Presenting a tiny but powerful and rare classic amulet from one of the Great Khao Or Masters of the 20th Century, Rian Glom Lek Hlang Chedi 2505 BE Nuea Tong Daeng Miniature Guru Monk Coin Por Tan Klai Wajasit
This Sacred amulet of the Great Khao Or Master of Nakorn Sri Tammarat, Master of Wat San Khan and Wat Pratat Noi, is a very rare amulet from Por Tan Klai’s 2505 BE Blessing Ceremony Edition, and is considered a ‘Jaek mae Krua’ type amulet (meaning ‘give to the kitchen maids and temple helpers’), which is suitable not only for men, but due to its miniature size, a perfect amulet for ladies or children to wear.
Rian Glom Lek 2505 BE Por Tan Klai Wajasit Wat Suan Khan
The 2505 BE edition of amulets of Por Tan Klai, is a highly preferred edition, which saw his famous ‘Rian Glom’ round Monk coin amulet with Chakra released, The Rian Glom Lek Hlang Chedi, and the Roop Tai Por Tan Klai Guru Monk Blesséd Photographamulets such as look om chan hmak and ya sen tobacco balls, and sacred powder amulets of various models.
A very rare and highly prized amulet for the devotees of Por Tan Klai to associate with his image and pray to him with a blessed image of the Guru, and the Chedi Relic Stupa on rear face for Buddhanussati and Marananussati. A powerful and Sacred amulet which has passed through the hands of the Guru and been blessed by him.
Por Tan Klai was one of the Top Guru Master Monks of the Last Century, and is considered one of the Four Great Masters of the Previous Generation of Lineage Masters of the Khao Or Southern Sorcery Lineage.
Kata Bucha Por Tan Klai
An extremely rare, highly valuable, and old Suea Yant Kong Grapan Chadtri Klaew Klaad Maha Ud Serm Yos, in pristine condition, with a plethora of Sacred Yant emblazoned on the Sacred yantra shirt, which is of course an undervest for protection, invincibility, commanding power, mercy charm, and evasion of dangerous and inauspicious circumstances. This exhibit is one of the rarest items one could encounter, from Olden Days Sak Yant Thai Temple Tattoos Master, Luang Por Lae, of Wat Pra Song, in Petchburi.
Luang Por Lae was a respected Thai Buddhist monk known for his expertise in creating Sak Yant tattoos, which held significance in Thai culture and spirituality. His skills had been honed through training from various accomplished masters in the field, and his tattoos had been sought after for their spiritual significance and protective qualities.
The Suea Yant is in Ochre (Jivara Monk Robe Silken fine-weave Linen Cloth), and has incredibly sharp and clear details on the Sacred yant embossed, each Yant in extreme detail with complex Buddhist and Occult Formulas of Spell inscriptions in ancient Khom Agkhara, filling and surrounding each Yantra spell. The amalgamation of all these different Yant forms an Adamantine spiritual crystal wall of Buddhas, Bodhisattvas, Herukas and Dakinis, devas, Himapant Protective Deities, the Ruesi, and the Hindu Trinity to protect and serve to bless in all areas of life.
Below; Yant Grao Paetch Diamond Armor Yantra
The below image shows a Buddha Yantra on the shoulder, with the 4 elements incantation 'NA MA PA TA' and eight 'A' syullables (for 'Arahang'/ASrahant/Buddha). Below that is another Yant Ongk pra Buddha-Yantra, and a Yant Pra Pid Tawarn 6 armed Nirodha Buddha image. Below that is a Magic Square yant with the Itipiso mantra, 'A SANG WI SU LŌ BU SA PU PHA' (Kata Novahorakun), and 'NA MŌ PUT TĀ YA' (Kata Pra Putta Jao Ha Pra Ongk).
Luang Por Lae Tidtappo of Wat Pra Song in Petchburi, was a direct Looksit apprenticed in Dhamma and Sorcery to two of the Greatest Masters of Olden Days, the legendary Luang Por Tong Sukh of Wat Tanode Luang, and Luang Por Plern of Wat Nong Mai Luang. Luang Por Lae was born in the year 2459 on the 19th June, in Tambon Rai Makham in Ban Lard, Petchburi Province. He was ordained into the Buddhist Sangha at the age of almost 20 Years old on the 24th of May 2499.
Luang Por Lae was a Thai Buddhist monk who was renowned for his expertise in creating Sak Yant tattoos. Sak Yant tattoos were sacred designs, often representing Buddhist symbols, that were traditionally inked onto the skin. Luang Por Lae was well-known for his proficiency in this art form and had received training from respected teachers, especially in the field of high-level spiritual tattoos.
He had learned and honed his skills in Sak Yant from several accomplished Ajarns (masters), particularly those who specialized in the enhancement of spiritual insight through tattoos. Luang Por Lae had created various Sak Yant designs, which were typically intricate patterns with deep spiritual significance in the Buddhist tradition. These tattoos were considered to be a form of protection and carried spiritual power.
Below; Yant Rachasri
Luang Por Lae's mastery in Sak Yant had earned him a prominent place in the realm of Thai Buddhism and culture. His work had been highly regarded for its artistic and spiritual value, and his tattoos were often sought after by those seeking spiritual guidance and protection.
Luang Por Lae studied Sorcery with a total of 14 different Masters; LP Plern (Wat Nong Mai Lueang), LP Tong Sukh (Wat Tanode Luang), LP Chit (Wat Maha Tat Petchburi), LP Soke (Wat Pak Klong), LP Pan, LP Te, LP Chaem, LP Bun, LP Rod (Wat Nai Roeng), LP Rod (Wat Bang Nam Won), LP Rung Wat Ta Graber, LP Jong (Wat Na Tang Nork), LP Derm (Wat Nong Po), and Luang Por Ee (Wat Sattaheeb).
Below; Yant Bua Gaew Paed Gleep (Paed Tidt)
Luang Por Chit of Wat Mahatat, taught him the adept levels of Wicha Horasart (Astrology and Fortune Telling), and it is said that Luang Por Lae attained the 6th sense in this Wicha, and was able to foresee future events. Luang Por Soke of Wat Pak Klong in Ban Laem taught Luang Por Lae the Wicha Pra Khan (Sceptre, Ritual Dagger and Wands Magic). Luang Por Pan of Wat Mahatat Voravihanr taught Luang Por Lae the Wicha of Takrut Tone and Takrut Faed amulets.
The Great Luang Por Plern of Wat Nong Mai Luang, Famous for Wicha Hwaen Pirod, and Kong Grapan Magic passed on his magical secrets to Luang Por Lae. Luang Por Tong Sukh, Wat Tanode Luang, who taught him to perform Wicha Sak Yant Kroo, which was the most powerful Yant in his particular Magical Dtamra, namely the Yant Hua Jai Pra Ram (Heart of Rama Yantra), which controls the powers of all other Yant which are tattooed thereafter on the devotee, including the Ling Lom Vanora, Hanuman, & Gold and Silver Hongsa Swans.
He was taught the Wicha Sak Yant Maha Maekh from Luang Por Dtor and Kun Por Jantr of Wat Khao Wang in Petchburi, and after their passing, for a long time, Luang Por Lae remained the only Monk able to perform this Wicha.
Below; Yant Ongk Pra, with Khom Inscriptions which translate roughly as "I believe and have faith, in the Buddha in the Center of the Lotus"
In the year 2489, an event happened that caused Luang Por Lae to receive a shock, as he was staying at Wat Maha Tat, where some terrible news about his family home had been broken into by marauders, who killed his mother and siblings (his father had already passed away beforehand). The only thing left in the home was a piece of gold weighing 100 Grams which the thieves had dropped as they fled the house, which Luang Por Lae had to use to cash in to pay for the funerals of his mother and siblings.
Because of this sad event, Luang Por Lae decided to go and practice Tudong solitary forest wandering on foot, throughout the land. He decided to do this in order to master powerful Wicha, in order to be able to help people in future to prevent such terrible events from happening, and to be able to perform magical miracles to protect people from being harmed, as his own family had been.
Below; Pictorial and Geometric Yant in combination
He wandered through the then still wild and undeveloped areas between Petchburi and reached as far as Nakorn Pathom province on foot, and met with and practiced many forms of Wicha with various great Masters of that time, in particular, the Wicha Kala ta Diaw Rahu Om Jantr (one-eyed coconut Pra Rahu Maha Ud Gunstopper spell), and the Wicha Serm Duang Karma Improver spell of Luang Por Chaem, of Wat Ta Gong. He then Mastered the Wicha Na Hnaa Tong Golden-faced Lakshman gold leaf forehead blessing from the Great Luang Por Te of Wat Sam Ngam, the Wicha Pong Jinda manee, and Wicha Bia Gae Cowrie Shell amulet making spell from Luang Por Bun of Wat Klang Bang Gaew.
Below; the 14 Kroo Ba Ajarn of Luang Por Lae
After this, he traveled onwards to Samutr Sakorn, and Mastered further Wicha; Wicha Choo Chok with Luang Phu Rod of Wat Bang Nam Won, and the Wicha Takrut Mai Phai (bamboo Takrut). As Luang Por Lae approached Bangkok, he passed by Tonburi, and furthered his Wicha Bia Gae with Luang Phu Rod of Wat Nai Rong, in Taling Chan Municipality. Then he traveled even further into the Province of Ayuttaya, and learned the Wicha Takrut Puang, and the Wicha of the Yant Hua Jai Pla Tapian Maha Lap from the Great Luang Por Jong of Wat Na Tang Nork. And even further on he traveled Northwards to Nakorn Sawan, to Master the Wicha Sastra Mitmor Ritual Knife making, with the Legendary Luang Por Derm, of Wat Nong Po.
Then he traveled back Eastwards, to learn the Wicha Palad Khik with his Kroo Ba Ajarn Luang Por Ee, of Wat Sattaheeb. Luang Por Lae then went back to Petchburi and used his Wicha to help the Local Devotees and later became Abbot of Wat Pra Song. Luang Por Lae passed away in the Year 2551 BE on the 10th March, at the age of 92 years old.
Wicha Sak Yant LP Lae
Luang Por Lae was famous for his Sak Yant tattoos with his special formula of Nine types of Hanuman/Vanora. However, it is said that after the occasion of having tattooed a 'very important person' he desisted from tattooing the 9th Hanuman and Hanuman number 10, and only would tattoo up to 8 of them on any one person. His amulets are a cult niche collectors material, and are always difficult to find, for it is indeed true, that his Devotees in Petchburi and surrounding province, are so possessive and non-commercial with them that only few amulets from this master ever get to leave the locality, and have mostly been kept within the fold of his parishioners. He is of course an especially revered master to those who are devotees of Sak Yant tattooing, and of those who have become enchanted with the many forms of amulet he made during his lifetime, such as a large array of Hanuman amulets, Ganesha, Taw Waes Suwan, and Por Gae Lersi amulets which were made from hand-carved ivory. He has one of the more attractive pantheons of amulet designs within his magical trajectory, and many of his amulets are considered to be pieces of fine miniature Buddhist art in their own right. He is also a highly regarded historically famous master, due to the fact that he learned under tutelage in Sorcery and Dhamma, from the incredible number of 14 other great Guru Master Ajarn, who bestowed him with their Wicha.
