Ancient Amulet Store – Purveyors of preferred Classic Thai Buddhist Amulets for the True Devotee and Distinguished Collector
Discover theĀ immensely deep and fascinating world of Vintage Thai Buddhist Amulets. Ancient Amulet is a long term established and internationally recognized Vintage Amulet Shop, and A Trusted Source for Classic Thai Buddhist Amulets for Devotees and Discerning Collectors, and is one of the many sub projects of informational sources created by Thai Amulet, Buddhism and Thai Occult Expert, Ajarn Spencer Littlewood . as part of his ‘Buddha Magic Project‘
Ancient Amulet provides authentic Antique and Rare Thai Amulets of the Pre and Early Post-Modern Era, of high esteem and Sacred Value, to revere, study and collect. Our Ancient Thai Buddhist Amulets are selected from the finest exhibits we can discover, and given diligent study and authentication processes. Our collection showcases time-honored amulets crafted by ancient masters, boasting captivating qualities and representing the esteemed Pra Niyom class. We offer authentic, highly valued ancient Thai Buddhist amulets from the pre and early post-modern eras, carefully selected from the finest exhibits and thoroughly examined. We invite you to study, revere, and collect these classic amulets from ancient masters, and to learn about their magical aspects and the art of amulet evaluation
Pra Pid Ta Nuea Bailan Pim Tok Rajah Wat Bang Sae 2540 with Certificate Por Tan Daeng (Luang Por Kron Lineage)
First edition certificated amulet of the Great Malaysian Monk Por Tan daeng, of Wat Koke Sai in Songkhla, this exhibit being the 1st edition 'Pim Wat Bang Sae' model, which emulates the style of the Pra Pid Ta of the Great Malaysian Monk Luang Por Tan Kron, of Wat Bang Sae. Released in the year 2540 BE, the amulet is made from Bailan Parchment powders, and is empowered with the ubiquitous Khom Aglkhara spells in ancient Khmer Sanskrit, used for the empowerment of this particular Wicha, used by Luang Por Kron for his Pra Pid Ta amulet.
Pra Kroo Aphai Sopon (Por Tan Daeng), of Wat Khok Sai, formerly the Abbot of Chana District, Songkhla Province, is a born indigenous citizen of Kelantan in Malaysia Por Tan Daeng is a direct disciple of Luang Por Kron, Bang Sae Temple, Malaysia. Por Tan Daeng has made many renowned and highly revered amulets over the years, which are all rare, due to him being the Looksit Aek first apprentice of the Great Luang Por Kron, and his Mastery of the continuance of the Magical Wicha of the Phra Pid Ta Wat Bang Sae (Malaysia)
The Pra Pidta Bang Sae, was made in various types of Muan Sarn Sacred Powders and Pim (models). They are considered powerful magical amulets, and a perfect alternative to the now almost impossible to find Pra Pid Ta of Luang Por Kron, as well as being considered beautiful pieces of miniature sacred art. The Pra Pid Ta Pim Wat Bang Sae is considered by aficionados to be worthy of collection, for the powerful consecration ceremony at Khok Sai Temple. There were many monks participating, including Por Tan Daeng, Ajarn Sri Ngern (abbot of Wat Don Sala), Por Tan Khun Thong, and Luang Por Sukh of Wat Duyong, Por Tan Chin of Wat Mueang Yala, Luang Por Hwaan, and many Khao or Master Monks from the Southern Provinces to attend.
Now he has passed away. He is a monk who is very worthy of worship. He was a straight-talking person who didn't mince words. He was diligent and strict in his ceremonies, whether it be during ordination or for rituals. Por Tan Daeng was also a preceptor (Upachaya Ordaining Officer). preceptors are specially entitled monks who are allowed to ordain others at their discretion.
Por Tan Daeng is known for his diligence and strictness in who he allows to ordain as a Monk, for he looks into the hearts of the disciple for his reasons for ordination, and protects the Buddha-Sasana (Buddhism), from losing its purity in the clergy, by preventing those with false intent to ordain, and only allowing those whose intentions are true to pass through the rite of ordination. To do this, they must practice and remain at the temple in white clothing as a lay practitioner for quite a time before they prove their worth. Por Tan Daeng is considered the Lineage Continuance Master of Luang Por Kron, of Wat Bang Sae, and hence is the Sentinel for the furtherance of the Wicha Pra Pid Ta of Wat Bang Sae, began by Luang Por Kron.
About Luang Por Kron;
Luang Por Kron, was not called so by Malays, as we call him in Thailand, rather, was named āTok Rajaā, which means ā as equal to the Sangha Rajaā The reason for this comes from a legend that the daughter of a powerful Sultan of Kalantan was cursed with a black magic spell, which caused his mind to become strangely affected, and even doctors and psychologists could not help to cure him, and even the Muslim witch doctors could not break the spell with their magic.
But Luang Por Kron was able to heal her, and return her to sanity. This caused LP Kron to recieve great respect from the Sultan who then gave him the honorary name of Tok Raja. His most preferred amulets are Pra Pid Ta Nuea Pong Kluk Rak, and the Rian Roop Dork Jik coin amulet.
Pra Pid Ta amulets, as well as Pra Pid Ta in form of Pha Yant, and Bucha statues, have been produced as objects of reverence and protection since very ancient times in Thailand. The artisans of that time created various styles and interpretations using the various periodic influences of Buddhist art and sculpture available at the time. Varios Deity forms were used to make the Pid ta posture (āPid Taā means ācovering the eyesā) ā various Buddhas or Bodhisattvas or Deities are fashioned into the posture of Pra Pid ta, or Pid Tawarn (meaning āclosing the orifices). Pid Tawarn can close 7, or 9 orifices (seven being called āPra Pid Sadtatawarnā and nine being called āPra Pid Navatawarnā).
The Pra Pid Ta is considered to be an amulet with āMaha Udā and āKong Grapanā power (invincibility and gunstopping power), but is also made as a wealth bringer, in which case, the amulet will be called āPra Pid ta Maha Lapā. In order to inflect a greater resonance for wealth attraction and auspicious blessings, in addition to the Maha Ud and Kong Grapan magic, ancient artisans sometimes would use the image of the Sangkajjaiyana Buddha of riches and happiness, and carve it in the Pid Ta posture.