srivicha-sculpture_Jatukam_Ramathep

History of the Srivijaya Empire

Origins and Historical Context

The Srivijaya Empire (ศรีวิชัย in Thai, also known as อาณาจักรศรีโพธิ์) emerged as a powerful maritime kingdom during the 7th century CE, following the decline of the Funan Empire. Founded by the Sailendra dynasty around 650 CE (approximately Buddhist era 1200), Srivijaya rapidly developed into the first significant maritime power in Southeast Asia, controlling critical sea routes between China, India, and the Middle East.

The earliest historical records of Srivijaya come from Chinese chronicles, where it was referred to as “Shih-li-fo-shih” or “Sanfoqi.” The empire’s existence was conclusively established in modern scholarship when French historian George Cœdès published his groundbreaking article on the “Kingdom of Srivijaya” in 1918, bringing this forgotten empire to global attention.

Geographical Extent and Strategic Position

At its height, Srivijaya controlled a vast maritime domain encompassing:

  • The Malay Peninsula
  • Eastern Sumatra (with its capital likely at Palembang)
  • Western Java
  • Parts of Borneo
  • The Straits of Malacca and Sunda

This strategic position allowed Srivijaya to dominate the maritime trade routes connecting China, India, and the Middle East. Control of these straits was particularly crucial as they formed the primary conduit for international commerce between East and West during this period.

Economic Power and Trade Networks

Srivijaya’s prosperity was built upon its mastery of maritime trade. The empire:

  • Established a sophisticated trading network spanning from China to India and the Middle East
  • Controlled the flow of valuable commodities including spices, aromatics, forest products, gold, and ivory
  • Collected duties from ships passing through the Straits of Malacca
  • Maintained diplomatic and commercial relations with the Tang Dynasty of China and the Pala Empire of Bengal
  • Developed a complex system of vassalage with smaller port cities throughout the archipelago

The empire’s economic model was based on thalassocracy—control of the seas rather than extensive territorial holdings. This approach allowed Srivijaya to exercise influence far beyond its core territories.

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Buddhist Center of Excellence

One of Srivijaya’s most significant contributions to Southeast Asian history was its role as a center of Buddhist learning and practice. The empire embraced Mahayana Buddhism and:

  • Established major Buddhist educational institutions that attracted scholars from across Asia
  • Served as a crucial stopover point for Chinese Buddhist pilgrims traveling to India
  • Maintained close religious ties with the Buddhist Pala Empire in Bengal
  • Sponsored the construction of numerous Buddhist temples and monasteries
  • Supported the translation and copying of Buddhist texts

The famous Chinese Buddhist monk Yijing (I-Ching) visited Srivijaya in the late 7th century and spent several years studying Sanskrit there before continuing to India. His accounts provide valuable insights into the empire’s religious and cultural significance.

Cultural and Artistic Achievements

Srivijaya developed a distinctive cultural identity that blended indigenous elements with influences from India and China:

  • Architecture featured impressive Buddhist temples and monuments
  • Artistic styles reflected both Indian aesthetic principles and local innovations
  • Literary culture flourished, with Sanskrit being used as the language of scholarship
  • The empire developed sophisticated systems of governance and administration
  • Religious syncretism allowed for the integration of Buddhist, Hindu, and animist practices

Archaeological discoveries at sites like Muara Jambi in Sumatra reveal the grandeur of Srivijayan religious architecture, with temple complexes extending over large areas.

Relationship with Thai History

The Srivijaya Empire had significant connections to what would latemailto:radioshots@gmail.com?subject=Chrome%20Audio%20Capture%20Feedback&body=Please%20let%20us%20know%20what%20happened%20so%20we%20can%20improve%20it.%0A08:22%0ASrivijaya%20Empire%20Examination%20-%20Monica%0Achrome-extension://kfr become Thailand:

  • Its influence extended into the southern regions of present-day Thailand, particularly in the provinces of Nakhon Si Thammarat, Surat Thani, and Chaiya
  • Archaeological evidence, including inscriptions found in southern Thailand dating to around 775 CE, confirms Srivijayan presence
  • The name “Chaiya” in Surat Thani province is believed to derive from “Srivijaya”
  • Cultural and religious practices introduced during the Srivijayan period continued to influence southern Thai traditions
  • The empire served as an important conduit for the transmission of Buddhism into the Thai cultural sphere

Decline and Legacy

Srivijaya’s power began to wane in the 11th century due to several factors:

  • Military challenges from the Chola Dynasty of South India, which launched devastating raids in 1025 CE
  • The rise of competing powers in the region, including the Khmer Empire and Singhasari
  • Shifting trade patterns and the emergence of new commercial centers
  • Internal political fragmentation and succession disputes

By the 13th century, Srivijaya had lost its dominant position, with its former territories being absorbed by rising powers like the Majapahit Empire and various Thai kingdoms.

Despite its eventual decline, Srivijaya’s legacy endures through:

  • Its crucial role in establishing Buddhism throughout Southeast Asia
  • The maritime trade networks it pioneered, which shaped regional commerce for centuries
  • Cultural and artistic traditions that influenced subsequent Southeast Asian civilizations
  • Architectural and archaeological remains that continue to be studied today
  • Its demonstration of how a thalassocratic empire could exert influence through control of sea lanes rather than extensive land holdings
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Religious and Magical Significance

According to my research on Thai Buddhist and animist traditions, the religious syncretism that characterized Srivijaya continues to influence spiritual practices in southern Thailand. The empire’s approach to integrating Buddhist cosmology with local animist beliefs created a distinctive religious landscape that persists in modern Thai Buddhist practice.

The dual belief system that emerged during this period—combining orthodox Buddhism with animist traditions—remains characteristic of Thai spiritual life, particularly in the southern provinces that were once under Srivijayan influence. As Ajarn Spencer notes, this is reflected in the Thai saying “Chuea Mai Chuea, Dtae, Ya Lop Loo” (You do not have to Believe, but be careful not to Mock the Unseen).

The Srivijaya Empire represents one of Southeast Asia’s most significant pre-modern states, demonstrating how control of maritime trade routes could generate vast wealth and cultural influence. Its mastery of the seas, patronage of Buddhism, and sophisticated political organization made it a dominant force in the region for over five centuries.

A Comprehensive Examination of the Sri Vijai Empire

The empire’s legacy continues to be felt throughout Southeast Asia, particularly in Thailand, Indonesia, and Malaysia, where elements of Srivijayan culture, religion, and artistic traditions remain embedded in local practices. As modern archaeological research continues to uncover new evidence about this maritime power, our understanding of Srivijaya’s historical significance continues to deepen.


For further reading on this topic and related subjects concerning Thai Buddhist traditions and historical influences, I recommend consulting my other works at buddhamagic.net, and ajarnspencer.com, which provide incomparably informative resources on the intersection of Thai Buddhism, animism, and historical traditions.

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Amulets by Region

 

 

 

 

 

Thai Buddhist amulets, or Phra Krueang (พระเครื่อง) in the Thai language, are sacred objects highly revered in Thai culture for their perceived spiritual and protective powers. Thai amulets and talismans, typically worn around the neck or carried on the person, are deeply embedded in Thailand’s religious, cultural, and historical landscape. They are intrinsically connected to the country’s Theravada Buddhist tradition and play a significant role in daily life, serving as both spiritual icons and symbols of faith.

Krueang Rang Talismanic Charms

Historical Background

The tradition of wearing amulets in Thailand dates back centuries and is intertwined with the spread of Buddhism across Southeast Asia. Buddhist monks and devotees have long believed in the power of consecrated objects to offer protection, bring good fortune, and promote spiritual growth. Some of the earliest Thai amulets are thought to have originated during the Sukhothai (1238-1438) and Ayutthaya (1351-1767) periods, reflecting the influence of Indian and Khmer Buddhist art.

U Tong Buddhist Art

U Tong Buddhist Art

During the Ayutthaya period, amulets became popular not only among commoners but also among royalty and military figures. Kings and warriors were known to carry amulets into battle, believing in their ability to shield them from harm. These amulets were often made from materials such as clay, stone, or metals and were blessed by revered monks or in temple ceremonies, further enhancing their spiritual significance.

Dvaravadi Thai Buddha Forbidding the Ocean

Dvaravadi Thai Buddha Forbidding the Ocean

The U-Thong era of Thai Buddhist art, named after the city of U-Thong in present-day Suphan Buri province, refers to a distinct period and style in the history of Thai Buddhist art that flourished during the 13th to 15th centuries. The U-Thong style emerged as a result of the convergence of various artistic influences, particularly those from the Dvaravati, Khmer, and Sukhothai periods. This era is considered significant in the development of Thai Buddhist sculpture and temple architecture, especially for its unique depictions of the Buddha and the evolution of Buddhist iconography in Thailand.

Historical;

The U-Thong era is believed to have developed concurrently with the rise of the Kingdom of Ayutthaya (1351-1767), although its artistic roots can be traced back to earlier periods, particularly the Dvaravati and Khmer civilizations. The city of U-Thong was an important trade and cultural hub, and this facilitated the fusion of various regional and external artistic traditions. As Ayutthaya expanded its influence over neighboring regions, including the former Khmer Empire and Sukhothai, it absorbed various artistic and cultural elements from these regions, contributing to the synthesis of the U-Thong style. This period is seen as a transitional phase in Thai art history, as it helped bridge the gap between earlier Buddhist traditions and the later, more distinct Ayutthaya style.

Pra U Tong Buddha Statue

Pra U Tong Buddha Statue

Characteristics of U-Thong Buddhist Art

  1. Buddha Images: The U-Thong era is best known for its Buddha images, which exhibit a blend of Indian, Khmer, and Dvaravati influences. These sculptures are typically cast in bronze, although some stone and stucco images also exist. U-Thong Buddha statues are characterized by:
    • Square face: Buddha statues from this era often feature a broad, square-shaped face, with prominent, arched eyebrows and a downward gaze, evoking a sense of calm and introspection.
    • Hair and ushnisha: The Buddha’s hair is depicted as tightly curled, often with small, distinct curls. The ushnisha (a protuberance on the top of the head representing wisdom) is usually low and smooth, contrasting with the tall ushnishas seen in later periods like Sukhothai.
    • Facial expression: The facial expression is serene, with the eyes half-closed, reflecting deep meditation. The lips are often thin and slightly curved into a subtle smile, embodying the Buddha’s compassion and enlightenment.
    • Body proportions: The body of U-Thong Buddha images tends to be stocky and solid, with broad shoulders and a thick torso, which gives a sense of stability and strength.
    • Hand gestures (Mudras): U-Thong Buddha images typically depict common hand gestures such as the Bhumisparsha Mudra (touching the earth), symbolizing the Buddha’s moment of enlightenment, or the Abhaya Mudra (fearlessness), signifying protection and reassurance.
    • Robes and Drapery: The depiction of the Buddha’s robe in U-Thong art is distinctive. The robe clings closely to the body, with clearly defined lines, giving the figures a sense of gravity and formality. Unlike the Sukhothai style, which often features a transparent, clinging robe, the U-Thong style tends to depict a more structured robe, often covering both shoulders or with one shoulder exposed, depending on the regional variation.
    • Influences: The U-Thong style is a synthesis of different artistic traditions:
    • Dvaravati: The influence of the earlier Dvaravati period can be seen in the roundness and solidity of the Buddha figures. Dvaravati, an ancient Mon civilization, had already established Buddhist iconography in central Thailand, and its influence continued into the U-Thong era.
    • Khmer: Khmer art, especially from the Angkor period, influenced the form and decoration of U-Thong sculptures, particularly in the intricacies of facial features and body proportions.
    • Sukhothai: Although U-Thong art predates the full flowering of the Sukhothai style, it overlaps in time, and there are occasional stylistic borrowings. However, the U-Thong Buddha is generally more rigid and formal compared to the fluid grace of the Sukhothai Buddha images.

The Dvaravati era of Thai Buddhist art refers to the artistic and cultural developments during the Dvaravati period, which lasted from approximately the 6th to the 11th century CE. The Dvaravati culture, believed to have been Mon in origin, emerged in the central region of present-day Thailand and was one of the earliest civilizations to establish Buddhism, particularly Theravada Buddhism, in the region. This era is recognized for its significant contributions to the early formation of Thai Buddhist art and religious architecture, laying the foundation for later Thai artistic developments in periods such as Sukhothai and Ayutthaya.

Wat Phra Singh Temple Chiang Saen style Thai Buddhist Art form

Wat Phra Singh Temple Chiang Saen Era style Thai Buddhist Art form

Historically speaking, Dvaravati was not a unified kingdom in the strict sense, but rather a series of city-states and principalities in the Chao Phraya River basin. These city-states were heavily influenced by Indian culture, which had spread across Southeast Asia through trade, religious missions, and political exchanges. The Mon people, who were instrumental in the development of Dvaravati, adopted Buddhism as their primary religion, particularly Theravada Buddhism, though Mahayana Buddhism and Brahmanism also had an impact on the region.

The Dvaravati culture is known primarily through archaeological remains, inscriptions, and religious monuments, many of which depict early forms of Buddhist iconography. The art produced during this era reflects the syncretism of Indian religious and artistic traditions with local Southeast Asian elements, forming a unique style that is distinct from other regions in the region.
Characteristics of Dvaravati Buddhist Art

Tvaravadi Buddha in Maravijjaya Mudra

Tvaravadi Buddha in Maravijjaya Mudra

Buddha Images: Dvaravati Buddha images are among the earliest representations of Buddhist iconography in Thailand. These sculptures often show a heavy influence from Indian Gupta and Amaravati art, as well as early Pala art from Bengal. Key features of Dvaravati Buddha images include:
Facial features: The Dvaravati Buddha typically has a rounded face, with a serene expression, and large, almond-shaped eyes. The eyebrows are arched, and the nose is prominent but rounded. The facial expressions often exude calm and peacefulness, reflecting the meditative state of the Buddha.
Hair and ushnisha: The Buddha’s hair is usually depicted in small, tight curls, and the ushnisha (a cranial protuberance symbolizing the Buddha’s wisdom) is prominent but simple.
Body proportions: Early Dvaravati Buddha images tend to have heavy, stocky proportions, with broad shoulders and a thick torso, giving the figures a sense of solidity and permanence.
Hand gestures (Mudras): The Bhumisparsha Mudra (touching the earth) is commonly depicted in Dvaravati Buddha images, symbolizing the Buddha’s moment of enlightenment. Other common mudras include the Dhyana Mudra (meditation gesture) and the Abhaya Mudra (gesture of fearlessness).

Materials and Techniques: Most Dvaravati Buddha images are made of bronze, stucco, or stone. These materials were locally sourced, and the techniques used in their creation demonstrate a blend of local craftsmanship with Indian artistic traditions. Bronze casting was particularly advanced during this period, and many surviving examples of Dvaravati art showcase intricate detailing and a high level of technical skill.

Symbolism: Dvaravati art is deeply symbolic, reflecting core Buddhist principles such as the impermanence of life (anicca), suffering (dukkha), and non-self (anatta). These themes are subtly expressed through the serene and meditative postures of the Buddha figures, as well as in the religious narratives depicted in reliefs and stupas.

Tvaravadi Buddha Heads

Tvaravadi Era Buddha Heads

Stupas and Religious Architecture

The Dvaravati era saw the construction of numerous stupas (Buddhist reliquary structures), which were central to the religious life of the period. These stupas served as places for devotion, housing sacred relics of the Buddha or important monks. Dvaravati stupas typically follow a simple design, with a hemispherical dome (anda) sitting on a square base, which was often elaborately decorated with carvings and reliefs.

Specific features of Dvaravati stupas:

Stupa Shape: The dome shape of Dvaravati stupas resembles early Indian models, reflecting the influence of Indian Buddhist architecture. However, local innovations were also evident, such as the addition of tiers and terraces surrounding the main stupa.

Phrathat Yakhu; Phrathat Yakhu represents the most significant site in Fa Daed Song Yang City.
Image source; https://www.bangkokpost.com/life/travel/345808/dvaravati-art-in-isan

Decorative Reliefs: Many stupas were decorated with narrative reliefs that depicted scenes from the Jataka tales (stories of the Buddha’s past lives) or events from the Buddha’s life. These reliefs were intricately carved into stucco or stone and showcased both religious and artistic significance.

Phra Pathom Chedi

One of the most famous Dvaravati stupas is the Phra Pathom Chedi in Nakhon Pathom, considered one of the oldest and largest stupas in Thailand. It has been rebuilt and renovated over the centuries, but its origins date back to the Dvaravati period. Phra Pathom Chedi, located in Nakhon Pathom, Thailand, is considered the world’s tallest stupa and holds great significance as it marks the site where Buddhism was first introduced to Thailand. Its name translates to “the first chedi,” symbolizing the beginning of the Buddhist faith in the region. The chedi serves as a major pilgrimage site for Buddhists and represents both historical and spiritual importance in Thai culture.  It is recognized as the world’s tallest stupa, standing at 127 meters. Its construction dates back to the 19th century, initiated during the reign of King Mongkut (Rama IV) in 1853. The chedi was built to commemorate the introduction of Buddhism to Thailand and to restore the ancient stupa that existed on the site.

The construction involved traditional methods and local materials, primarily bricks and mortar. The design reflects a blend of Indian and Thai architectural styles, with a large circular base and a tapering dome. The project was overseen by various architects and craftsmen, including the famous Italian architect, who contributed to its grandeur. In 1870, after 17 years of construction, Phra Pathom Chedi was completed and consecrated. It serves not only as a religious site but also as a symbol of Thai cultural heritage and the historical significance of Buddhism in the region. Today, it attracts numerous visitors and pilgrims from around the world.

Dvaravati Era Buddhist Art

Narrative Reliefs and Decorative Art

In addition to Buddha images and stupas, the Dvaravati period is known for its decorative art, especially its narrative reliefs. These reliefs, often found on the walls of stupas and temple structures, depict key events from the Buddha’s life, such as his birth, enlightenment, and the first sermon at Sarnath.

One unique aspect of Dvaravati reliefs is the depiction of the Buddha using symbolic forms. In early Indian and Dvaravati art, it was common to represent the Buddha not in human form, but through symbols such as the Bodhi tree (symbolizing enlightenment), the footprint (symbolizing the Buddha’s presence on Earth), or the wheel (representing the Dhamma or Buddha’s teachings). Over time, these symbolic representations gave way to more anthropomorphic depictions, though they remained an important part of Dvaravati artistic tradition.

In addition to Buddhist themes, the Dvaravati period also produced reliefs and carvings that reflected Brahmanical (Hindu) influence, depicting Hindu deities such as Vishnu and Shiva. This highlights the religious syncretism of the period, with Brahmanism and Mahayana Buddhism coexisting alongside the dominant Theravada tradition.
Influence on Later Thai Art

The Dvaravati period laid the groundwork for much of the religious and artistic development in Thailand in subsequent centuries. The themes, techniques, and forms developed during the Dvaravati era were passed down to later periods, including the Sukhothai and Ayutthaya kingdoms.

For example, the Bhumisparsha Mudra, prominent in Dvaravati Buddha images, remained a key element in later Thai Buddha sculptures. The rounded, solid form of the Dvaravati Buddha also influenced the more graceful and refined images of the Buddha seen in the Sukhothai period, where a new emphasis on fluidity and elegance in religious art emerged.

The architectural styles of the Dvaravati period, especially in the design of stupas, also influenced later Thai Buddhist architecture. Many of the stupas and chedis constructed during the Sukhothai and Ayutthaya periods retained the tiered and terraced designs first seen in Dvaravati architecture, though these later structures became more elaborate and ornate.
Conclusion

The Dvaravati era is a pivotal period in the history of Thai Buddhist art, representing the earliest phase of Buddhist artistic expression in Thailand. It is marked by its synthesis of Indian and local traditions, creating a unique style that reflected the religious and cultural dynamics of the time. The art and architecture of this period not only served religious functions but also helped establish the foundational visual vocabulary of Thai Buddhist art for centuries to come.

Through its Buddha images, narrative reliefs, and religious architecture, the Dvaravati era made lasting contributions to the Buddhist artistic heritage of Thailand. Even today, the influence of this period can be seen in the religious practices, artistic traditions, and cultural identity of the Thai people.

U-Thong Temple Architecture

In addition to Buddha images, the U-Thong period also saw developments in temple architecture. U-Thong temples typically feature elements that reflect a combination of Dvaravati and Khmer styles. For instance, chedis (stupas) from this period are often square at the base with tapering forms, resembling early Khmer temples. Some of these structures were influenced by the classical Khmer design of prasats (sanctuaries) but were adapted to the specific Buddhist context of Thailand.

These temples were often decorated with stucco reliefs and Buddha images, many of which have survived to the present day. The architectural forms from this era laid the groundwork for the more complex and elaborate structures seen during the Ayutthaya period, which followed the U-Thong era.

Cultural and Religious Significance

The U-Thong period is a reflection of the eclectic nature of Thai art, which absorbed and integrated elements from different regions and periods into a uniquely Thai interpretation of Buddhist iconography. The Buddha images from this era were not just objects of worship but also served as cultural symbols representing the consolidation of Buddhist influence in Thailand, particularly during the rise of the Ayutthaya Kingdom.

In a religious context, U-Thong amulets and Buddha images were believed to provide protection and bring good fortune. Many of these artifacts were created as part of merit-making activities, with donors commissioning the creation of Buddha statues or the construction of temples to gain spiritual merit. Today, U-Thong Buddha images are still revered, and the style remains influential in Thai religious art, particularly in central Thailand. The U-Thong era, most definitely marks an important phase in the history of Thai Buddhist art, characterized by its synthesis of various artistic traditions and its contributions to the development of Buddhist iconography in Thailand. Its distinctive Buddha images, marked by square faces, serene expressions, and carefully detailed robes, remain among the most iconic representations of Buddhist art in Southeast Asia. The U-Thong style laid the foundation for the later artistic developments of the Ayutthaya period, continuing to influence Thai Buddhist art well into the future.

3 Eras of Buddhist Sculpture

Chiang Saen, Sukhothai, U-Tong eras (left to right)

Types and Symbolism

Thai Buddhist amulets come in various forms and serve different purposes, with their materials, design, and associated rituals contributing to their individual power and significance. Broadly, these amulets can be categorized into the most famous of all-time types:

  1. Phra Somdej (พระสมเด็จ): Perhaps the most famous and highly revered type of amulet, Phra Somdej was created by the monk Somdej Phra Buddhachan Toh during the 19th century. It is often considered the “King of Amulets” and is known for bringing safety, good fortune, and spiritual advancement to its bearer. These amulets are typically made of sacred powder mixtures, including relics, herbs, and other consecrated materials.
  2. Phra Pidta (พระปิดตา): This amulet depicts a figure covering its eyes, symbolizing the renunciation of worldly desires and distractions. The wearer of this amulet is believed to receive protection from evil forces and misfortune, while simultaneously deepening their spiritual awareness.
  3. Phra Khun Phaen (พระขุนแผน): Named after a legendary warrior and folk hero, Phra Khun Phaen is associated with charm, attraction, and personal magnetism. It is often worn by individuals seeking to enhance their charisma, success in relationships, or business dealings.
  4. Phra Nang Phaya (พระนางพญา): Often referred to as the “Queen of Amulets,” Phra Nang Phaya is linked with female empowerment and is believed to provide its wearer with grace, beauty, and leadership qualities. This amulet is particularly popular among women.
  5. Luang Phor Thuad (หลวงปู่ทวด): An amulet dedicated to the legendary monk Luang Phor Thuad, who lived in the 16th century and is revered for his miraculous deeds. These amulets are believed to offer protection from physical danger and accidents, making them especially popular among travelers and those seeking physical safety.

Each of these amulets is believed to possess specific powers, which may include protection from danger, enhancement of personal charisma, promotion of health, prosperity, or spiritual development. The efficacy of these amulets is often tied to the intentions and blessings of the monk or temple that creates them.

Thai Benjapakee amulets

Creation and Consecration

The process of creating a Thai Buddhist amulet is steeped in religious ritual and tradition. Amulets are usually crafted from a variety of materials, such as clay, bronze, silver, or even wood. Some amulets are made using special powders that include relics of deceased monks, crushed herbs, or soil from sacred sites. The choice of materials is significant, as they are often believed to enhance the spiritual potency of the amulet.

LP Hmun Giving Blessings

The creation of an amulet typically involves chanting sacred mantras, and once the amulet is complete, it undergoes a consecration ceremony known as phutthaphisek. During this ritual, monks will invoke the protective powers of the Buddha, as well as other revered figures, to imbue the amulet with spiritual energy. The length and intensity of these rituals vary depending on the amulet and the temple, but they are always conducted with utmost reverence.

Amulets blessed by highly respected monks, or those made in temples with historical significance, are considered to be the most potent. As a result, they are highly sought after by collectors and devotees alike.

Luang Por Koon Blessing Amulets in Devotional Gathering

Role in Society

Thai Buddhist amulets hold a unique position in Thai society. They are not merely religious objects but also cultural artifacts that reflect the deep-rooted Buddhist faith of the Thai people. Many Thais wear amulets daily, believing that they offer protection from accidents, illness, and misfortune. Soldiers, police officers, and business people are among the most prominent wearers, as they seek both physical safety and professional success.

Luang Phu Doo Wat Sakae handing out amulets and giving blessings

Luang Phu Doo of Wat Sakae in Ayuttaya, handing out amulets and giving blessings

Amulets are also a form of charitable giving and merit-making in Thai culture. Monks often distribute amulets to devotees in exchange for donations to the temple, with the proceeds going toward the upkeep of the temple, charitable activities, or community projects. This exchange strengthens the bond between laypeople and the monastic community, reinforcing the central Buddhist concept of dana (generosity).

Amulets as Collectibles

In addition to their religious and cultural significance, Thai Buddhist amulets have become valuable collectibles. Amulet trading is a thriving market in Thailand, with some amulets fetching high prices due to their rarity, the reputation of the monk who created them, or the historical period in which they were made. Amulet fairs and shops are common throughout Thailand, and collectors often spend years seeking out rare or highly revered pieces.

Despite the commercialization of amulets, their spiritual essence remains central to their significance. Collectors and devotees alike believe that the true value of an amulet lies not in its monetary worth but in the spiritual protection and guidance it provides.

Thai Buddhist amulets have, and still do serve as both sacred objects of devotion, and cultural symbols that reflect Thailand’s rich religious heritage. Their importance in Thai society cannot be overstated, as they bridge the spiritual and material worlds, offering comfort, protection, and a tangible connection to the teachings of the Buddha. Whether worn for personal safety, spiritual advancement, or as collectibles, these amulets embody the enduring faith of the Thai people and the profound influence of Theravada Buddhism on their daily lives.

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The Somdej Wat Rakang Jaek Taan (First Edition, 2011): Origins, Significance, and Cultural Legacy

Phra Somdej Wat Rakhang 2554 BE
Thai sacred amulets (phra khrueang rang) hold profound religious and cultural importance in Thailand. These objects symbolize deep faith and are widely believed to confer blessings and protective qualities upon devotees who worship them. Beyond their spiritual role, such amulets have historically been instrumental in fundraising initiatives to support the maintenance and activities of Buddhist temples. In exchange for monetary or material donations, temples often bestow these amulets as tokens of gratitude. Over time, however, these objects have come to be regarded not merely as symbolic gifts but as items imbued with auspicious qualities capable of influencing various aspects of life. Moreover, it has long been a traditional practice to place amulets within the foundations of stupas or temple structures during construction. When these structures deteriorate over time, ancient amulets from past centuries are occasionally unearthed, further enhancing their historical and cultural significance. As such, Thai amulets are not merely religious artifacts but also enduring symbols of historical and spiritual heritage.

Among the various categories of Thai sacred amulets, the “Somdej” amulet stands out as one of the most revered and highly esteemed, often referred to as the “King of Amulets.” This type of amulet is intrinsically linked to the venerated figure of Somdej Phra Phutthachan (To Phrommarangsi) of Wat Rakang Kositaram, an influential and widely respected monk in Thai Buddhist history. Consequently, the Somdej amulet represents not only an object of devotion but also a confluence of cultural narratives, artistic craftsmanship, and the enduring legacy of one of Thai Buddhism’s most celebrated figures.

This report delves into the analysis of the Somdej Wat Rakang Jaek Taan (First Edition, 2011), an amulet of considerable interest among both devotees and collectors. The discussion encompasses its origins, the significance of its nomenclature, the revered monks involved in its consecration, the materials used in its creation, its defining characteristics, and its current relevance in the Thai sacred amulet community. By exploring these aspects, this analysis seeks to illuminate the cultural and spiritual value of the Somdej Wat Rakang Jaek Taan (First Edition, 2011) within the broader context of Thai sacred amulet traditions.

Understanding the Tradition of Somdej Amulets
The Somdej amulet category is recognized as one of the most powerful and spiritually significant types of Thai sacred amulets. Often regarded as the pinnacle of amulet craftsmanship and faith, these objects are believed to have been created by Somdej Phra Phutthachan (To Phrommarangsi) of Wat Rakang Kositaram during the 19th century. Somdej To, as he is colloquially known, was born on April 17, 1788, and passed away on June 22, 1872. His legacy, particularly during the Rattanakosin period, has cemented his reputation as one of the most venerated monks in Thailand’s history. Revered for his spiritual powers and extensive contributions to Buddhism, his amulets remain highly sought after to this day.

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Somdej To’s close association with the Thai royal family played a pivotal role in elevating his status and the prominence of the amulets he created. Historical accounts highlight his connections with King Rama II and his mentorship of Prince Mongkut, who later ascended the throne as King Rama IV. The royal patronage bestowed upon Somdej To enhanced both his personal reputation and the prestige of the amulets attributed to him.

Devotees widely believe that Somdej amulets possess profound spiritual power, granting blessings, protection from harm, and prosperity to those who carry them. These beliefs stem from the compelling accounts of Somdej To’s piety, meditation skills, eloquence in teaching Buddhist principles, and deep knowledge of the Dharma. These qualities have imbued his amulets with a sacred aura, drawing devotees and collectors alike to their symbolic and spiritual significance.

The original materials employed in the creation of Somdej amulets during Somdej To’s lifetime included powdered seashells, lime powder, and sacred “magic powders” (pong wises), among others. The incorporation of these materials creates a tangible connection between past and present, reinforcing the continuity of sacred traditions and practices. Consequently, Somdet Wat Rakang amulets are regarded as invaluable cultural and spiritual artifacts, commanding high respect and desirability in collector circles.

Analysis of the Name: “Jaek Taan (First Edition, 2011)”
The name Somdet Wat Rakang Jaek Taan (First Edition, 2011) comprises several key elements that provide insights into its origin and purpose. The term Somdet denotes the specific category of amulet closely associated with Somdet Phra Phutthachan (To Phrommarangsi). The phrase Wat Rakang refers to Wat Rakang Kositaram, a historically significant temple in Bangkok that shares a profound connection with Somdet To.

The phrase Jaek Taan translates to “distribution of offerings” or “charitable giving,” highlighting the altruistic intent behind the creation of this amulet. This term suggests that the amulet was produced as part of a charitable initiative, likely distributed to donors who supported temple activities or other philanthropic projects. The inclusion of Jaek Taan in the name emphasizes the amulet’s role in promoting generosity and the accrual of merit, core principles in Buddhist practice.

The designation “First Edition, 2011” specifies that this amulet represents the inaugural release of its particular design or series, produced in the Buddhist year 2554 (2011 CE). First-edition amulets often hold special significance for collectors, symbolizing the commencement of a new series or tradition. The explicit reference to its first edition reinforces the unique status and authenticity of this specific amulet, enhancing its appeal within the sacred amulet community.

The Historical Significance of Wat Rakang Kositaram

Pra Somdej Wat Rakang


Wat Rakang Kositaram, located in Bangkok, boasts a history that dates back to the Ayutthaya period. Originally known as Wat Bang Wa Yai, the temple underwent significant restoration and was elevated to the status of a royal temple during the reign of King Taksin the Great. Later, under the rule of King Rama I, the temple gained its current name, which translates to “Temple of the Bells,” after the discovery of a melodious bell on its grounds. The bell was relocated to Wat Phra Kaew, and five new bells were gifted to Wat Rakang, solidifying its name and historical identity.

Wat Rakang holds immense significance in Thai Buddhist history, particularly as the residence of Somdet Phra Phutthachan (To Phrommarangsi) during his tenure as abbot from 1852 to 1872. This period, often referred to as the temple’s golden age, marked the widespread recognition and reverence of Somdet amulets. The enduring association of Wat Rakang with Somdet To has cemented its status as a focal point for the tradition of Somdet amulets and its cultural legacy.

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Pra Somdej 9000 LP Pae

The Pra Somdej Sai Rung (Rainbow Powders) Pae 9000 Edition 2536 BE Gammagarn Takrut 3K and the Pra Somdej Pae 2000 Edition BE Ongk Kroo Takrut Ngern Koo

The Pra Somdej amulets created by the renowned Thai Buddhist monk Luang Por Pae are among the most revered and sought-after sacred objects in Thailand. Two particularly iconic examples are the Pra Somdej Sai Rung (Rainbow Powders) Pae 9000 Edition 2536 BE Gammagarn Takrut 3K and the Pra Somdej Pae 2000 Edition BE Ongk Kroo Takrut Ngern Koo. These amulets are highly prized by both devotees and collectors for their spiritual significance, historical value, and exquisite craftsmanship.

The Pra Somdej Sai Rung (Rainbow Powders) Pae 9000 Edition 2536 BE Gammagarn Takrut 3K is an exceptionally rare and valuable amulet within the Pra Somdej master class category. This amulet is distinguished by its unique “Pim Gammagarn” design, featuring an arched image on the reverse side and the inclusion of three Takrut (sacred scrolls) made of bronze, silver, and gold. The use of the sacred “Sai Rung” (Rainbow Powders) in its creation further enhances its spiritual potency and desirability.

Luang Por Pae’s Pra Somdej amulets are renowned for the “Pong Puttakun” (Buddha Powders) that rise to the surface, leaving a fine layer of white mildew that reveals the empowerment and purity of the monk’s practice. This Pra Somdej Sai Rung 9000 Edition amulet is no exception, with its distinctive appearance and the spiritual energy it is believed to possess.

The Pra Somdej Pae 2000 Edition BE Ongk Kroo Takrut Ngern Koo is another highly prized amulet in the Luang Por Pae collection. This amulet features the classic Pra Somdej design, with the seated Buddha image on the obverse and the inclusion of three Takrut (one each in bronze, silver, and gold) on the reverse. The “Ongk Kroo” or “Master Class” designation further enhances the amulet’s spiritual significance and value.

The Pra Somdej Pae 2000 Edition is considered one of the rarest and most sought-after among Luang Por Pae’s creations, along with the 1000 and 4000 Editions. These limited-edition amulets were produced with great care and attention, using the sacred “Pong Puttakun” (Buddha Powders) and other rare and powerful materials.

Luang Por Pae’s dedication to his craft extended beyond the creation of the amulets themselves. He is said to have spent three years blessing the final set of Pra Somdej amulets before his passing in 2523 BE, imbuing them with even greater spiritual power and significance. This final edition of amulets has become particularly rare and highly valued by devotees and collectors alike.

The Pra Somdej Sai Rung 9000 Edition and the Pra Somdej Pae 2000 Edition are not only revered for their spiritual efficacy but also for their historical and artistic value. These amulets are considered part of the “Benja Pakee,” a set of five national amulets representing different regions of Thailand, further highlighting their cultural significance.

The Pra Somdej Sai Rung (Rainbow Powders) Pae 9000 Edition 2536 BE Gammagarn Takrut 3K and the Pra Somdej Pae 2000 Edition BE Ongk Kroo Takrut Ngern Koo are two exceptional examples of the revered Pra Somdej amulets created by the legendary Thai Buddhist monk, Luang Por Pae. These amulets are highly prized for their spiritual power, historical importance, and artistic craftsmanship, making them treasured possessions among devotees, collectors, and those seeking to connect with the rich Buddhist heritage of Thailand.

Thai Buddhist Amulets of High esteem

Thai amulets, known as “Phra Khruang” or “Krueang Rang,” are deeply embedded in the cultural and spiritual fabric of Thailand. These sacred objects are revered not only for their spiritual significance but also for their historical and cultural value. The tradition of wearing amulets in Thailand is a practice that dates back centuries, intertwining with the country’s religious beliefs, history, and social customs.

The creation of Thai amulets is a diligent and complex ritual process, that involves a blend of spiritual rituals, sacred materials, and artistic craftsmanship. These amulets are often made by revered Buddhist monks, Ruesi hermits, or lay sorcerers who are skilled in mystical arts. The process begins with the selection of sacred materials, which may include powdered herbs, sacred earths, metals, and other substances believed to possess inherent protective qualities. These materials are then mixed with holy water and sacred oils, and often inscribed with ancient scripts or symbols known as “Yant.”

The empowerment of amulets is a crucial aspect, involving the chanting of sacred mantras or “Kata” and the invocation of spiritual entities. This ritual is believed to imbue the amulet with “Itti-rit” or psychic powers, granting it the ability to protect the wearer, bring good luck, or enhance personal attributes such as charm and popularity. This form of magic is known as “Metta Maha Niyom,” which focuses on increasing the wearer’s attractiveness and social influence.

Lanna Master Kroo Ba Nikorn Blessing Nam Tao Gourd Amulets

Kroo Ba Nikorn Blessing Nam Tao Gourd Amulets

Thai amulets can be categorized based on their origin, form, or purpose. Naturally occurring objects such as certain types of iron, boar tusks, and tiger fangs are believed to have intrinsic protective qualities and are often guarded by spirits. Man-made amulets, on the other hand, are crafted using sacred clay admixtures or metallurgical processes, often involving ancient alchemical practices.

forging metallic alchemical amulets

The imagery on Thai amulets varies widely, encompassing depictions of the Buddha, noble monks, Bodhisattvas, Devas, and even gods and demi-gods. Some amulets also feature elements of the dark arts, invoking the spirits of ghosts or otherworldly entities. Despite the diversity in their forms and purposes, all Thai amulets share a common goal: to bring Buddhist virtues and protection to those who wear them.

The historical significance of Thai amulets is profound. They are not only religious artifacts but also cultural symbols that reflect the beliefs and values of Thai society. The practice of wearing amulets is documented as far back as the Rattanakosin period during the reign of King Rama IV, although it likely predates this era, especially considering it is recorded that King Naresuan maharaj wore a Takrut across his chest on a cord, which shows that the practice dates back many centuries more, as well as the Kru Hiding place burial finds which reveal amulets having been made 700-1000 years agot already in Siam. Throughout history, amulets have been used as protective talismans in battles, as symbols of faith, and as objects of personal devotion.

Pra Khun Phaen Ban Krang Ancient Clay Hiding-Place Amulet

One of the most revered figures in the history of Thai amulets is Somdej Toh, a legendary monk known for his profound spiritual wisdom and the creation of the famous Pra Somdej amulets. These amulets are highly valued for their spiritual efficacy and exquisite artistry, making them sought-after items among collectors and devotees alike. The authenticity and age of these amulets are of paramount importance, requiring a keen understanding of the materials and techniques used in their creation.

Macro Close Up of the Pra Somdej Wat Gaes Chaiyo with Somdej Dto

In modern times, the popularity of Thai amulets has only grown, with many people around the world collecting and wearing them for various reasons. Whether for spiritual protection, good fortune, or as a connection to Thai culture, these amulets continue to hold a special place in the hearts of many. The enduring appeal of Thai amulets lies in their ability to bridge the spiritual and the material worlds, offering a tangible connection to the divine and a source of comfort and inspiration in everyday life.

For those interested in exploring the world of Thai amulets, there are numerous resources available. Websites such as ancientamulet.com and thailandamulet.net, authored by Ajarn Spencer Littlewood, provide extensive information on the history, types, and significance of these sacred objects. These platforms offer insights into the art of evaluating and authenticating antique Thai Buddhist amulets, helping collectors and enthusiasts navigate this fascinating realm with confidence and understanding.

Thai amulets are more than just religious artifacts; they are an integral parts the rich cultural heritage and spiritual beliefs of Thailand. Whether crafted from sacred materials or naturally occurring objects, these amulets serve as powerful conduits of protection, embodying the timeless wisdom of the Buddha and the enduring faith of the Thai people.

Tiger Takrut of the Great LP Nak of Wat Arun

One of the Top Ten of all Tiger Amulets; The Legendary Takrut Hnaa Bpaag Suea of Luang Phu Nak, Wat Arun

In the world of Talismanic Thai amulets, few talismans are as revered and sought after as the Takrut Hnaa Bpaag Suea of Luang Phu Nak, a renowned monk from Wat Arun, also known as the Temple of the Dawn. This iconic amulet is a testament to the monk’s exceptional spiritual powers and his mastery of the ancient arts of Thai Buddhism and magic.

Takrut Hnaa Bpaag Suea Tiger Takrut of Luang Phu Nak

The Life of Luang Phu Nak

Luang Phu Nak was born on January 3, 2415 BE, in Ban Bang Poon, Pathum Thani province. His father, Mr. Nuan, and mother, Mrs. Luean, raised him with strong Buddhist values, which would later shape his destiny as a monk. At the age of 12, Luang Phu Nak was ordained as a Samanera novice monk at Wat Sarapat Chang, under the guidance of Pra Atigarn Hwang Tamma Chodti. He spent his early years studying the Dhamma Vinaya, the teachings of the Buddha, and honing his meditative skills.

LP Nak of Wat Arun

As he grew in wisdom and spiritual prowess, Luang Phu Nak was reordained as a fully fledged Bhikkhu at Wat Sutat in Bangkok, a royal decree temple, in the year of the Dragon, 2435 BE. His Upachaya ordaining officer was Somdej Pra Wanaratana (Luang Por Daeng), a highly respected monk of the time. Luang Phu Nak’s monk name, “Sumananaakoe,” translates to “Companion of the Nagas,” reflecting his deep connection with  Wicha Saiyasart, and the Nether-Worlds.

Takrut amulets of LP Nak

Takrut amulets of LP Nak

The Making of the Takrut Hnaa Bpaag Suea

The Takrut Hnaa Bpaag Suea, a tiger forehead skin scroll talisman, is Luang Phu Nak’s most famous creation. According to Ajarn Spencer Littlewood, a renowned expert on Thai amulets and Buddha magic, this amulet is considered one of the most powerful and sought-after talismans in the world of Thai amulets.

The Takrut Hnaa Bpaag Suea is said to possess the power of the tiger, with its forehead skin serving as a conduit for the animal’s strength, courage, and protection.

The creation of the Takrut Hnaa Bpaag Suea was a labor-intensive process, requiring great skill and attention to detail. Luang Phu Nak would first immerse the forehead skin in holy water to soften it, then scrape off the fur, leaving bare skin.

He would then inscribe the skin with sacred symbols and prayers, using the Wicha Maha Ud, a powerful magical script. The skin was then wrapped into a scroll, tied with holy Sinjana cords, and lacquered with gold leaf.

 

Magical Properties and Benefits

This powerful amulet is crafted from the rolled-up forehead hide of a tiger, imbued with the sacred spells of Wicha Suea Tiger Magick. The tiger’s innate energies are believed to possess a range of potent magical properties.

The tiger’s forehead hide is said to be naturally endowed with these sorcerous powers, making the Takrut Hnaa Bpaag Suea an exceptionally potent and desirable amulet. Its magical properties are believed to bring the wearer great opportunities for advancement, success, and recognition, while also inspiring the loyalty and devotion of others.

The Wicha Suea Tiger Magick within the amulet is thought to amplify these natural energies, creating a powerful and irresistible force that can help the wearer achieve their goals and ambitions. Whether seeking to enhance their career, attract wealth and prosperity, or simply to inspire the admiration and respect of others, the Takrut Hnaa Bpaag Suea is believed to be an invaluable tool for achieving success and realizing one’s desires.

The Takrut Hnaa Bpaag Suea is believed to possess a range of properties and benefits, including:

  • Maha Ud Kong Grapan Chadtri: Invincibility magic, protecting the wearer from harm and danger
  • Chai Chana: Victory-bringing magic, attracting success and triumph in all endeavors
  • Klaew Klaad: Evasive magic, allowing the wearer to avoid accidents and misfortune
  • Maha Amnaj: Commanding power and superiority magic, granting the wearer authority and respect
  • Metta Maha Niyom: Mercy charm, attracting positive energies and improving loving relationships
  • Anti-Black Magic: Protection from malevolent spirits and negative energies, curses and spells.

The Legend of Luang Phu Nak’s Takrut

The legend of Luang Phu Nak’s Takrut Hnaa Bpaag Suea has been passed down through generations, with stories of its incredible powers and benefits. Devotees would often report experiencing strange and wonderful occurrences while wearing the amulet, such as increased confidence, improved relationships, and protection from harm.

The Legendary Takrut Hnaa Bpaag Suea Tiger amulet of LP Nak, of Wat Arun.One famous story tells of how Luang Phu Nak’s devotees would notice that even buffaloes would cower in fear when they passed by, sensing the powerful magic of the Takrut Hnaa Bpaag Suea. This anecdote has become a testament to the amulet’s potency and Luang Phu Nak’s exceptional spiritual powers.

Rarity and Authenticity

The Takrut Hnaa Bpaag Suea is an extremely rare amulet, with only a limited number created by Luang Phu Nak during his lifetime. The amulet’s rarity is due in part to the difficulty of obtaining tiger forehead skin, as well as the strict conditions under which the Takrut could be created. Luang Phu Nak would only make the Takrut on 5th Lunar Saturdays, which are rare and occur only a few times a year.

Authenticity is a major concern when it comes to the Takrut Hnaa Bpaag Suea, as many counterfeit versions have been created over the years. To ensure authenticity, collectors and enthusiasts should look for documentation and certification from reputable sources, such as the temple where the amulet was created, or from recognized experts in the field of Thai amulets.

The Legendary Takrut Tiger amulet of LP Nak, of Wat Arun.The Takrut Hnaa Bpaag Suea of Luang Phu Nak, Wat Arun, is a legendary amulet that has captured the hearts and imaginations of collectors and enthusiasts around the world. Its exceptional powers and benefits, combined with its rarity and historical significance, make it a truly unique and valuable talisman. This also reminds us of the importance of preserving the cultural heritage and spiritual traditions of Thailand, and the enduring legacy of Luang Phu Nak, a true master of the ancient Wicha, and grimoires of mystical arts.

Tiger Takrut Hnaa Baag Suea LP Nak


Kata Suea - Invocation of Tiger Spirit

Sources:

Krueang Rang Talismanic Charms

Secrets of the Loupe: A Master’s Guide to Thai Amulet Identification – Level 1.

While a casual observer might be perplexed by the magnifying glass, or “loupe,” as a primary tool for identifying Thai amulets (พระเครื่องและเครื่องราง ของขลัง), seasoned collectors and experts  understand the profound significance of close examination. The naked eye of the average person, when examining amulets under an eye-loupe, may be capable of appreciating the overall form and aesthetics, but most people overlook a treasure trove of subtle details that reveal an amulet’s origin, age, and authenticity.

This knowledge, and expertise in amulets which so many people seek, is only to be honed over decades of dedicated study. Experience, lots of reading, examination of actual amulets, as well as imagery in encyclopedic works documenting amulets, and the interchange between colleagues of the niche, exchanging knowledge with each other, forms the cornerstone of expertise in the realm of Thai amulets.

Close up Khun Phaen Pong Prai Kumarn 2515 LP Tim Blue Version

Beyond the Magnifying Glass: A Multifaceted Approach

The identification process transcends mere magnification and delves into a multi-layered analysis. The approach varies based on the amulet’s material composition:

Close Up 3 Khun Phaen Pong Prai Kumarn 2515 LP Tim Blue Version

  • Forged Metallic Coins and Statuettes: These amulets require meticulous attention to detail. Examining the “fineness” of the metal, the presence of minuscule casting flaws (“Damni”), and the overall sharpness of the image are all essential clues. Identifying these “deliberate faults” left behind by the original block press mold helps distinguish authentic pieces from forgeries. For instance, the renowned Rian Rakang amulet of Luang Por Kasem, a bell-shaped coin depicting the monk in meditation, possesses five distinct block press molds, each with slight variations. Recognizing these subtle differences is a hallmark of expertise.
  • Sacred Clay and Powder Amulets: These amulets offer a richer portfolio of methods for analysis. Here, the loupe becomes a vital tool for perusal of at least three major factors:
  • Contraction Cracks: As the sacred clay dries and ages, it undergoes a natural contraction process, resulting in the formation of fine cracks on the surface. The size, pattern, and depth of these cracks provide valuable insights into the amulet’s age.
  • Muan Sarn Composition: The sacred powder mixture (Muan Sarn) embedded within the clay reveals a wealth of information. The loupe allows for the identification of various particles, such as herbal remnants, pollens, or even relics, used in the Muan Sarn. This knowledge, coupled with experience, allows for the recognition of specific temples or monks known for their unique Muan Sarn compositions.
  • Pim Song Identification: Once the age and Muan Sarn are confirmed, the loupe facilitates the study of the “Pim Song” details. This refers to the specific characteristics of the mold used to press the amulet. By examining intricate details like the shape of the Buddha’s features, the folds of his robe, or the inscription clarity, one can identify the specific version (“Pim”) created from a particular block press. This becomes crucial in differentiating between different editions or sub-models within the same amulet type.

Various Macro close ups of the Muan Sarn of the Pid Ta Hlang Baeb Nuea Pong Puttakun Early Era Amulet Luang Phu Kaew amulet.

The Art of Perusal: Beyond Visual Examination

While the loupe plays a critical role, the art of amulet identification extends beyond just visual examination. Years of dedicated study and experience equip collectors with a deeper understanding of various factors:

  • Historical Context: Understanding the historical period when a particular type of amulet was created is crucial. Knowing the prevalent artistic styles, cultural influences, and materials used during that era allows for better contextualization of an amulet’s characteristics.
  • Monks and Lay Masters: Familiarity with the lives and practices of the monks or lay masters associated with specific amulet types is essential. Knowing their preferred materials, artistic preferences, and consecration rituals provides valuable insights when analyzing an amulet.
  • Samakom Pra and Sian Pra Expertise: Leveraging the knowledge of established institutions like the Thai Amulet Society (Samakom Pra) and renowned amulet experts (Sian Pra) is invaluable. These bodies contribute significantly to preserving historical records and developing authentication methodologies.

Various Macro close ups of the Muan Sarn of the Pid Ta Hlang Baeb Nuea Pong Puttakun Early Era Amulet Luang Phu Kaew amulet.

Pra Kru: Unveiling the Secrets of Hidden Amulets

A particularly challenging category within sacred clay amulets is “Pra Kru.” These are amulets that have been hidden for extended periods, often found buried within temple crypts or unearthed from ancient chedis (stupas). While Pra Kru amulets can be made of both clay and metal (including leaden varieties), their long-term concealment presents additional challenges for authentication.

Pra Somdej Wat Gaes Chaiyo 3 Pim Ongk Kroo

The limited exposure to light and air often results in a more subdued surface with a patina or encrustation. This necessitates a combination of expertise and specialized techniques for examination, such as X-ray analysis or careful cleaning under the supervision of a qualified restorer. Deciphering the secrets of Pra Kru amulets demands a deep understanding of material degradation processes and the ability to identify characteristic features that remain discernible despite the passage of time.

The Evolving Landscape of Thai Amulet Study

The field of Thai amulet study is far from static. New discoveries constantly emerge, requiring collectors and experts to remain adaptable and ever-learning. Technological advancements such as high-resolution macro photography and advanced material analysis tools are increasingly employed to refine authentication processes. However, these advancements should not overshadow.

The study of Thai Amulets of high end category, is as stated, a dynamic and ever-evolving landscape, with new insights constantly emerging as your experience grows over the years, according to your efforts in study, and contact with good tutors and mentors in the proper school of thought. Collectors, researchers, and experts in this domain must remain adaptable and continuously learning to keep pace with the rapid advancements taking place.

Technological innovations, such as high-resolution macro photography and advanced material analysis tools, are playing (or being abused by certain individuals), an increasingly advertized as a method of refining and enhancing the authentication processes for these sacred Thai amulets. But Calcit Testing, or X-ray analysis, while potentially useful for examining internal structures and identifying certain materials in older amulets, certainly has its limitations in authenticating Thai amulets, especially for those under 200 years old. In addition, only some amulets contain calcite, so this is not a measure for all amulets, in fact, it could, if it were precise, only be truly used for amulets such as the Pra Somdej Wat Rakang, which is known to have calcite present within the Muan Sarn admixture.

It is essential hence, to keep in mind, that these technological advancements do not overshadow or diminish the importance of traditional knowledge, intuition, and holistic understanding, which have been cultivated by seasoned experts over generations. The study of Thai amulets is deeply rooted in cultural, historical, and metaphysical traditions, and a balanced approach that integrates both modern and time-honored methods is necessary to preserve the integrity and nuance of this captivating field of inquiry.

Preserving and understanding this heritage requires a dedication to traditional knowledge, a keen eye for detail, and a respect for the limitations of modern technology. While technological advancements offer valuable tools, they should not overshadow the intuition and holistic understanding cultivated by seasoned experts over generations. The study of Thai amulets is deeply rooted in cultural, historical, and metaphysical traditions. A balanced approach that integrates both modern and time-honored methods is necessary to preserve the integrity and nuance of this captivating field of inquiry. Through such a balanced approach, the legacy of Thai amulets can be safeguarded for future generations to appreciate and understand.

Incantations and Empowerments are often performed within Caves

What are Thai Amulets?

Thai Amulets range from a great number of types, with Buddhist amulets, differing from other types of amulets such as Brahman/Hindu, Animist, Necromancy related, and even magical charms which are empowered just based in the belief in elemental powers and herbal properties inherent within the substances themselves. Thai people, and of course not just Thai people, but people around the world, both those who believe in Buddhism, as well as those who adhere to occult beliefs, collect and wear Thai amulets, of many kinds, for a vast number of reasons and goals. These goals align with what amulets have usually been made for and believed in throughout Human history, and the use of amulets has been found in I believe almost every, if not every single Human culture that ever existed on earth. However, Thai Buddhism has its own specific pantheon of Classic Traditional amulets of high Religious, Spiritual importance, and which is also indelibly sealed on the national Identity and Culture of Thai Buddhist People.

Such amulets are purely Buddhist, and what most people would think of when referring to a ‘Thai Amulet’, such as the various models of Pra Somdej Buddha-Image Votive Tablets, or the 5 Regional Famous Buddhist amulets from archeological digs such as the Pra Somdej, Pra Pong Supan, Pra Nang Paya, Pra Kong and Pra Rod amulets, classed as the ‘top 5 Benja Pakee’ amulets of all Thai History.

In fact, they are merely academically categorized for official documentation as amulets of National Importance, from chosen sets of famously popular archeological dig find amulets, known for the region they came from, or were discovered in, and chosen to represent each of the five regions of Thailand. But in truth, there are absolutely hundreds of thousands of different kinds of Thai amulets, both ancient and modern.

Why do People Wear Thai Amulets?

Wealth Rains From Heaven - Maha Lap
For Many pure Buddhists, the wearing of a Buddha Image, or an image of their mentor and teacher (Guru Monk), is a way to connect with the Guru or the Buddha, and to remember one’s practice, and keep focused, and to keep one’s precepts. For others, Thai amulets, be they Buddhist in nature or not, are used for a multitude of goals, including protection, lucky fortunes, good business and monetary gains, power of attraction, commanding power, invincibility, charming speech, evasion, and many other purposes.

Sorceror performing Incantations and ritual empowerment and Bucha

The Practice of Creating Amulets in Thailand and Ancient Siam

According to ancient military records, such as many found in the ancient ‘Pichai Songkram’ parchment Grimoires, Siamese warriors often carried amulets for protection and good fortune in battle. These amulets, created in various forms, were believed to bestow invincibility and ward off harm. They were typically bestowed by revered Buddhist monks, Ruesi Hermits, or Lay Sorcerors, skilled in mystical arts, and deeply respected by the community. The belief in the power of these amulets was so strong that it was passed down through generations across millenia, in what came to be known as the Buddhist Kingdom of Siam.

Thai Amulets can be categorized in various ways, based on their origin:

  1. Naturally Occurring Objects: These are believed to have intrinsic protective qualities and are guarded by spirits. Examples include certain types of iron, curved antlers, boar tusks, and tiger fangs, as well as other substances such as skin, bone, sacred woods, and other natural substances.
  2. Man-Made Objects: Created through the making of sacred clay admixtures using powdered herbs earths and other dried substances mixed with sacred oils and holy water, as well as metallurgical amulets, made with ancient alchemical practices, these include various metals and alloys, empowered and blessed to protect the bearer.

Thai Amulets can also be classified by their form or purpose of use:

  1. Worn Amulets: These are worn on the body, such as headbands, belts, or armbands.
  2. Embedded Amulets: These are implanted in the body, such as golden needles or metal talismans.
  3. Ingested Amulets: These are placed in the mouth, like certain types of bezoar stones. Such types of power stones are used by the Ruesi Hermits in Thailand.

Materials used for amulets include:

  1. Metals
  2. Powders
  3. Earth
  4. Various Other Materials: Such as special paper, resin, or clay.
  5. Animal Parts: Including fangs, horns, tusks, claws, and skins.
  6. Human Remains: Such as hair or cloth from the deceased.
  7. Miscellaneous Materials: Such as woven fabrics.

Amulets are also differentiated by their appearance:

  1. Male Figures: Like child spirits, hermits, or mythological figures.
  2. Female Figures: Such as the goddess of rice or other nurturing spirits.
  3. Animal Figures: Representing sacred animals like tigers, elephants, or mythical creatures.

Amulets  can also vary by the level of sanctity:

  1. High-Level Amulets: Worn on the upper body and believed to carry the blessings of the Buddha.
  2. Lower-Level Amulets: Such as those used for fertility or charm, considered less sacred.
  3. Hanging Amulets: Like banners or small decorative items.

The creation of amulets dates back to times before Thailand, Siam, or even organized religion, and is indeed a Global phenomenon, however, the present day continued practice of magical amulet making with unbroken tradition as a living practice, is hardly to be found elsewhere outside of Thailand, South East Asia and Africa, but with Thailand having its most prominent and national presence. Amulets are almost as old as humanity itself, deriving from times when natural phenomena and the elements were revered. Early humans attributed divine significance to the sun, moon, stars, and elements, crafting objects to embody these forces. As civilizations evolved, so did the complexity and purpose of these amulets, influenced by cultures such as Egypt, Greece, and Rome.

With the advent of organized religions, such as Brahmanism, amulets began to represent deities like Shiva, Vishnu, and Brahma. These figures were worshipped for their divine power, which was believed to be channeled through the amulets.

Siamese Sorceror performing Incantations in a dark cave with low candlelight, with a skull in his outstretched hands
In Buddhism, established around 2,000 years ago, amulets continued to play a role. Followers of the Buddha, who achieved enlightenment, created amulets to embody the teachings and spiritual power of the Buddha and his disciples. These amulets were believed to offer protection and guidance, reflecting the Buddha’s attributes of compassion, wisdom, and purity.

Hence, Thai Buddhist amulets serve as a means of protection and spiritual connection, evolving from natural objects to sophisticated symbols of religious and mystical significance. The terminology used to describe these objects varies, but they are commonly known as “amulets” or “charms,” depending on cultural and contextual nuances.

Look Om Jet Paya Chang Sarn Luang Por Ding

One of the top Look Om of all Time; the Immortal Look Om Jet Paya Chang Sarn, of Luang Por Ding (Wat Bang Wua, Chachoengsao), in Nuea Dam Black Prai Powders and Gold Leaf coating, from the ancient times Abbot of of Wat Bang Wua: Luang Por Ding. LP Ding was highly renowned in his day, for his Palad Khik Ling Jab Hlak Vanora Monkey animist charms, and for his Sacred Powder Look Om wishing balls, made from his legendary Pong Ya Jet Paya Chang Sarn substance.
Look Om Luang Por Ding

The Sacred Jet Paya Chang Sarn Muan Sarn Sacred Powders were made from the Klai Pra Chedi (pieces of the ancient Chedi Stupas of 7 Temples), Klai Sema (ground up pieces of temple boundary stone) of 7 Temples, Pieces of stone from 7 Uposatha Shrinerooms, mixed with Pong Ittijae, & Pong Maharaj Yantra Powders.These substances were ground up in a mortar with incantations and molded into Look Om Sacred Powder Balls, of small size



The Look Om Jet Paya Chang Sarn of Luang Por Ding is noticeably dense and hard, for Luang Por Ding would let them harden first, and would mix the powders with Rak Herbal Lacquer resins. Some Look Om would be covered in gold leaf, and some would be left bare black colour.Luang Por Ding would keep the Muan Sarn Sacred Powders and the Look Om he had made for a long time in his Kuti Hut to empower them, and would only release them when he was completely certain of their power.

Luang Por Ding would release the Look Om to his devotees during temple ceremonies, and on his birthday celebrations.The Look Om Jet Paya Chang Sarn is spoken of in the Legend of the Great ‘Suea Khaw’ Invincible Gangster, who was a Looksit of Luang Por Ding. Suea Khaw maintained that he survived throughout the years of his gunmanship because of the Look Om Paya Jet Chang Sarn, which stopped many bullets from piercing his skin and killing him over the years. It is said to have given Suea Khaw the strength and imposing aura of invincibility, to overcome all his enemies.

The Look Om gained the name of ‘Jet Paya Chang Sarn’ because of its legendary power to increase the stamina and strength of the devotee over his or her adversaries. It is said that the wearer of the Look Om Jet Paya Chang Sarn is endowed with the strength of the Paya Chang Sarn Battle Elephant. The Look Om is said to both Protect against all Dangers, and Endow the wearer with Commanding Power and Strength. Suea Khaw was a Gangster who was reputed to have defeated and killed over 100 of his competitors, and who had a reputation for his bravery and strength. Because his sole chosen amulet of protection and power was the Look Om Jet Paya Chang sarn, and the fact that nobody cold defeat him or kill him, was the reason for Luang Por Ding’s Look Om Jet Paya Chang Sarn becoming so Legendary.

Look Om 7 Paya Chang Sarn exhibits in magazine

But one day, Luang Por Ding told Suea Khaw that he was too violent and that if he did not give up being a gangster, then he would surely encounter a violent and premature death. Suea Khaw had become very overconfident because no knives were able to penetrate his skin, and guns would not fire when aimed at him. Because of the invincibility which Suea Khaw had been enjoying, Suea Khaw did not listen to Luang Por Ding’s warnings.

Close Up Look Om Jet Paya Chang Sarn Luang Phor Ding

One day the Police Force special missions unit came to Wat Bang Wua to ask Luang Por Ding if it was true that Suea Khaw possessed ‘Hnang Hniaw (‘sticky skin’. a term meaning a person with Kong Grapan Chadtri Magic). Luang Por Ding admitted that it was true that Suea Khaw possessed Protective Magic, and that he was not able to be killed with knives or guns. But Luang Por Ding added that Suea Khaw would fall prey to his own Karma without need of guns or knives, because he refused to listen and change his ways. Luang Por Ding added “I cannot tell you though, by which way the gangster Suea Khaw can be killed, for it would break my Precepts”.

But at this moment, one of the Samanera Novice Monks was listening and butted in to say to the Police “If you want to kill Suea Khaw, you have to use a bullet that has the head of the bullet cast from metal taken from the blade of a Mitmor spirit knife from Luang Por Soke (Wat Pak Klong)”.

LP Ding Wat Bang Wua Thai Master Monk

Luang Por Soke was a colleague of Luang Por Ding and holder of the same Lineage Wicha, and would inscribe the Wicha of Luang Por Ding onto the Blades of his Mitmor. Some time later the Police caught Suea Khaw and he was sentenced to death, and was executed by Government Executioner, using Bullets cast from the blade of a Mitmor of Luang Por Soke.

Look Om LP Ding

Luang Por Ding was renowned for his expertise in the Wicha Hanuman and other Vanora Monkey Deities. He personally blessed numerous hand-carved talismans, with the most skillfully crafted ones being the most sought after. Luang Por Ding is also connected to the Cow symbol, stemming from the name of his temple, Wat Bang Wua. His Look Om Jet Paya Chang Sarn is highly regarded and is considered a powerful amulet for Kong Grapan Chadtri Maha Ud Klaew Klaad.

Luang Por Ding, was a Great Master of the Wicha Hanuman, and all Vanora Monkey Deities, for which he was extremely famous. He blessed many inimitable hand carved talismanic amulets (Krueang Rang), made from artisans of varied levels of skill, with of course the most masterfully carved attaining the highest level of preference. His Look Om Jet Paya Chang Sarn, by general consensus, to be one of the top Look Om of all Time and is also a high ranking amulet in the annals for Kong Grapan Chadtri Maha Ud Klaew Klaad Power.

Look Om Jet Paya Chang Sarn

The Look Om Jet Paya Chang Sarn amulet of Luang Por Ding, released in the Thai Buddhist Era of 2480 BE, was made using a traditional method of infusing sacred powder, which is believed to possess spiritual and protective properties.

The powder was collected from rare and magical forest herbs, earths, and sacred materials over decades of Tudong forest wandering, along with the ubiquitous pieces of the ancient Chedi Stupas of 7 Temples, Klai Sema,stone from 7 Uposatha Shrinerooms, mixed with Pong Ittijae, & Pong Maharaj Yantra Powders and meticulously prepared over time, performing incantations constantly throughout, often through a long and intensive process, and is infused with prayers and blessings. The resulting amulet, known as a Luang Por Ding Thai Sacred Powder Wishing Ball, is a powerful and meaningful symbol of faith and spirituality for many Buddhists around the world.

1st Prize Certificate of Authenticity Khun Phaen Pong Prai Kumarn 2515 LP Tim Blue

The Pra Khun Phaen Pong Prai Kumarn 2515 BE Pim Yai Nuea Khaw Sukh Pasom Pong Prai Kumarn Ta Ya Wan See Fa, is a unique and highly sought-after amulet. This particular piece is from Block Tong Hlueang (Block 2), and it boasts a rare color, adding to its rarity and value. The amulet features a striking Wan Thao Hlong Blue Herbal Tint, which gives it a distinctive and alluring appearance.

Pra Khun Phaen Pong Prai Kumarn Blue 2515 LP Tim

One of the standout features of this amulet is the Takrut Maha Bpraab, a sacred metallic scroll spell, inserted into the rear face. This ancient Thai practice of inserting metallic scrolls into amulets is believed to imbue them with powerful protective properties. This exhibit is in excellent condition.The details and features of the amulet are highly refined, adding to its aesthetic and spiritual value.

Pra Khun Phaen Pong Prai Kumarn Blue 2515 LP Tim
The amulet is Blue in color, but was made from in white Prai Kumarn and Puttakun powders, a characteristic that enhances its visual appeal. It has been treated with a blue herbal tincture, which not only gives it a unique hue but also adds to its spiritual significance. The ‘Sai Rae Tong Kam’ gold flakes applied during the pressing process further enhance its beauty and value. These gold flakes were applied by adding Nam Man Prajao Thaksin oil into the block press with gold flakes before pressing the Sacred Clay into the molds. This process resulted in the amulets absorbing the oil and the gold flakes covering and affixing themselves to the surface of the amulets, creating a stunning visual effect.

This amulet is a meticulously preserved specimen of a premier-grade, award-winning Pra Niyom Master Class Amulet, the Pra Khun Phaen Pong Prai Kumarn Pim Yai, a creation of the esteemed Luang Phu Tim of Wat Laharn Rai. This amulet was a first-place winner in the Glum Anuraks Ban Kaay amulet society competition in March 2561 BE, earning it not only a first prize trophy but also the distinction of being the Supreme Champion Class Amulet, an honor signified by its display on stage alongside the accompanying certificate.

Trophy Khun Phaen Pong Prai Kumarn 2515 LP Tim Blue VersionCertificate Khun Phaen Pong Prai Kumarn 2515

This amulet is renowned for its alleged capacity to draw prosperity and success in one’s career, making it a highly desirable item for individuals aiming to boost their financial luck. The attractive power attributed to this talisman is believed to go beyond material gains, fostering increased goodwill and kindness from others towards the wearer. The compassionate influence it is believed to radiate is said to create a harmonious and peaceful environment in the wearer’s life.


This amulet comes with free express shipping worldwide, making it easily accessible to collectors and enthusiasts around the globe. Additionally, a solid silver waterproof casing is included upon request, providing an extra layer of protection and preservation for this exquisite piece.

Pidta Hlang Baeb LP Gaew

Rare Pid Ta Hlang Baeb Nuea Pong Puttakun Amulet by Luang Phu Kaew Early Era Kruea Wan Wat Collectible

The Pra Pid Ta Hlang Baeb of LP Kaew, Wat Kruea Wan temple, is a rare and exceptional amulet that showcases the mastery of the esteemed monk, Luang Por Kaew. This ancient amulet is made from a unique blend of sacred powders, known as Nuea Pong Wised, which is composed of five special magical Yantra Powders (Bpathamang, Puttakun, Trinisinghae, Ittijae, Maharach). These powders are believed to possess powerful spiritual properties that can bring blessings, protection, and good fortune to the wearer.

Pidta Hlang Baeb LP Gaew angled view

The intriguing history of this amulet is deeply rooted in the time when Luang Por Kaew was a revered monk in the serene landscapes of Chonburi Province. This was during the remarkable era of 2365 BE, a period that holds immense significance in Thai history. It was a time when Pra Jao Thaksin Maharaj was courageously leading the movement to reclaim Siam’s freedom from invaders.

The amulet, a remarkable artifact, is believed to have been created and empowered by Luang Por Kaew himself. The creation process was not a simple one. It involved a meticulous ritual that called for the invocation of potent spiritual entities. The ritual was a complex one, requiring a deep understanding of the spiritual realm and a profound connection with the sacred. The amulet is said to have been infused with these sacred powers, making it a unique and spiritually charged artifact from a significant period in Thai history

The Pra Pid Ta Hlang Baeb Wat Kruea Wan is not only a beautiful and well-preserved example of Luang Por Kaew’s work, but also a tangible piece of Thai history that speaks to the enduring power and significance of Buddhist amulets. It is a testament to the skill and mastery of Luang Por Kaew, who is widely regarded as one of the greatest amulet makers in Thai history. This amulet is truly a rare and exceptional piece that is worthy of reverence and admiration.

Various Macro close ups of the Muan Sarn of the Pid Ta Hlang Baeb Nuea Pong Puttakun Early Era Amulet Luang Phu Kaew amulet. rear face

The Pra Pid Ta Luang Phu Gaew is a highly sought-after and highly regarded amulet among collectors and devotees of Thai amulets. Its reputation is so esteemed that when it changes ownership, it is considered noteworthy within the amulet community, regardless of when it was created, either during Luang Phu’s time at Wat Pak Tale or after he moved to Wat Kruea Wan.

Pidta Hlang Baeb LP Gaew base view

The exquisite Pra Pid Ta Luang Phu Kaew amulet radiates a captivating glow, enhanced by the unique ‘Nuea Graeng’ marbling effect. This distinctive feature is a result of the sacred Muan Sarn powders used in its creation, which contract and dry over time, creating intricate surface cracks that give the amulet a one-of-a-kind appearance. The amulet’s intricate details, slender build, and high level of craftsmanship make it a truly exceptional specimen of the Pra Pid Ta Luang Phu Kaew. The amulet’s powerful sacred clay composition is imbued with the Kong Grapan, Klaew Klaad, Metta Mahaniyom, and Maha Lap properties, which are attributed to the esteemed monk who created it.

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Various Macro close ups of the Muan Sarn of the Pid Ta Hlang Baeb Nuea Pong Puttakun Early Era Amulet Luang Phu Kaew amulet.
These properties are believed to bring blessings, protection, and good fortune to the wearer, making the amulet a highly sought-after object among devotees. The amulet’s sacred clay is said to have been mixed with the monk’s own tears and sweat, imbuing it with his spiritual energy and intentions. The Pra Pid Ta Luang Phu Kaew amulet is a rare and precious object, with only a limited number of them available. It is said that each amulet is imbued with the monk’s own unique energy and intentions, making it a truly personal and powerful object of spiritual significance. The amulet’s intricate details and unique marbling effect make it a truly exceptional piece of craftsmanship, and its sacred clay composition makes it a powerful tool for those seeking blessings, protection, and good fortune.
The Pra Pid Ta of Luang Phu Gaew is an all-time classic ancient amulet renowned for its power and status. This rare and highly sought-after amulet is from the legendary Wat Pak Tale in Petchburi, later moved to Wat Kruea Wan in Chonburi. It is considered the number one Pidta amulet of all time by devotees of the Chonburi Lineage Master Amulet Collector Scene and those devoted to the Petchburi Masters. This true Master Class piece is incredibly difficult to encounter in the present era, making it a true treasure for those who seek it.
Pid Ta Hlang Baeb Nuea Pong Puttakun Early Era Amulet Luang Phu Kaew Wat Kruea Wan
Luang Phu Gaew is a highly revered and sought-after Thai Buddhist monk, and one of the rarest and most valuable amulets in existence. There is only one known photograph of him in existence, which dates back to Ratanakosin Year 124 (2449 BE), when he was 55 years old. This photograph is a rare and precious artifact, and it is considered a great honor to possess it. The world-renowned Payak Kampant, Sian pra Maestro of the Thai Amulet Society, has written a book featuring 108 biographies and pictures of great master monks, but he was unable to include the biography and picture of Luang Phu Gaew due to the rarity of these items.
Rear Face of Pid Ta Hlang Baeb Nuea Pong Puttakun Early Era Amulet Luang Phu Kaew
This reveals the extreme scarcity of any artifacts related to Luang Phu Gaew, and the high esteem in which he is held by Thai Buddhists. The photograph of Luang Phu Gaew is a black and white image that shows him sitting in a formal pose, wearing the traditional robes of a Thai Buddhist monk. His face is serene and peaceful, and his eyes are closed in deep contemplation.

The photograph is mounted on a red background, and it is surrounded by intricate gold filigree. The overall effect is one of great dignity and reverence, and it is clear that this photograph is a treasured possession of the owner. The rarity of this photograph is due in part to the fact that Luang Phu Gaew was a reclusive monk who shunned publicity and avoided being photographed. He was known to be a powerful and influential figure in Thai Buddhist circles, but he preferred to keep a low profile and focus on his spiritual pursuits.

Luang Phu Gaew Wat Pak_Tale

Luang Phu Gaew Wat of Pak_Tale (Later Wat Kruea Wan)

As a result, there are very few photographs or other artifacts that exist from his lifetime, making the one photograph that does exist all the more precious and valuable. Overall, the photograph of Luang Phu Gaew is a rare and valuable artifact that provides a glimpse into the life and teachings of this highly respected Thai Buddhist monk. It is a treasured possession of the owner, and it is a testament to the enduring legacy of Luang Phu Gaew and his teachings.

Luang Por Koon's Mitmor Dagger - Spiritual Protection

An exceptionally rare and certified genuine amulet hailing from the ‘Krueang Rang’ Talismanic category created by the revered Luang Por Koon during the mid-era of his leadership at Wat Ban Rai Temple. Its estimated origin is around 2535 BE, although the exact date remains unknown.

Mitmor Pocket Knife Luang Por Koon

Mitmor Pocket Knife Luang Por Koon

This well-established and tested talisman is renowned for its abilities to ward off malevolent spirits, counteract dark enchantments, consecrate holy water, facilitate curative ceremonies, bear mystical inscriptions, and act as a personal safeguard for overall well-being. Furthermore, it serves as a conduit for the auspicious blessings and benevolence of Luang Por Koon Parisutto from Wat Ban Rai.

Free Registered Air Parcel Worldwide is included with this amulet.

Amulets produced between 2537 BE and 2555 BE are less sought-after compared to those crafted before 2537. This is attributed to the overproduction of many editions after 2537, which diminished their collectibility and rarity. Consequently, editions predating 2537 BE are highly esteemed and increasingly rare to find on the amulet collector market.

In recent times, there has been a notable resurgence of interest in the miraculous amulets of Luang Por Koon. These amulets continue to generate headlines with their extraordinary effects in Thailand. This ongoing phenomenon ensures that faith in his amulets remains resilient, impervious to forgers and unscrupulous traders.

Luang Por Koon, who is now deceased, will forever hold a special place in the hearts of his devotees. He ranks among the top Guru Monks of all time and is arguably the most beloved and renowned monk in Thai history, especially in modern times. His humility is said to be matched only by his miraculous ability to bestow blessings, particularly those for protection and prosperity. His head-knocking blessings, in particular, have been credited with bringing about life-changing miracles for many.

Free Registered Air Parcel Worldwide is included with this amulet. While amulets crafted between 2537 BE and 2555 BE may be less favored due to overproduction, those created before 2537 BE are highly coveted and increasingly rare in the amulet collector market. It is certain that his amulets will continue to be revered as some of the greatest and most collectible amulets of all time.

Luang Por Koon Blessing Amulets in Devotional Gathering

Luang Por Koon Blessing Amulets Amid Devoted Followers

Their reputation and acclaim will persist well into the future. After his passing, there was a brief period of increased falsification of his amulets and a decline in interest. However, in the years following his passing, this phenomenon has subsided as collectors have returned to earnestly collecting the amulets of the Great Luang Por Koon, free from the earlier risks posed by counterfeit versions.

In recent times, a grand resurgence of interest in the miraculous amulets of LP Koon has arisen, as his amulets continue to produce breaking news miracles in Thailand. This is one of the reasons why faith in his amulets will always be revived and can never be destroyed, despite the attempts of forgers and dishonest traders.

This rare item, is exceedingly scarce to find nowadays, whether on the internet, in temples, or markets. They are only to be found residing with truly devoted individuals, a fitting tribute to the prestige and quality of this amulet.

One must also consider that despite the immense popularity of his amulets and his passing a few years ago, many of his amulets do not (yet) carry a millionaire price tag. They remain within reach for most people who desire a truly sacred amulet, and are willing to invest a little more in acquiring an amulet that will remain extraordinary not only today but also for generations to come. This kind of enduring classic talismanic ritual item is what we refer to as a heritage heirloom amulet, one that will never lose its popularity. It is a tried and tested amulet for protection against ghosts, countering black magic, consecrating holy water, aiding in healing rituals, bearing magical inscriptions, and simply carrying on one’s person for protection and prosperity. It also carries the good karma and blessings of Luang Por Koon Parisutto from Wat Ban Rai. It is perfect for the devoted followers of this great, humble, and compassionate monk who always remained close to the less fortunate, regardless of their social status.

Pra Pong Supan Kria Wat Phra Sri Mahatat Certificated Amulet

An all time ‘top 5’ classic amulet of the Benjapakee Family; Pra Pong Supan Pim Hnaa Gae, in Nuea Din, with certificate of authenticity in red sacred baked clay. A Master-Class status amulet of the High End Category of Pra Kru Hiding Place Ancient Amulets. The Pra Pong Supan amulet is known for its powerful Puttakun Metta Maha Niyom Merciful Blessings and Kong Grapan Klaew Klaad Protective Power.

This amulet comes with A4 size certificate of authenticity included. The Pra Pong Supan Kru Wat Pra Sri Mahatat is the Number One Amulet of all Time for the Province of Supanburi, and an eminent member of the top 5 Benjapakee Amulets of Historical Fame and Legend. The Pra Pong Supan of the highest preference is the Pra Pong Supan Nuea Din Phao baked clay amulet, made from sacred earths of the Supanburi Province, which were mixed with sacred magical herbal powders and bound into clay with holy water.

The amulets were baked until the clay became hard but smooth and dense like marble, which is a texture that modern ‘Nak Niyom Pra’ amulet aficionados call ‘Nuea Neuk Num Seung Jad’, which means ‘soft and smooth to the touch with highly refined features’.

There were also a very small amount (one potful) of leaden Pong Supan amulets found, which were found residing on the upper section of one pot, and are known as the Pong Supan Yord Tho, and are the rarest and most sought after of all Pra Pong Supan of the Kru Wat Pra Sri Mahatat.

Below; The extremely rare leaden Pong Supan Yord Tho Amulet

We shall be covering the documentation of the Pim Yord Tho in a different article on the pages of our website.

 

The method of baking the amulets resulted in a very hard and resilient amulet that does not break easily, which has contributed to its preservation over many centuries. The features of the Pra bordered edges and outer frame of the various models (Pim) of the Pra Pong Supan Amulet are highly varied, and cannot be said to fit any rigid form.

Some have four or five sided edges, some are completely cut to shape, some have wider edges, and others thinner edges, some are even others uneven. Some may be tapered, whereas others have the tapered top cut off flat.

The Pim is notable for its wide nose and slanted large eyes, with the tip of the nose almost reaching the subtly smiling mouth of the Buddha image. The ears have a notably humanlike shape with anomalous forms (‘Dtamni’), that reveal the authenticity of the amulet, through the inimitable idiosyncrasies of the block press, which are ever present despite the individuality of each amulet.

 

One thing most Pra Pong Supan have in common is the presence of thumb or fingerprint markings. Another classic and essential feature of the Pra Pong Supan Wat Pra Sri Ratana Mahatat is that due to being buried under the earth for centuries, the Kraap Kru earth residues which are seen stuck to the surface of the amulets within the deeper recesses such as the armpits and ridges between finer detailed features.

Below; Encyclopaedic work documenting the ancient find of the Kru Wat Pra Sri Ratana Mahatat amulets

These residues are completely affixed and one and the same with the clay, and cannot be removed by simply scratching it off with a fingernail.
The Pra Pong Supan is a perfect choice of Amulet for Ladies or Children, but is also a very preferred and popular amulet for Males to wear. We have before us a Sacred Amulet whose Religious Value is of course that of a True sacred Amulet from the Master Class Category.

The Pra Pong Supan amulet is an image of the Buddha seated in the Mara Wichai posture of conquering the Demon Mara in the style of the U-Tong Periodic Era. The Buddha Image is seated on a single tiered dais, with a large head, graceful arms and protruding chest. There are various Pim (Models) of Pra Pong Supan, ranging from the Pim Hnaa Gae, Hnaa Num, Hnaa Klang, and other lesser known forms.

The Pim Hnaa Gae (old face) has one single type of face model but still has many different appearances, because of the various stages of heat during the baking process, which caused some amulets to experience shrinkage or curvature, or other anomalous reshaping during the process. Some may even have similar triangular appearance to the Pra Nang Paya, another Benjapakee amulet of Immortal fame. Various other amulets were also found including the Pra Mahesworn, Pra Ta Maprang, Pra Patum Mas, Pra Pim Lila (many versions), Pra Nakprok (small and large), and the Pra Sum Rakang.

The Pra Pong Supan and Benjapakee Class Amulets are truly world class amulets that receives the esteem and faithful reverence of all Thai Buddhist People of all social strata, and which is considered part of the Cultural and Historical heritage of the History of Siam.

 

They are amongst the most difficult of all amulets to find at any price, and are mostly already worn since generations by the same family members as handed down family heirlooms of their ancestors. The rest lie in the hands of the lucky, and of course the high end collector showrooms of Thailand’s Amulet Societies and Non Profit heritage Associations, as well as the museums of the state and of major temples.

Above; Macro Closeup of the Sacred Clay and the Kraap Kru earthen substance affixed to the muan sarn from centuries of burial within the hiding chamber. It is said that in the year 1265 BE, the Ruesi Hermit Pilalai decided to make a series of powerful amulets with truly effective powers. At that time the ruler of the Kingdom Pra Sri Tanmasokea Racha was a faithful devotee to the four great Ruesi Sages, who brought a large collection of magical herbs, minerals and summoned the angelic beings of the celestial realms to assist with the empowerment ceremony on the immaterial planes.

The great Pra Maha Thera Bpiya Dtassasisri Saributra was present to preside over the blessing ceremony, and assist with empowerment and the hand molding and pressing of the Pra Pong Supan. The muan sarn sacred clay was given the name of ‘Nuea Rae Sangkwanorn’.

Below; An example of a Pra Pong Supan amulet that has been treated with red Chinese Lacquer by a devotee

The great Pra Maha Thera Bpiya Dtassasisri Saributra was present to assist with empowerment and the hand molding and pressing of the Pra Pong Supan. The amulets were blessed during three whole months of rainy retreat (Traimas Blessing) as was traditional in ancient times and is still the practice to this very day. Once the Traimas empowerment was completed, the amulets were buried within the Chedi Stupas of Supanburi

example of Pra Pong Supan that has been treated with red Chinese Lacquer

The rediscovery of the Kru

In the year 2456 BE, a Tudong Monk was passing through and asked for the whereabouts of the temple of Wat Pra Sri Radtana Maha Tat. He asked a young boy named Pin, who pointed him in the right direction. The boy Pin heard later that this Forest Wanderer monk had hired some Chiinese-Thai devotees to dig up some holes in the temple, and that a horde of treasures were found along with a large repository of hiding place amulets (Pra Kru).

The Monk himself found a solid golden bowl which he took for preservation, but left all the rest of the contents of the Kkru within the Chedi. However, many of the Chinese devotees who were working on the opening of the Kru did take a large number of amulets rainging from the Pra Pong Supan to the Pra Gampeng Sork.

Once the authorities and Sangha Office heard of this, they ordered the Chedi Stupa to be hermetically sealed to prevent further theft of National heritage treasures.

Later the same year Praya Suntorn Buri (Also knownn as ‘Ee Gan Suudt’), who was the Minister of the Province of Supanburi invited his Majesty Pra Mongkut Glao Jao Yuu Hua to come and open the Kru Chamber. Once the chamber was opened, many ingots of solid gold and silver with Khom Agkhara inscriptions were found, and a large repository of amulets. The King was given a large number of the Pra Pong Supan and other amulets to his Majesty.

In olden days when the Pra Pong Supan was still very common and easy to find, many of the bullfighting arena players would like to grind up broken Pong Supan amulets and mix the powders into the hay they would give their fighting bulls to eat. This was seen to make the bull who ate hay with Pra Pong Supan powders fight more fiercely, evade the horns of its opponent and be impenetrable when taking a hit.

A very hardly known but ancient traditional way to Bucha Pra Pong Supan Amulets, is to immerse the amulet in perfume and chant Puttakun Tammakun Sangkakun 108 Times, then chant the Kata Pahung 3 times. The perfume can then be used to smear on oneself for Mercy Charm and Protection. If one wishes to empower further, one can chant the following Kata;

Ka Dtae Lig Gae Garanang Mahaa Chayyang Mangkalang Na Ma Pa Ta Gi Ri Mi Dt Gu Ru Mu Tu Gae Rae Mae Tae Ga Ra Ma Ta

Takrut Maha Solos Mongkol Luang Phu Iam

The Sacred Takrut Maha Solos Mongkol: A Divine Amulet of Power and Fortune

An eternal classic and highly powerful amulet; the Takrut Maha Solos Mongkol Thak Chueak Long Long Rak Chart Jeen Boran (Dtamrab Luang Phu Iam), cord bound Yantra Scroll amulet of Luang Phu Iam, of  Wat Saphan Soong, with ancient red Chinese herbal lacquer (Rak Chart Jeen Boran).

Welcome, dear readers, to an enchanting journey into the realm of sacred amulets. Today, we delve into the mystical realm of the Takrut Maha Solos Mongkol, an amulet that exudes power, wealth, and divine protection. Crafted by the revered Luang Phu Iam of Wat Saphan Soong, this amulet is a timeless treasure sought after by devotees worldwide.

Takrut Tone Thak Chueak Long-Rak Luang Phu Iam

A Rare and Powerful Amulet

The Takrut Maha Solos Mongkol is a true gem among amulets, rivaling the renowned Takrut of the Great Luang Phu Sukh in rarity, price, and potency. Considered equally powerful, this amulet is particularly suited for those seeking status increase, wealth, good fortunes, and protection.

A Lifetime Companion

The Takrut Solos Mongkol of Wat Saphan Soong holds the title of a “Takrut Koo Cheewit,” meaning it is a “Lifetime Companion” amulet. Its remarkable property lies in its ability to bring constant improvements throughout one’s life, ensuring that its power never wanes. Wrapped in ancient Daay Dtra Sangkh Sinjana Cord and embellished with a ‘Cockroach Thorax‘ shape tips, this amulet possesses unique features that reflect its age and authenticity.

Takrut Maha Solos Mongkol Luang Phu Iam Wat Saphan Soong

An Ancient Yantra Spell

The Takrut Maha Solos Mongkol is not only an amulet but also an ancient and potent Sacred Yantra Spell. It holds a special place in the hearts of devotees, cherished by both Luang Phu Iam and his esteemed apprentices, including Luang Por Tong Sukh. These revered masters have spread the influence of this amulet around the globe, making it an eternal favorite among practitioners of sacred arts.

A Legacy Carried Forward

Luang Phu Iam, the originator of the Dtamra Pra Pid Ta and the Wicha Takrut Maha Solos Mongkol of Wat Saphan Soong, passed on his exceptional knowledge and skills to subsequent generations of esteemed masters. Ajarn Chuea, Luang Phu Glin, and Luang Por Tong Sukh, and now Luang Phu Waas, the current abbot, have all contributed to the legacy of this powerful amulet. Their mastery and dedication have ensured the continuity of this sacred tradition.

A Treasure for Devotees and Collectors

The Takrut Maha Solos Mongkol is a treasured alternative for those seeking the blessings of Luang Phu Iam’s amulets at a more affordable price. Crafted with invocations from all generations of the great master, empowered with the mastery of the Wicha Maha Solos Mongkol, these amulets carry immense value and authenticity. Their presence on the collector scene is unparalleled, making them highly sought after and revered.

Certificated Takrut Tone Thak Chueak Long-Rak Luang Phu Iam

Unveiling the Mystical Powers of Phra Pidta Thai Amulets

The Immortal Phra Pidta Thai Nirodha Buddha Amulet; Thai Buddhist culture is rich in miniature Buddhist arts, particularly Thai Buddhist amulets, which are considered to possess magical powers. Among these amulets, Phra Pidta amulet stands out as one of the most revered and potent talismans. This article delves deep into the mystical powers of Phra Pidta Thai amulets and sheds light on their origins, symbolism, and significance.

Pra Pid Ta Pong Graduk Phii Pra Ajarn Hnoo

Pra Pid Ta Pong Graduk Phii Pra Ajarn Hnoo

Origins of Phra Pidta Thai Amulets

Phra Pidta is a revered Buddhist amulet that is said to represent the state of “Nirodha,” which refers to the cessation of craving and desire, the third of the Four Noble Truths in Buddhism. The attainment of Nirodha leads to the realization of Nibbana (also known as Nirvana), a state of perfect peace and freedom from suffering.

Pra Pid Ta Kranok Khang Luang Phu To 2522 BE

Symbolism of Phra Pidta Thai Amulets

The Phra Pidta amulet is depicted as a sitting or standing Buddha with his hands covering his eyes, which symbolizes the act of meditation and the attainment of inner peace. The amulet’s eyes are closed to represent the cessation of craving and desire, and its mouth is closed to signify the importance of right speech. In addition, the amulet’s name, “Pidta,” means “closed eyes” in the Thai language, which further emphasizes its symbolism. The amulet’s design and symbolism make it a powerful talisman for meditation, spiritual protection, and personal development.

Significance of Phra Pidta Thai Amulets

The Phra Pidta amulet is considered to possess various magical powers, such as protection from harm, enhancement of one’s intuition, and the ability to attract good luck and prosperity. It is believed to have the power to dispel negative energy and prevent accidents or misfortunes. Moreover, the amulet is often worn by Buddhist monks and practitioners to enhance their meditation practice and deepen their spiritual connection with the divine. It is also believed to have the power to dispel evil spirits and protect against black magic and sorcery.

Pra Pid Ta Pong Athi (Pong Graduk Phii) - Pra Ajarn Hnoo (Wat Po)

Types of Phra Pidta Amulets

There are many different types of Phra Pidta amulets, with hundreds of thousands of designs, many of which have been lost to history. Additionally, new designs are constantly being released each year. The design, magical empowerment, and materials used to make the amulet vary greatly. Here are just five of the most well-known types of Phra Pidta amulets:

  1. Phra Pidta Nang Yong – This amulet features a squatting Buddha and is believed to provide strong protection against evil and physical danger, as well as promote success in one’s profession and personal life. It is also said to possess a Metta Maha NIyom Mercy charm.
  2. Phra Pidta Tawarn – This amulet is often depicted with four to nine arms and is believed to bring peace, stillness, and protection against evil and bad luck. It is frequently used by meditators and those who practice Dhyāna meditation to reach the meditative state of Nirōdha.
  3. Phra Pidta Yant Yung – This amulet is covered in Yantra Sacred Geometry spells and is believed to provide strong protection against evil and danger. There are even legends of its gunstopper and bulletproof magic.
  4. Phra Pidta Maha Lap – This amulet is believed to bring great luck, happiness, and financial success to the wearer.
  5. Phra Pidta Plod Nee – This amulet has a unique tapered curved triangle shape and is believed to provide help in escaping poverty or increasing wealth.

How to Use Phra Pidta Thai Amulets

To harness the mystical powers of Phra Pidta Thai amulets, it is essential to use them correctly. Here are some tips on how to use Phra Pidta amulets effectively:

  • Wear the amulet close to your body, such as around your neck or wrist, to enhance its protective powers.
  • Chant Buddhist mantras or prayers while holding the amulet to deepen your spiritual connection with the divine.
  • Keep the amulet in a clean and respectful place, such as a shrine or altar, to maintain its purity and effectiveness.
  • Avoid touching the amulet with dirty or impure hands (such as after having sexual relations, or broken the precepts by stealing) as it may reduce its potency.

The Phra Pidta Thai amulet is a potent talisman for Buddhists of all schools of thought, that symbolizes the state of “Nirodha” and the attainment of inner peace and enlightenment. Its powerful symbolism and mystical powers make it a valuable asset for spiritual practitioners and those seeking spiritual protection and personal development. By understanding the origins, symbolism, and significance of Phra Pidta amulets, we can harness their power by wearing them close to our body, as a constant reminder of our spiritual goals and as a source of protection from negative energies.

 

How to Choose and Care for Your Phra Pidta Amulet

If you’re interested in acquiring a Phra Pidta amulet, there are a few things to keep in mind. First, make sure to buy from a reputable seller, as there are unfortunately many counterfeit amulets on the market. Look for a seller with good reviews and a clear history of selling authentic amulets. When choosing an amulet, consider which material and design resonates with you. Phra Pidta amulets come in a variety of materials, including gold, silver, bronze, and clay. They also come in various sizes, so consider how you plan to wear or display your amulet.
Pra Pid Ta Luang Phu Bun in Thai amulet publication
Once you have your amulet, it’s important to care for it properly to maintain its energy and effectiveness. Keep it in a clean and safe place, away from other metal objects that could damage it. You should encase it, or at least be gentle with it to avoid scratching or damaging the surface.

In Buddhism, the state of Nirodha, or “cessation,” is the ultimate goal of spiritual practice. This state is achieved through the renunciation of craving and desire, leading to the cessation of suffering and the realization of Nibbana, a state of perfect peace and freedom from suffering. Phra Pidta amulets are believed to embody this state of Nirodha, representing the meditator who has achieved enlightenment and renounced desire.

Pra Pid Ta Luang Phu Nak front and rear faces

Mahayana Buddhism goes even further, asserting that Nirvana is just the other side of Samsara. One who has realized this truth can achieve liberation from any form and transcend all duality, including the concept of liberation itself. In this sense, Phra Pidta amulets are not just symbols of protection, but of ultimate liberation.

Pra Pid Ta Pum Bpong Luang Phu Sukh Wat Pak Klong Makham Tao

Phra Pidta

Thai Pra Pid Ta amulets are fascinating votive tablets, and spiritual objets d’art, that hold great spiritual significance in Thai Buddhist culture. They are believed to offer protection and connect the wearer with the divine, embodying the state of Nirodha and ultimate liberation from suffering. Whether you are a collector, a spiritual seeker, or simply curious about this fascinating aspect of Thai culture, Phra Pidta amulets are well worth exploring. By choosing an authentic amulet and caring for it properly, you can tap into the power and mystery of these miniature Buddhist arts.


The lengendary Alchemical Maekasit Amulets of the Great Luang Por Tap, of Wat Anongkaram

An Eternal Legend in the Elusive World of Thai Occult Amulets and Magical Alchemy

Luang Por Tap, a Master Monk of the previous Buddhist Century, was renowned for his Mastery of Alchemy and Kata Akom Spellcasting Methods. He produced the legendary metallic alchemical alloy known as ‘Maekasit’ using the Wicha Len Prae Taat. Luang Por Tap’s amulet pantheon is considered to be among the most powerful alchemical amulets of all Masters, and is highly revered for Kong Grapan Chadtri Klaew Klaad Maha Lap Metta Mahaniyom Maha Ud power.

The Look Om Maekasit, Pra Pid Ta Maekasit, and Pra Pim Son Ha are the most famous and outstanding amulets of Luang Por Tap’s Pantheon. The Look Om Maekasit is found in various sizes, mostly being around 1.5 Cm diameter up to 2.0 Cm. Luang Por Tap made many models of amulets in Nuea Maekasit and Parort alchemical metals, some of the most well-known being the Pra Pid Ta Maekasit, Pra Pim Pang Son Ha, Look Om Maekasit, the Look Prort Gror, and Pra Chayawat.

Below; Luang Por Tap, of Wat Anongkaram

Luang POr Tap of Wat Anongkaram

The Pra Pid Ta Maekasit was made in several small design variations, Pim Chalud and Pim Tammada models, both of which were made in Pim Lek, Klang, and Yai (small, medium, and large). Each model differs slightly depending on which block press, and regardless of each block press, the amulets were released in two forms, ‘Baeb Dtaeng’ (filed down into a smooth and eloquent outer border) and ‘Baeb Mai Dtaeng’ (unfiled with wider irregular borders).

Pra Pid Ta Maekasit LP Tap Amulet

The Pantheon is also split into subcategories of Pim Dtor (Dtaeng and Mai Dtaeng, in small, medium, and large), Pim Chalud (higher more tapered angular model), Pim Maha Ud (bowed arms and legs model), Pid Ta Nang Yong (squatting model), the very rare Pim Gradum (button shape), and the Pim Siarn Hlaem (pointy head model).

Luang Por Tap’s Maekasit amulets are known to have different tones of color which shimmer through the metallic surface, ranging from silvery to some most highly preferred exhibits with blue, golden or greenish metallic sheen. Some of the most highly prized, rare, and sought-after amulets of Luang Por Tap were made during the time when both Luang Por Tap and the then abbot, Luang Por Nuam Puttasārō, were alive and collaborating with amulets.

Pra Pid Ta Amulets of the Great Luang or Tap

Luang Por Tap inherited the Wicha Hung Nam Man Montra Saksit for making Sacred Consecration Oil from his Kroo Ba Ajarn Luang Por Nuam (6th abbot of Wat Anongkaram). Luang Por Nuam’s amulets are even rarer to find than those of Luang Por Tap himself, but it is Luang Por Tap who gained more National and International Attention. The first edition Rian Run Raek of Luang Por Nuam is especially sought after and carries an immensely high market value in the present era. However, only a few were ever made, and so they are very rarely seen.

Luang Por Tap was also known to have been a close accomplice to Pra Sangkarach Pae of Wat Sutat and Luang Phu Sukh (Wat Pak Klong Makham Tao in Chainat). In addition to his expertise in alchemy and sacred oil making, Luang Por Tap was also highly skilled in the creation of sacred amulets, which are highly sought after by collectors and practitioners alike. His amulets are known for their powerful protective and auspicious qualities, and are believed to bring good fortune, success, and prosperity to their owners.

Luang Por Tap passed away in the year 2465 BE, leaving behind a legacy of powerful amulets and sacred knowledge. Today, his amulets are still highly revered and sought after by collectors and practitioners all over the world.


LP Chaem Amulet Wat Chalong Pukhet

The Pra Pong Roop Muean Sacred Powder Votive Tablet image of the Great 18th Century Monk, Luang Por Chaem, was released by the Gammagarn Comittee of Wat Chalong, for the Golden Jubilee Celebration Edition in 2539 BE, commemorating the 50th Year of Reign of His Majesty King Bhumipol Adulyadej. This sacred powder amulet is made in Nuea Pong Ittijae and features the classic image of Luang Por Chaem standing with the Bai Pad Yos Royal Fan, which is often used for classic celebratory memorial editions at Wat Chalong.

Pong Roop Muean LP Chaem 2539 BE Wat Chalong

The amulets of Luang Por Chaem of Wat Chalong are held in high regard by Malaysians and Singaporeans who have visited Phuket since the colonial era. These visitors pay reverence to LP Chaem and the lineage masters by visiting the temple of Wat Chalong. His amulets are considered to be miraculous and are sought after by those who believe in the power of sacred objects.

Luang Por Chaem was born in the heart of Phang Nga Province, in the year of the Gun, 1827, during the reign of King Nang Klao. He was to become perhaps Phuket’s most internationally famous master monk from the 18th century to this very day. Officially in his Dhamma Trajectory, he became known as Pra Kru Wisutwongsajarn Yan Muni, but to many, he was simply Luang Por Chaem.

Amulets of LP Chaem

 

He was a man of great piety and discipline, becoming the former abbot of Chaithararam Temple, or Chalong Temple, and was held in high esteem by the people of Phuket. Unfortunately, there is no documented evidence of Luang Por Chaem’s parents’ names, as it was common for country folk in Siam during that era to forgo the registration of birth, death, and even marriage certificates. It was a time when traveling to the closest government office was difficult, especially for those living in the countryside, and as such, these matters were not of great importance to them.

Pong Roop Muean LP Chaem 2539 (Rear Face)

At a young age, his parents sent him to live at Wat Chalong, in the Chalong Subdistrict of Thung Kha District, now Mueang Phuket District. Here, he became a disciple of Father Than Kao Abbot and was ordained as a novice and eventually became a monk, studying Vipassana Kammathana Mindfulness Practice, and Wicha, at Wat Chalong until he became proficient.

Luang Por Chaem was known to be strict in the Dhamma and discipline, commanding the faith and devotion of the villagers in general. As such, he was later appointed as the abbot of Wat Chalong. In the year 2419 BE (1876), a group of Chinese tin miners instigated an uprising in Phuket. Luang Por Chaem’s disciples urged him to flee and hide, but he refused to leave the temple and escape. In a show of support, his disciples joined forces to fight to protect him and asked for Pha Yant Pha Yant Prajiad cloth as a morale booster. Luang Por Chaem complied with the request, and this group went on to win the Battle of the Triads.

Pong Roop Muean LP Chaem 2539 BE Nuea Pong Ittijae

The victory inspired more people to join the fight against the Chinese triads, relying on the Pha Yant Prajiad cloth made by Luang Por Chaem as a source of inspiration. The Chinese triads were eventually chased away from Chalong village, and the following year, there were no more attempts to rob the village.

Due to his merits in suppressing the Triad Rebellion, Luang Por Chaem was granted a portion of the merit by the Phuket Political Department. His Majesty The King graciously appointed Luang Por Chaem to have his ordained name of ‘Pra Kru Sangkha Pha Moke’, of Phuket to be changed, and that he should be awarded the official elevation of status into the High Sangha Priesthood as “Pra Kru Wisutwongsajarn Yan Muni”. He was conferred this name at Wat Chalong Mai (Wat Chaithararam). This means that he was considered to have accumulated spiritual merit, which is believed to bring about positive effects in the afterlife. This merit was likely granted to him as a reward for his contributions to the community and to Buddhism.

In addition to his spiritual merit, Luang Por Chaem was also awarded with various honors and titles for his services. He was granted the title of Phra Kru (monk with royal patronage) by King Chulalongkorn and was later promoted to the rank of Phra Khru Pariyattikhun (senior monk with royal patronage) by King Vajiravudh. He was also appointed as the abbot of Wat Sam Pao in 1907 and served in this position until his death in 1935.

Luang Por Chaem’s legacy lives on in Thailand and beyond. He is remembered for his contributions to Buddhism, his efforts to promote education and social welfare, and his exemplary life as a monk. Many temples and organizations have been named after him, and his teachings continue to inspire people to this day.

Lucky Charms Maha Lap Maha Pokasap

The Truth About How Success is achieved (or not), with Amulets Empowered For Accumulating Riches;

I would like to preach my concept of what to expect from amulets for riches as I have learned it through White Buddha Magic, and explain the nuances of how they may work to readers. I do this in order to increase the understanding of those who are having great difficulty with finances or suffering greatly from debt or bad luck, and who are seeking the assistance of magical power to bring positive changes into their lives and turn good luck into bad luck, poverty into riches.

Winnings Galore for the Meritorious

First, it’s important to understand that the concept of Thai amulets and talismanic charms is deeply rooted in Buddhist and Hindu beliefs. The amulets are created by monks or spiritual masters, who imbue them with positive energy and blessings. The amulets are believed to have supernatural powers and can provide protection, bring good luck, and even help the wearer achieve success and riches.

Lucky Goat Pae Maha Lap Luang Por Am

Incantations and Empowerments are often performed within Caves

However, it’s crucial to understand that the power of these amulets is not just about wearing them or possessing them. One’s luck received from such types of wealth accumulation amulets require and depend on the personal accumulated merits and good or bad Karma of each person. The amulet itself is merely a tool to enhance one’s luck and good fortune, but it’s not a guarantee.

Generosity brings its own rewards

It’s also essential to understand that these amulets are not a substitute for hard work and perseverance. No amount of magical power can replace the importance of personal effort and commitment towards one’s goals. Therefore, if you are seeking assistance from these amulets, it’s important to pair them with positive actions and a strong work ethic to increase the chances of success.

When choosing an amulet, it’s essential to find one that resonates with you on a personal level. It’s said that the amulet chooses the wearer, not the other way around. Therefore, take the time to find one that speaks to you and brings you a sense of comfort and protection.

Sorceror performing Incantations and ritual empowerment and Bucha

It’s also important to understand the different types of amulets available and their specific properties. Some amulets are believed to bring financial success and riches, while others are for protection, love, or health. Understanding the specific properties of each amulet can help you find one that aligns with your needs and goals.

Occult Sorcery

Thai amulets and talismanic charms can be a powerful tool to enhance one’s luck and good fortune. However, it’s important to understand that the power of these amulets is not just about wearing them or possessing them. The amulet itself is merely a tool to enhance one’s luck and good fortune, but it’s not a guarantee. It’s essential to pair these amulets with positive actions and a strong work ethic to increase the chances of success.

Somdej Mongkol Maha Lap Pim Prok Po Mae Chee Bun Ruean (3)

Additionally, the personal accumulated merits and good or bad Karma of each person play a significant role in one’s luck received from such types of wealth accumulation amulets. Therefore, it’s crucial to understand and accept personal responsibility for one’s life circumstances while utilizing these powerful tools to achieve financial success and abundance.

Lucky Fortunes

Thai amulets have been used for centuries as talismans to help improve one’s fortune. There are many types of amulets available, and some are specifically designed to bring wealth and gambling luck. However, it’s important to remember that these amulets work differently for different people, depending on their accumulated merits and good or bad karma.

Kumarn Spirit in Cave Meditating for Lottery

Wealth Rains From Heaven - Maha Lap

Types of amulets for wealth and gambling luck:

  1. Pra Pidta: The Pra Pidta amulet is a popular choice for those seeking wealth and good luck. The Pidta amulet is believed to bring great fortune to its wearer and help protect them from harm.
  2. Pra Somdej: The Pra Somdej amulet is one of the most revered amulets in Thai Buddhism. It’s believed to bring wealth, good luck, and protection to the wearer.
  3. Pra Chai: The Pra Chai amulet is another popular choice for those seeking wealth and good fortune. It’s believed to bring prosperity and success in business and personal life.
  4. Pra Nakprok: The Pra Nakprok amulet is a powerful talisman that’s believed to bring great wealth and prosperity to its wearer. It’s also believed to provide protection from danger and harm.
  5. Pra Lila: The Pra Lila amulet is a unique talisman that’s believed to bring good fortune and success in all areas of life, including finances, relationships, and health.
  6. Pra Rahu: The Pra Rahu amulet is a powerful talisman that’s believed to bring great wealth and success to its wearer. It’s also believed to provide protection from harm and danger.
  7. Pra Sangkajai: The Pra Sangkajai amulet is a popular choice for those seeking wealth and success. It’s believed to bring good fortune, prosperity, and happiness to its wearer.
  8. Pra Pikanes: The Pra Pikanes amulet is a popular choice for those seeking wealth and financial stability. It’s believed to bring good fortune and success in business and financial matters.
  9. Pra Nang Paya: The Pra Nang Paya amulet is another popular choice for those seeking wealth and prosperity. It’s believed to bring good fortune, success, and financial stability to its wearer.
  10. Pra Khun Phaen: The Pra Khun Phaen amulet is a powerful talisman that’s believed to bring great wealth, success, and good fortune to its wearer. It’s also believed to provide protection from danger and harm.

Siamese Sorceror performing Incantations in a dark cave with low candlelight, with a skull in his outstretched hands

Kata Hua Jai Nak Leng Siang Choke - Gambling Gangster Spell Tutorial

Conclusion:

Thai amulets can be a powerful tool for those seeking wealth and good fortune. However, it’s important to remember that these amulets work differently for different people, depending on their accumulated merits and good or bad karma. So, if you’re looking to improve your financial situation, consider getting a Thai amulet that’s designed specifically for wealth and gambling luck. Just be sure to choose an authentic amulet from a reputable source, and wear it with faith and reverence.

Somdej Pra Nakprok Amulets