one could possibly estimate the great Luang Phu Sin, of Wat Laharn Yai, and in third place, possibly, Pra Ajarn Somkid, of Wat Beung Tata (Rayong).


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28Mar

Mae Chee Bun Ruean Buddhist Nun Statuette Wat Awut

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Roop Lor Mae Chee Bun Ruean 2521 BE Dtok Code Niyom With Casing Blessed by Luang Phu To at Wat Awut

An extremely rare limited edition Pim Niyom amulet that is seldomly seen, the Sacred Roop Lor Loi Ongk Statuette in Nuea Rae Maekasit alchemical meta alloy, with the image of the Great Thai Buddhist Nun, Mae Chee Bun Ruean, of Wat Awut and Wat Sarnath.

Mae Chee Bun Ruean was famous for her ‘Pra Putto Noi’ amulet, Thung Khiaw Hniaw Sap treasure pouches, and Khaw Dtok Pra Ruang Sacred Elements. Her amulets and those in her image enjoy immense reverence with Buddhist Folk of every Province in Thailand, for her great healing powers and her Merits made for Buddism, and her meditative prowess and teachings.

Mae Chee Bun Ruean Amulet Loi Ongk Statuette Wat Awut

Mae Chee Bun Ruean Amulet Loi Ongk Statuette Wat Awut

The Roop Lor is made from Nuea Maekasit, a special magical alloy forged using metallurgy and alchemy, and was blessed in 2521 BE at Wat Awut, with the Great Luang Phu To of Wat Pradoo Chimplee presiding over the Blessing ceremony and empowerment.

It is worthy for students of amulets to note, than a later edition of the Roop Lor Mae Chee Bun Ruean was also famously released in the year 2532 BE with Luang Phu Buddha Thanawaro performing blessings. the 2521 BE and 2532 BE editions asre noticeably different by the fact that the later 2532 BE edition had Muan Sarn Sacred Powders filling in the base of the Loi Ongk Statuette.

Close Ups of the Mae Chee Bun Ruean Loi Ongk Statuette

Close Ups of the Mae Chee Bun Ruean Loi Ongk Statuette

Nuea Maekasit is obtained by Alchemically smelting Iron Artifacts, with Mercury as the main base Magical ingredient, and performing Elemental Invocations until the structure of the metal changes, and becomes a sacred Metal of Alchemical Nature. Alchemy and Metallurgy are combined here as one facet of the various aspects of empowerment of the amulet. The Maekasit and Maekapat Sacred Alchemical Metals are not only especially apt for channelling Magical Forces.

This is only possible with metals which will usually not smelt, by the use of Incantation and Meditative Prowess, as well as Metallurgical expertise and experience in this Wicha, because the turning point must be held at a precise temperature, along with the proper incantations, which must be performed simultaneously as the separate substances melt and are forged into one substance. The resulting alchemical alloy may take on any of a number of colour tones, depending on the formula of Kaya Siddhi substances used, and the nature of the Magic. Colours can range from matt black, silvered, rusty red, to bluebottle blue and greenbottle green, silver, and even golden and purple, much like Lek Lai Kaya Siddhi Adamantine Substance.

Mae Chee Bun Ruean is perhaps the most famous of Thai Buddhist Nuns, which is underlined by the fact that a Buddhist Nun made such great impression and influence in the Thai Buddhist religion is a statement in itself of her great merits to propagate and preserve the Buddha’s teachings, and to lead her devotees towards the true path of practice.

The Roop lor is made from cast alchemical iron alloy with blackened finish, with series edition code stamp on the rear side of the image, and is hence a preferred pim, which devotees prefer above those versions with no code stamp.

Who was Mae Chee Bun Ruean?

Kun Mae Chee Bun Ruean was a Buddhist Nun whose purity of practice was so exemplary that she became a Buddhist master in her own right in Thailands Theravada tradition, which is highly unusual and a difficult task to acheive, in a Tradition where women are not permitted to ordain as a Bhikkhuni, and must remain in white as a Karavasa Holder of Precepts.

Mae Chee Bun Ruean Thai Buddhist Nun

Despite these disadvantages, her great practice, Metta (Compassion) and her teachings, and Charitable Works for Buddhism, brought her to become the most highly beloved Buddhist Nun in the History of Thai Buddhism. She was known to practice and listen to the Dhamma mostly at Wat Sampant Wongs in Bangkok.

Her most famous amulet is of course the ‘Pra Putto Noi’ amulet, which was made in various kinds of sacred powder clay. The most popular model being the ‘Pim Jumbo’ large size model, in its white powder version.

Pra Putto Noi Mae Chee Bun Ruean

Pra Putto Noi Mae Chee Bun Ruean

The Pra Putto Noi was created in the year 2494 BE, with the Mae Chee Bun Ruean as the Organiser of the raising of the funds for their making and the Charitable Acts which were planned from the funds. The Pra Putto Noi amulet in its Pim Niyom model, if in pristine state, can fetch tens of thousands of dollars in the high end auction rooms of the Sian Pra Niyom.

Luckily there were many models, and some are still affordable in this time, but they are very far and few to discover for collection. The devotees who wear her amulets walk confidently in faith of the Metta Maha Niyom and Serm Duang Klaew Klaad Powers, and healing effects of the amulets of Kun mae Chee Bun Ruean. Devotees would rub the powders ointment onto giant centipede and snake bites and infected wounds, to heal them.

Her amulets are said to heal illnesses and to improve Karma. They are believed to be full of Puttakun Power to bring auspicious blessings and prosperity, because of Mae Chee Bun Ruean’s life of charitable acts, and her practice of great generosity. They are full of Metta Maha Niyom from Mae Chee Bun Ruean’s Equal treatment and Loving Compassion for all of her devotees regardless of their social or financial status. All were treated with the same Metta.

Her purity is believed to have made the amulets she created to be so powerful, and caused her Pra Putto Noi and other amulets to be extremely sought after amulets. She blessed the amulets in 2494 BE, with a ceremonial prayer for the Welfare of the Temple of Wat Awut, in Thonburi. The aim of the funds raised from the edition was to construct the Pra Putto Paas Chinarat Jom Muni, as the ‘Pra Pratan’ Main presiding Buddha Image of the Uposatha Shrineroom at Wat Sarnath Dhammaram temple, in Rayong.

She bestowed permission to Pra Ajarn Sanguan Kosago, the Abbot of Wat Awut Wikasitaram, who had already collaborated in the making of the Pra Putto Noi Amulets which were previously distributed during the Tord Pha Pha robe donation ceremony. Ma Chee Bun ruean also made extra batches to donate to the Monks at Wat Sampant Wongs, for them to give to their devotees who came to make merits.

Apart from the Pra Putto Noi amulet, Kun Mae Chee Bun Ruean made various other amulets which are also in extremely high regard for their Sacredness, such as the Pra Chaiyawat Putto Brass Votive Tablet of 2499 BE, and the Rian Pra Putto Jom Muni coin of the Pra Putto Yai Statue Installation Ceremony of 2499 BE.

Mae Chee Bun Ruean

Another very popular ‘Krueang Rang’ Talismanic Charm of Mae Chee Bun Ruean was the ‘Thung Hniaw Sap” treasure glue purse (lucky purse to attract treasures and money like glue sticks to paper), made in 2497 BE. The treasure purse was made in various colours; white, blue, yellow, pink, red, black, and with various styles and designs. Som were made from sack cloth, others from fine cloths, some were large others small purses. The closures of the purses were also varied, ranging from zip to string closures.

 

Mae Chee Bun Ruean empowered the Thung Khiaw Hniaw Sap treasure attractor purses at the temple of the Buddha Footprint at Wat Pra Puttabat, in Sra Buri, where they were blessed in a large Buddha Abhiseka ceremony and released in early 2488 BE. Some purses actually had something inside of them, and others didn’t. The purses are reputed for their Maha Pokasap power to increase wealth and professional success, but have also gained a reputation for powerful healing and protection powers too.

 

Kata Bucha

Na Chā Lī Dti Chimpalī Ja Mahā Thērō Suwana Mā Mā Pō Chana Mā Mā Pōka Mā Mā Mahā Lāpō Mā Mā Sappē Chanā Pahū Chanā Pawandtumē

The Kata is said to have been transmitted to Mae Chee Bun Ruean in Meditation from the God Indra, to pay reverence to the Chimplee Arahant (Pra Sivali), in order to bring Maha Lap Lucky Fortunes, Maha Choke, Lucky Windfalls, and Maha Pokasap Treasures.

For Auspicious Blessings, the Kata should be chanted on any Sunday that falls on the 6th day of the month, any Monday falling on the 15th of any Month, Tuesdays which fall on the 8th day of any Month, Wednesdays which fall on the 17th of any Month, Thursdays which fall on the 19th of any Month, Fridays which fall on the 12th day of any Month , and Saturdays which fall on the 10th day of any Month.

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13Jan

Lion of Lucky Fortunes Amulet of Ajarn Bua

Categories: Ancient Amulet Charms and Talismans Metal Amulet
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Presenting a very rare amulet just arrived in one of our affiliated stores at Thailand Amulet from the year 2519 BE, the Sing Dto Maha Lap sacred Himapant Lion of Power and Fortuitous Wealth, a Loi Ongk statuette in cast Brazen metal with Gilded surface and series code stamp, from the late great Luang Phu Bua Dtemiyo.

The Sing Dto Maha Lap Loi Ongk amulet is formed as a cast brazen metal Lion of Wealthy Fortunes amulet, and was blessed and released in the year 2519 BE by the Great Pra Ajarn Bua Dtemiyo, of Wat Hlak Sila Mongkol in Nakorn Panom.

The amulet was cast from Nuea Loha Aathan Galai Tong, and is forged in the form of a lion standing and roaring with pride and victory. Each leg of the lion has Sacred Khom Agkhara inscriptions of the Kata Hnun Tat See invocation of the four elements, which is part of the reanimation formula for empowerment of animist charms, which says ‘Na Ma Pa Ta’. A special limited edition code stamp is embossed on the stomach of the lion. The Singto Maha Lap of Ajarn Bua is a very rare item to encounter in this day and age.

Pra Ajarn  Bua Dtemiyo was a very highly revered Buddhist Monk of the Nakorn Panom Province, who practiced very diligently, and was known for never speaking much, for he preferred to practice in silence most of the time. He was very famous for his diligence in his practice, and considered to be a ‘Pra Subatibanno’ (correct practitioner with no visible signs of defilement)

Singto Maha Lap Lucky Lion Amulet with original temple box - Ajarn Bua 2519 BE

Singto Maha Lap Lucky Lion Amulet with original temple box – Ajarn Bua 2519 BE

Luang Phu Bua was a monk who practiced in the lineage of Luang Phu Mun Puritato and Luang Phu Sao, of the Kammathana Tudong Forest Tradition, who received direct teachings from both of these great forest Masters. Ajarn Bua developed his practice by method of Tudong Wandering in the style of his Mentors Luang Phu Mun and Sao, wandering the forests of the northeast Isan country and Laos. He also practiced Wicha under the tutelage of Luang Phu Jantr Khemiyo of Wat Sri Taep, and Luang Phu Rod of Wat Tung Sri Mueang in Ubon Rachathani. he was a very highly revered monk in the Province of Nakorn Panom until his passing in the year 2532 BE. This very rare and unusual amulet is featured on Thailand-Amulet.Com – please click the below image to visit the store and purchase this item from this trusted affiliate store.

Click to Buy Singto Maha Lap Amulet Ajarn Bua 2519 BE

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14Dec

Luang Por Ngern Kru Wat Khao Pra Dtai Hiding Place Amulets

Categories: Ancient Amulet Pra-Kru
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Pra Kru Luang Por Ngern Amulets found at Wat Khao Pra Dtai

Presenting you with knowledge about Ancient Amulets with the 2553 BE discovery of Pra Luang Por Ngern Hiding Place amulets in a Find from the Temple of Wat Khao Pra Dtai. The edition is officially accepted, and assumed to have been placed under the pillars of the Sala Mai Gao temple salon in 2462 BE. Luang Por Ngern is one of Thailand’s Top ten Most Revered Buddha-Monk Images, for whom the Blessings of Riches and Protection are the most Highly Reputed for their Miraculous Power.

25 different Pim of amulets, were found buried in ‘Hai’ ancient clay pots, in the 2533 BE discovery dig at the temple of Wat Khao Pra Dtai.

They are assumed and officially accepted by the temple and the collector scene as having been buried and hidden there in the year 2462 BE, as LP Ngern was at the temple to inaugurate the Sala Mai, and due to the fact that a few examples of amulets in the pots had the date 2460 stamped on the base of the amulets.

The amulets were mostly quite badly damaged, with only about a third of them being made from cast metal, and the remaining two thirds being made from sacred powder and clay. Hence, only a limited number of these amulets were able to be restored. There were a number of different types metal substances in the amulets found, including Sacred Alloys based in Gold, Silver, Bronze, Copper, Iron, and Lead. The versions found made in ‘Nuea Loha’, are highly preferred.

A very few of them were found in some examples to be ‘Piak Tong’ (wet gold effect), which instantly became ‘Niyom’ (preferred) amulets and the price of them rose much higher than other models. This golden coating method was a method used applying a specific method used in the early Ratanakosin Era of the Ayuttaya Kingdom. It is not used anymore in its particular method.

Some of the amulets were kept with the ‘Kraap Kru’ earth and mildew growths on the surface of the amulets. Others were cleaned to reveal their design features and the metallic sheen, leaving just enough Kraap Kru to enhance their beauty, and reveal their origin.

Pra Kru Luang Por Ngern Wat Khao Pra Dtai Archeological Find

The amulets were discovered as the ‘Sala Mai Gao’ wooden shelter salon was removed to build a new one, and some pots were uncovered under the pillars of the Sala Building, as well as hidden underneath the Main Buddha Image within the Building.

We have sourced a few of these rare amulets, and are adding them to the storefront showroom as fast as time permits. We have spent a long time studying and researching to authenticate and deliver proper reference information about the amulets, which we highly recommend as an ultra affordable amulet for those who seek an alternative to the Pra Luang Por Ngern Pim Niyom Wat Bang Klan First edition Amulet, which are both no longer affordable, nor easily available to anybody except millionaires.

The temple of Wat Khao Pra Dtai has released an official book of this find and documents the edition and its 25 or so different Pim (models), and confirms in its historical records, that Luang Por Ngern himself came to install and bless the Sila Reuks Foundation Stone at the temple and built the Sala Mai Gao building, which explains well, how the Luang Por Ngern amulets got placed under the feet of each pillar, under the foundations of the building.

None of us were present back there in 2460+ BE to witness the events, and so, as always, it is a matter of personal faith as to what oneself concludes as to the origins of an ancient amulet of esteem, but with all the information gathered, and the reputability of the sources of the information (The Temple Itself), makes this recent discovery of what are almost certainly original Luang Por Ngern Wat Bang Klan Amulets from the Hand of the Master Himself, and are Master Class Amulets that are for now, the best alternative to the first edition Pra Luang Por Ngern Roop Lor and Rian Job amulets of World Famous Status, and Millionaire Price-Tags.

This find has become a Classic and Highly revered Edition as it falls ever more into the eye of the General Public. Its rise in popularity is now incremental to the rapid speed with which news of its existence is spreading like wildfire, due to the modern age of social networking, and devotees of LP Ngern are sharing their experiences and knowledge on the internet, which has in turn caused this edition to explode in the speed of its rise to popularity and obtain its Master-Class Status.

The Pra Luang Por Ngern Kru Wat Khao Pra Dtai, is just as Sacred and Powerful, and Beautiful, as the Millionaire Price-Tag Models, except they do not carry such a large Price-Tag. For this reason, Who would not wish to own one of these amulets, before they also become unavailable, and carry a Millionaire Price-Tag of their own. The Pra Luang Por Ngern Pim Khee Dta is a perfect Heirloom Amulet to keep in the family for generations, and a Sacred Memorial of Luang Por Ngern Wat Bang Klan, that is still very affordable considering its origins.

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