
This list of Buddhist Guru Master monks will auto-update each time we add a new Master. Click each link in the list to view the amulets and read about each Guru Monk
- Ajarn Nong Wat Sai Khaw
- Luang Phu Yim Wat Nong Bua
- Luang Por An Wat Prayat
- Luang Por Daeng Wat Khao Bandai It
- Luang Por Glan Wat Prayat
- Luang Por Guay Chudtintaro Wat Kositaram
- Por Tan Nam Puttasaro Wat Don Sala
- Luang Phu Phueak Wat Ging Gaew
- Luang Phu Doo Wat Sakae
- Luang Por Chaeng Wat Bang Pang
- Luang Por Phaew – Wat Tanode Luang
- Luang Pu Seng Sopano Wat Kanlayanamit
- Luang Por Doon – Wat Buraparam
- Ajahn Chah Subhatto – Wat Nong Pha Pong
- Luang Phor Derm Phutthasaro of Wat Nong Pho
External Pages
- Luang Por Chuea Sugawanno (Wat Mai Bampen Bun)
- Luang Phu Nai – Wat Ban Jaeng (Ayuttaya)
- Luang Phu Rod (Wat Bang Nam Won)
- Luang Phu Kroo Ba Ban
- Luang Por Daeng Wat Khao Bandai It
- Luang Phor Noi Wat Dhamma Sala
- Luang Por Phang Jidtakudto
- Luang Phu Toop
- Luang Phu Yen
- Luang Por Parn Sunanto
- Luang Por Guay
- Luang Phor Sodh
- Luang Phor Raks (Wat Sutawat Vipassana)
- Luang Phor Kasem Khemago
- Luang Phu Kambu
- Luang Phor Chor
- Luang Phor Supot
- Luang Phor Simplii
- Luang Por Suang Apayo (Wat Chee Ba Khaw)
- Phor Tan Jao Khun Juea
- Luang Por Nok (Wat Sangkasi)
- Luang Por Lae Tidtappo (Wat Khao Song)
- Luang Por Hyord (Wat Gaew Jaroen)
- Luang Por Pring – Wat Bang Bakork
Ancient Pra Pid Ta Amulet Pim Chalud Yai Nuea Pong Jum Rak Chart LP Glin Wat Sapan Sung
The all time classic Pra Pid Ta Pim Chalud Nuea Pong Jum Rak amulet of Luang Phu Glin, empowered with the Wicha of Luang Phu Iam. Made using Sacred Yantra Powders, and 'Jum Rak Chart Daeng' red lacquer dipped. An eternal favorite of devotees around the world, from Luang Phu Glin, of Wat Sapan Sung
The Pra Pid Ta Wat of Sapan Sung Temple, is a Dtamra (legendary series) that spans over various generations of abbots, all of whom have managed to gain equal fame and high repote for their Pra Pid Ta amulets, all of which preserve the style and methods of the original Wicha made so famous by Luang Phu Iam. All editions of Pra Pid Ta Wat Sapan Sung are highly sought after. and seen as preferred Master Class category amulets (Pra Niyom), regardless from which Master they came from.
The Pra Pid Ta of Wat Sapan Sung is known in two major Pim (models), namely the Pim Chalud (Blind Man model), and the Pim Dtapap (Terrapin model). Mostly the amulets would be covered in Lacquer, with some very few exhibits in pure powders. Others can be found to have had the lacquer cleaned off them by devotees in later years.
It is known that Luang Phu Glin, one of the Great Masters of the Wicha Pra Pid Ta Wat Sapan Sung, was allergic to Lacquer, and so his versions never had lacquer on them applied by his own hand, and were pure powders, but would be then lacquered by the novice monks to assist Luang Phu, and also devotees in those days would often treat the amulets themself with lacquer. Luang Por Tong Sukh and Luang Phu Iam however, would more often than not dip the Pra Pid Ta in lacquer as a protective layer of their own accord, and their amulets are more often found in lacquered version than those of Luang Phu Glin.
Below; Luang Phu Glin, of Wat Sapan Sung
The Pra Pid Ta of Luang Phu Glin are considered equally powerful to those of his Mentor Luang Phu Iam, because during that time when LP Glin was making the amulets, he would always invite Luang Phu Iam to assist in the empowerment of the amulets, which means that both masters performed blessings in the Luang Phu Glin Series of Amulets.
All masters have followed the same design and method of lacquering, resulting in the amulets of each master being very similar in design, and mostly can only be differentiated by estimation of the age of the lacquer and Muan Sarn Sacred Powders in order to determine which Generation of Master the amulet came from.
Luang Phu Glin was hence the Kroo Ba Ajarn who passed on the Wicha to the Great Luang Por Tong Sukh, whose Pra Pid Ta are regarded with equal reverence and faith in their power as those of his lineage mentors Luang Phu Iam and Luang Phu Glin.
In the year 2482 BE, Luang Phu Glin passed away, and Luang Por Tong Sukh was given the emergency status of temporary Abbot until 2490 BE, after which he was officially instated by the Sangha Comittee as Abbot with full documentation and Royal decree. He performed his duties and continued the work of Luang Phu Iam and Luang Phu Glin, and was now the new Master and Guardian of the Wicha Pra Pid Ta Wat Sapan Sung, as the third important master of the lineage Wicha.
It is said that the Pra Pid Ta amulets of all three Masters are collected with equal fervency and preference by devotees, the only difference between the amulets of these three masters being the age and the price. Amulets from all three masters possess the original powders of Luang Phu Iam.
There are two major models (Pim) of Pra Pid Ta Wat Sapan Sung; the Pim Cahlud, and the Pim Tapap. Both the Pim Chalud and the Pim Tapap models are very highly revered and sought after, with his most preferred and rarest models being the Pim Sader Jun, Sader Bum,, and the Pim Sorng Sader (2 belly buttons), and the Pim Tapap (Terrapin Model).
The Pim Sader Jun is very rare, made in the year 2495 BE, and fetches very high prices on the marketplace, starting at about 1000$ and upwards. However, it is a fallicy that the Pim Sader Jun was only pressed in 2495 BE, as Luang Por Tong Sukh kept pressing the Sader Jun amulets with the very same block press until it broke sometime between the years 2510 BE and 2520 BE. The Pim sader Jun and Pim Sorng Sader remain his rarest and most highly valued models, fetching extremely high prices with collectors.
The Pra Pid Ta Wat Sapan Sung are highly renowned for their powers of Maha Pokasap Metta Maha Niyom Klaew Klaad Kong Grapan Chadtri, to bring great wealth and protection to the wearer. How to Chant Kata Pra Pid Ta Chanting Tutorial is included as a mp4 download after purchase of this amulet in your account under the file downloads section.
Kata Pra Kawambadee
(This kata is for increasing ones wealth and belongings and good fortune);
Namo Puttassa Kawambadtissa
Namo Tammassa Kawambadtissa
Namo Sangkassa Kawambadtissa
Sukha Sukha Warang Na Mo Puttaaya Ma A U
Tugkhang Anijjang Anatta Jewa Segkhaa Tammaa Yataa Put Mo Na

