Pra Khun Phaen Song Pol Nang Sum Ruean Gaew - Buddha seated in crystal arch on lotus dais, in Nuea Rae Dam Black Powders with Lek Lai and Sacred Minerals.

This amulet is somewhat of a Rarity and was made in small numbers pressed by hand at the temple, from the Great Pra Ajarn Nam, Olden Days Khao Or Master Monk of Wat Don Sala. Released Circa 2510 BE. Powerful Metta Maha Niyom, Maha Lap, Klaew Klaad, Maha Sanaeh and Kaa Khaay Magic is imbued.

This edition was made in various different kinds of Muan Sarn Sacred Powders, including Black Mineral Powders, Nuea Wan herbal Powders, and Nuea Wan with Gold Leaf. Some of the amulets were also smeared with a green herbal tincture by Por Tan Nam, which nobody really knows what it was, or why he did it. It is assumed of course though, that is was some kind of sacred tincture to charge the amulets with power.

The amulet is a Pim Yai (large model, measuring 5 x 3 Cm, and has an elegant undulation to the outer border of the amulet. The rear face reveals the immensely high concentrate of sacred elements and crystalline substances, in the black sacred powder Muan Sarn mixture, which has a coars appearance from the hand mixing and pressing, which is something you do not find hardly at all in modern era amulets, where mass pressing is the norm.

Olden days amulets did not have the same technology as the present day, which of course means that the olden days masters would mix and press the amulets by hand one by one, giving each amulet its own individual empowerment during the pressing.

This of course makes the amulet so very much more special than most of the modern era, and of course are for this reason also of a much higher sacred value as far as the faith of the devotee in the amulet is concerned.

Por Tan Nam of Wat Don Sala (Pattalung), was one of the Great protagonists of the Samnak Dtak Sila Khao Or School of Sorcery, and one of the Greatest Guru Masters of the Southern Thai Provinces of all History. His amulets, and Amulets made in his Image are considered to be Most Sacred with Thai people of the South.

His Role in the History and Legends of the Khao Or Magical tradition, and collaboration with the making of Amulets with this Grand and Large family of Sorceror Monks, who stem from a number of Famous temples within the Khao Or Tradition.

Por Tan Nam Ordained into the Sangha at the age of 20, but after some years disrobed to have a family, and lived as a Lay Master for many years. He learned Wicha with the Great bAjarn Tong Tao of the Dtamnak Dtak Sila Khao Or Southern Academy of Sorcery at Wat Khao Or,, from a very early age before even his first Ordination. When Ajarn Nam became older, in the year 2506, he became gavely ill, and was expected to die, but one of the Looksit of the Wat Khao or Temple, whilst in trance during a ceremony, is said to have been possessed with the spirit of Ajarn Tong Tao, who communicated that if Por Tan Nam would recover from his illness, he would have to Ordain again. Por Tan Nam heard this news and promised to ordain if he recovered, which he did. He then ordained again in 2506, and became Abbot of Wat Don Sala, until the day of his passing in 2519 BE. His Majesty the King performed the lighting of the Funeral Pyre at the Cremation of Por Tan Nam, lending great Honor to this great Master.

His amulets are as sacred and rare as they are priceless, and are amongst the most esteemed and collected amulets of the High End 'Pra Niyom' Collector Category.

These amulets are part of the famous Pantheon of 'Maha Wan' Herbal Powder base amulets, made by Por Tan Nam between 2510 and 2512 BE which are amongst the most highly regarded and revered amulets of the Historical Pantheon of Wat Don Sala. In those days, Pra Ajarn Nam and the great Ajarn Chum of the Dtamnak Dtak Sila would still use Sacred POwders from Luang Por King (Wat Ban Suan).

The amulets of the 2510 - 2512 BE Era were made after Por Tan Nam's second and final Ordination, and are famous for their content of Ancient Sacred Earthen and Powder Amulets of many Great Olden Days Masters, and the Maha Wan Herbal Powders of Pra Ajarn Nam mixed with his Pong Tang Ha Samrej 5 Sacred Yantra Powders. In these times, Por Tan Nam still mixed bis own powders and made his own Yantra Inscriptions

Always chant the Praise to Buddha first three times;

Na Mo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Na Mo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Na Mo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Chant 3 times on your knees with palms placed together, and bowing each time, with each palm to the floor and your outstretched thumbs touching at the tips, this leaves just enough space for the forehead to bow down and touch the floor between your two hands.

Then chant the refuge in the triple gem until entering Nirvana – chant with with hands raised in prayer, and bow after each line is finished;

Refuge;

Puttang Cheewidtang Yaawanippaanang Saranang Kyajchaami (bow once)

Tammang Cheewidtang Yaawanippaanang Saranang Kyajchaami (bow once)

Sankang Cheewidtang Yaawanippaanang Saranang Kyajchaami (bow once)

Tudtiyambpi;

Puttang Cheewidtang Yaawanippaanang Saranang Kyajchaami (bow once)

Tammang Cheewidtang Yaawanippaanang Saranang Kyajchaami (bow once)

Sankang Cheewidtang Yaawanippaanang Saranang Kyajchaami (bow once)

Dtadtiyambpi;

Puttang Cheewidtang Yaawanippaanang Saranang Kyajchaami (bow once)

Tammang Cheewidtang Yaawanippaanang Saranang Kyajchaami (bow once)

Sankang Cheewidtang Yaawanippaanang Saranang Kyajchaami (bow once)

Then you can chant Kata Pra Khun Phaen (3, 5, 7, 9 or 108 times)

Kata Pra Khun Phaen

Su Na Mo Ro Mo Ro Su Na Na Ma Pa Ta Ja Pa Ga Sa Na Maa Mi Hang

Alternatively, You can exchange the "L" of "Su Na Mo Ro" for an "R";

"Su Na Mo Lo Mo Lo Su Na Na Ma Pa Ta Ja Pa Ga Sa Na Maa Mi Hang"

After you finish chanting, take the amulet, and tap your forehead or the crown of your head before leaving the house each day.