Presenting a tiny but powerful and rare classic amulet from one of the Great Khao Or Masters of the 20th Century, Rian Glom Lek Hlang Chedi 2505 BE Nuea Tong Daeng Miniature Guru Monk Coin Por Tan Klai Wajasit
This Sacred amulet of the Great Khao Or Master of Nakorn Sri Tammarat, Master of Wat San Khan and Wat Pratat Noi, is a very rare amulet from Por Tan Klai’s 2505 BE Blessing Ceremony Edition, and is considered a ‘Jaek mae Krua’ type amulet (meaning ‘give to the kitchen maids and temple helpers’), which is suitable not only for men, but due to its miniature size, a perfect amulet for ladies or children to wear.
Rian Glom Lek 2505 BE Por Tan Klai Wajasit Wat Suan Khan
The 2505 BE edition of amulets of Por Tan Klai, is a highly preferred edition, which saw his famous ‘Rian Glom’ round Monk coin amulet with Chakra released, The Rian Glom Lek Hlang Chedi, and the Roop Tai Por Tan Klai Guru Monk Blesséd Photographamulets such as look om chan hmak and ya sen tobacco balls, and sacred powder amulets of various models.
A very rare and highly prized amulet for the devotees of Por Tan Klai to associate with his image and pray to him with a blessed image of the Guru, and the Chedi Relic Stupa on rear face for Buddhanussati and Marananussati. A powerful and Sacred amulet which has passed through the hands of the Guru and been blessed by him.
Por Tan Klai was one of the Top Guru Master Monks of the Last Century, and is considered one of the Four Great Masters of the Previous Generation of Lineage Masters of the Khao Or Southern Sorcery Lineage.
Kata Bucha Por Tan Klai
Pra Luang Por Tuad Pim Tap Reed Yai Wat Chang Hai, in Nuea Din Kakyayaks sacred marsh peat, released in the year 2513 BE, commissioned by Pra Kroo Bai Diga Khaw, who was the succeeding abbot of Wat Chang Hai after the passing of the previous abbot Ajarn Tim, maker of the 2497 first ever edition of LP Tuad amulets.
This Pim (Model) is in excellent pristine condition, with fully detailed features, and contains Sacred Muan Sarn and Broken Amulets from first edition 2497 Luang Phu Tuad Wat Chang Hai Amulets, and a host of other Sacred Powders, such as Din Kakyayaks, from the sacred Marsh of Luang Phu Tuad in Yala. The Pim Tao Reed amulets were pressed from one of the original block press used by Luang Phu Tim of Wat Chang Hai. Pra Kroo Bai Diga Khaw, was abbot of Wat Chang Hai, from the years 2512 to 2521 BE, and was the real blood nephew of Ajarn Tim himself.
It s said that the Pra Luang Phu Tuad Pim Tao Reed Yai 2513 BE was actually made and blessed over the preceding years before the passing of, and by Ajarn Tim himself, and that Pra Kroo Bai Diga Khaw released them after his passing in 2513, but there has till now been no documentation surfacing to confirm whether Ajarn Tim himself made them, or Pra Kroo Bai Diga. Our proprietor Ajarn Spencer says the answer lies in the ability to view the Muan Sarn powders and know the age of the amulet through the years of experience of viewing, that an expert possesses. For Ajarn spencer himself, he says the Muan Sarn of the surface of the amulet is of an age that is older than 2513 BE, and is hence probably made by Ajarn Tim himself.
Either way, what is recorded in the temple is that these amulets contain a massive amount of broken amulets of the first edutuion 2497 BE Luang Por Tuad amulets, which made this series considered to be extremely powerful, and that this series has a particularly strong admixture of sacred Muan Sarn Powders, with all the same miraculous properties attributed to the LP Tuad 2497 BE amulet and the power of the Famously Powerful and Rare 'Din Kakyayaks' Magickal Peat Earth remaining from the 2497 BE first ever edition of Luang Phu Tuad amulets present within.
The Pra Luang Phu Tuad 2513 series began with little fame, as it was dfistributed during a time when many traveling vaudeville theater performer were passing through the temple and renting amulets, and they used them as part of their show, which consisted of stabbing one of the artists, but they found out that they were unable to use the knives on their accomplice for the magic trick, when accompanied by the amulet, so they began to sell them to the circus show visitors.
At first, people didn't think they were real Wat Chang Hai amulets, until as we know, 'Time always Tells', and people began experiencing miraculous events, and some devotees went to Wat Chang Hai to confirm and investigate, and the truth came out. The series became then very highly regarded for its Kong Grapan Klaew Klaad and Maha Lap Serm Duang magical porperties, and for the high possibility of the amulet being made and blessed by both Ajarn Tim and Pra Kroo Bai Diga Khaw, two great abbots of Wat Chang Hai, who were also Uncle and nephew.
The fact that the traveling performing artists took the amulets around the whole country, through every province, means that this amulet, despite being rare, when seen, may be found in any province of Thailand, not only the south, because it was distributed through the traveling artist devotees of Wat Chang Hai
Kata Bucha Luang Phu Tuad
Namo Potisadto Aakandtimaaya Idti Pakawaa
Namo Potisadto Aakandtimaaya Idti Pakawaa
Namo Potisadto Aakandtimaaya Idti Pakawaa
